The Next Reel Film podcast

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<div class="span index">1</div> <span><a class="" data-remote="true" data-type="html" href="/series/species-unite">Species Unite</a></span>

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Species Unite

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منذ 3 hoursمنذ 3h ago

إلغاء الاشتراك

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Stories that change the way the world treats animals.

The Next Reel Film Podcast

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A show about movies and how they connect. We love movies. We’ve been talking about them, one movie a week, since 2011. It’s a lot of movies, that’s true, but we’re passionate about origins and performance, directors and actors, themes and genres, and so much more. So join the community, and let’s hear about your favorite movies, too. When the movie ends, our conversation begins.

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The Next Reel Film Podcast

updated منذ 6 أيام

منزل السلاسل•Feed

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#Cinema #TruStory FM #Film #Filmcommentary #Moviereviews #Movies #Review

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The Next Reel Film Podcast

1
Ju-on: The Curse 1:08:07

منذ 6 أيام1:08:07

التشغيل لاحقا

قوائم

إعجاب

احب

1:08:07

“The family that used to live there, they all either died or went missing.” From V-Cinema to Global Horror: The Birth of Ju-on Takashi Shimizu's Ju-on: The Curse (2000) emerged from two successful short films to launch one of Japan's most influential horror franchises. Originally released direct-to-video as part of Japan's V-Cinema movement, this low-budget supernatural horror film established the haunting mythology of Kayako, Toshio, and their curse that would eventually reach global audiences. Join us—Pete Wright and Andy Nelson—as we kick off our Silver Screams: 25 Years of Ju-on series with a conversation about Ju-on: The Curse . Breaking Down the Curse We dive deep into the film's non-linear narrative structure, discussing how the six interconnected stories build a compelling mythology around the cursed house. We explore how Shimizu masterfully creates tension through minimal effects and strategic camera placement, particularly praising the effective use of still shots and lighting to build dread. Narrative Complexity and Character Connections We spend considerable time untangling the film's timeline, tracking how characters like Kobayashi, the Murakami family, and the real estate siblings connect to the central curse. Andy particularly appreciates how the film subverts traditional ghost story resolution tropes, while Pete notes the innovative approach to spiritual connection through the sake-drinking test. Key discussion points include: The original curse's creation through Takeo's jealous rage How the curse spreads beyond the house's physical boundaries The significance of Toshio's cat sounds and appearances Cultural context of home visits by teachers The effectiveness of low-budget horror techniques Comparison to other J-horror franchises like Ring Technical Achievement and Legacy We both praise Shimizu's ability to create genuinely unsettling moments despite budget constraints, particularly highlighting scenes like Kayako's stair-crawl and Toshio's classroom appearance. We discuss how these techniques would influence both future installments and Western horror cinema. A Franchise Foundation While acknowledging some rough edges in dialogue and performance, we agree that Ju-on: The Curse successfully establishes the franchise's core elements of cyclical fatalism and inescapable supernatural vengeance. The conversation touches on how these themes would be developed in subsequent films and international remakes. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! 🎬 Watch & Discover 🎥 See Our Full Conversation on YouTube 🍿 Watch Takashi Shimizu’s Short Films Katasumi and 4444444444 (1998) 🍿 Watch the Film: Amazon | Letterboxd 📽️ Original Theatrical Trailer Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

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Ballerina 1:09:59

منذ 13 يومًا1:09:59

1:09:59

“Fight like a girl.” Dancing with Assassins: The Latest Chapter in the John Wick Universe Ballerina , released in 2025, expands the John Wick universe with Ana de Armas stepping into the lead role as Eve, a trained assassin seeking revenge. Director Len Wiseman, known for the Underworld series, takes the helm with a reported $90 million budget. The film, originally a spec script by Shay Hatten, was adapted to fit within the John Wick timeline, specifically during the events of John Wick: Chapter 3 - Parabellum . Join us—Pete Wright and Andy Nelson—as we continue the John Wick series with a conversation about Ballerina . A Complicated Dance with Continuity We explore how Ballerina integrates into the established John Wick timeline, with particular attention to the film's placement during the events of Chapter 3 . We discuss the challenges of maintaining continuity while expanding the universe, especially regarding John Wick's involvement despite his excommunicado status. Action Sequences and Choreography We highlight several standout action sequences, including the innovative plate fight in an Alpine restaurant, the grenade battle with the arms dealer, and the climactic flamethrower sequence. We both agree that while the stunts may not reach the heights of previous John Wick entries, they maintain the franchise's high standards for action choreography. Script and Story Elements Pete expresses concerns about the script's dialogue and character development, while Andy finds the writing serviceable within the established universe. They debate the effectiveness of the Cult as antagonists and the integration of Eve's personal story into the broader John Wick mythology. Key discussion points include: The integration of ballet themes and training into the assassination world Ana de Armas's performance and physical commitment to the role The expansion of the John Wick universe beyond Keanu Reeves The potential future of the franchise and announced spinoff projects The film's box office performance and implications for future installments The role of Winston and the Continental in the broader narrative Technical achievements in stunt work and practical effects Final Thoughts While we both agree Ballerina may be the weakest entry in the franchise thus far, we find enough merit in its action sequences and world-building to recommend it as a worthy addition to the John Wick universe. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! 🎬 Watch & Discover 🎥 See Our Full Conversation on YouTube 🍿 Watch the Film: Apple TV | Amazon | Letterboxd 📽️ Original Theatrical Trailer Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

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Rock ’n’ Roll High School • Member Bonus 11:56

منذ 20 يومًا11:56

11:56

“On behalf of the students from Vince Lombardi High who are here tonight, I'd just like to say one thing: Screw you, Principal Togar, we made it to the concert anyway!” Rock 'n' Roll Rules the School: A Corman Classic Gets Wild Rock 'n' Roll High School (1979) emerged from Roger Corman's desire to tap into the teen movie craze following the success of Grease . Originally conceived as "Disco High," the project evolved when director Allan Arkush convinced Corman to feature punk rock instead, ultimately landing The Ramones as the film's musical stars. With a modest budget of $200,000, Arkush (with uncredited help from Joe Dante) crafted a frenetic comedy that would become a beloved cult classic. Join us—Pete Wright and Andy Nelson—as we continue the Roger Corman series with a conversation about Rock 'n' Roll High School . A Perfect Storm of Punk and Comedy Pete and Andy dive into their shared enthusiasm for this high-energy film, with both hosts expressing particular delight in its escalating absurdity. They discuss how the movie consistently takes every scene one step further than expected, from exploding mice to Eaglebauer's elaborate underground operation run from a TARDIS-like bathroom stall complete with his own secretary. Performance and Characters The hosts praise P.J. Soles' performance as Riff Randall, noting how effectively she carries the film despite being 29 playing a teenager. They discuss Mary Woronov's memorable turn as Principal Togar, and Clint Howard's scene-stealing role as Eaglebauer, the school's underground fixer. Key Discussion Points: The film's surprisingly chaste nature for a Corman production The Ramones' presence and performance throughout the film The movie's unique position in the teen film genre The satirical elements of high school authority The film's remarkable influence on later teen comedies Legacy and Impact Pete and Andy reflect on how Rock 'n' Roll High School fits into both the teen movie genre and the Corman catalogue, noting its distinctive blend of music, comedy, and rebellion. They discuss its theatrical release strategy and eventual success as a midnight movie favorite. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at Letterboxd Theatrical trailer…

The Next Reel Film Podcast

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F1 • Member Bonus 1:13:27

منذ 7 weeks1:13:27

1:13:27

“When was the last time you won a race?” Racing to Victory: Apple's F1 Brings Hollywood Formula to the Track Joseph Kosinski's 2023 film F1 represents Apple's ambitious entry into big-budget theatrical releases, with a reported $300 million budget and unprecedented integration of real F1 racing footage, teams, and personalities. Starring Brad Pitt as aging driver Sonny Hayes alongside Damson Idris as hotshot rookie Joshua Pearce, the film follows the struggling Apex racing team's efforts to avoid being sold off by winning races in their final season. Join us—Pete Wright and Andy Nelson—as we add a member bonus episode to our Car Racing series with a conversation about F1 . Technical Achievement Meets Hollywood Formula Pete and Andy explore how F1 breaks new ground in racing cinematography while adhering to familiar storytelling tropes. Pete celebrates the film's unprecedented access to actual F1 races and integration of real personalities like Lewis Hamilton, while Andy notes the predictable character arcs and relationship dynamics. Team Dynamics Take Center Stage The hosts dive deep into how F1 uniquely showcases the team aspect of Formula One racing, from the intricate pit crew choreography to the engineering challenges faced by Kerry Condon's character Kate. They discuss how the film illuminates the massive financial stakes and technical complexity of modern F1 racing. Key Discussion Points: The innovative filming techniques used to capture authentic race footage Brad Pitt's character as an agent of controlled chaos on the track The integration of real F1 personalities and locations Apple's unprecedented marketing approach including haptic trailers The balance between technical authenticity and Hollywood conventions The not-so-great representation of female characters, particularly Kerry Condon's role The film's handling of team dynamics versus individual achievement Final Thoughts While Pete enthusiastically embraces the film's technical achievements and racing sequences, Andy appreciates the detailed look at F1 team operations while expressing frustration with conventional plot elements. Both hosts agree the film succeeds in showcasing the collaborative nature of modern Formula One racing. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! 🎬 Watch & Discover 🍿 Watch the Film: Apple TV | Amazon | Letterboxd 📽️ Original Theatrical Trailer Want More? This is a member bonus episode! While we'd love your support, you'll love what membership brings: monthly bonus episodes like this one, ad-free listening, early releases, exclusive Discord channels, and voting rights on future member movies. It truly pays to be a member. Ready to join? Visit TruStory FM to learn more about supporting The Next Reel Film Podcast through your own membership .…

The Next Reel Film Podcast

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Forbidden World • Member Bonus 13:12

منذ 7 weeks13:12

13:12

“It's simplifying the cells, until there's no difference between a cell in your eye or your toe.” Alien Ripoffs, Mutations, and Space Station Romance In 1982, legendary B-movie producer Roger Corman released Forbidden World , a low-budget sci-fi horror film that shamelessly borrowed elements from Ridley Scott's 1979 classic Alien . Directed by Allan Holzman and starring Jesse Vint and June Chadwick, this exploitation flick follows a space marshal investigating a deadly mutant creature on a remote research station. Join us—Pete Wright and Andy Nelson—as we continue the Roger Corman series with a conversation about Forbidden World . We dive into the schlocky delights of this Alien knockoff, from its cheap special effects to its gratuitous nudity. We discuss the film's place in Corman's canon of quickly produced, low-budget genre fare, and how it compares to other Alien imitators of the era. We highlight some of the more memorable aspects of Forbidden World , including: The film's creative use of recycled sets and footage from other Corman productions like Battle Beyond the Stars The surprisingly effective creature effects, despite the obvious budget constraints The scene-stealing performance of Fox Harris as the eccentric Dr. Cal The copious amounts of female nudity, a hallmark of many Corman productions We also touch on some of the film's shortcomings, such as its derivative plot, uneven pacing, and occasional lapses in logic. However, we both agree that Forbidden World delivers exactly what it promises—a cheesy, exploitation-laden sci-fi romp that's perfect for fans of low-budget genre cinema. Additional topics covered in the conversation include: The film's not-so-subtle sexual undertones Corman's influence on the careers of many notable filmmakers, including James Cameron, who worked on Forbidden World 's art direction The effectiveness of the film's practical effects, particularly the gory scenes involving the mutant creature In conclusion, while Forbidden World may not be a cinematic masterpiece, it's an entertaining example of the type of low-budget genre filmmaking that Roger Corman excelled at producing. We have a great time discussing this schlocky 1982 Alien knockoff, praising its creative practical effects and cheesy exploitation elements while also acknowledging its numerous flaws. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at Letterboxd Theatrical trailer Want More? This is a member bonus episode! While we'd love your support, you'll love what membership brings: monthly bonus episodes like this one, ad-free listening, early releases, exclusive Discord channels, and voting rights on future member movies. It truly pays to be a member. Ready to join? Visit TruStory FM to learn more about supporting The Next Reel Film Podcast through your own membership .…

The Next Reel Film Podcast

1
The Art of Racing in the Rain 1:01:04

منذ 8 weeks1:01:04

1:01:04

“Somewhere, the zebra was dancing.” Racing Through Emotions: A Dog's Tale of Life on and off the Track The Art of Racing in the Rain , Simon Curtis's 2019 adaptation of Garth Stein's beloved novel, brings together the worlds of professional racing and canine companionship. With Milo Ventimiglia as aspiring race car driver Denny Swift and Kevin Costner as the voice of his philosophical dog Enzo, the film attempts to merge multiple genres while exploring life's deeper meanings through the unique perspective of man's best friend. Originally developed in 2009 with Patrick Dempsey attached to star, the project ultimately became the first film released by Fox after Disney's acquisition. Join us—Pete Wright and Andy Nelson—as we continue the Car Racing series with a conversation about The Art of Racing in the Rain . A Different Kind of Racing Film We discuss how The Art of Racing in the Rain diverges significantly from traditional racing films, focusing more on relationships and life lessons than actual racing. We explore how the film's title, while creative, may have set incorrect expectations for viewers seeking high-octane racing action. In our discussion, we examine how director Simon Curtis handles the balance between the racing elements and the more emotional family story. Narrative Choices and Character Development We dive deep into the film's narrative structure, particularly questioning the effectiveness of Kevin Costner's voicework as Enzo. We debate the decision to maintain Costner's mature voice throughout the dog's life and discuss how the highly sophisticated vocabulary and philosophical musings of the canine narrator impact the viewing experience. Our conversation explores whether the anthropomorphization of Enzo helps or hinders the story's emotional impact. Key Discussion Points: The film's position as both a racing movie and a dog movie The effectiveness of the racing sequences versus the family drama The surreal zebra hallucination sequence as a standout moment The handling of serious themes like illness and custody battles How the movie handles its metaphysical elements Final Thoughts While we acknowledge the film's appeal to certain audiences, we ultimately find ourselves disconnected from its emotional core. We discuss how The Art of Racing in the Rain represents a departure from traditional racing films and debate whether its attempts to blend genres succeed. Regardless, we have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

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Ford v Ferrari 1:00:22

منذ 9 weeks1:00:22

1:00:22

“We're lighter, we're faster, and if that don't work, we're nastier.” Racing Against Corporate Politics: Ford v Ferrari (2019) James Mangold's Ford v Ferrari dramatizes the true story of Carroll Shelby and Ken Miles' quest to build a Ford race car capable of defeating Ferrari at the 24 Hours of Le Mans. Originally developed under the title "Go Like Hell" with Michael Mann attached to direct, the film evolved into a $97.6 million production examining the tension between passionate racers and corporate oversight. Join us—Pete Wright and Andy Nelson—as we continue the Car Racing series with a conversation about Ford v Ferrari . Corporate Dynamics vs Racing Spirit Pete and Andy explore how the film's real conflict isn't between Ford and Ferrari but rather between passionate racers and corporate bureaucracy. They discuss how Josh Lucas's portrayal of Leo Beebe represents the film's true antagonist, though historical accounts differ on the extent of his interference. The hosts particularly appreciate Tracy Letts' nuanced performance as Henry Ford II, especially the emotional test drive scene that reveals the human side of the corporate titan. Technical Achievement and Historical Accuracy The conversation delves into the film's impressive racing sequences, which combined practical effects, camera rigs, and minimal CGI to create authentic period racing footage. Pete notes how the film manages to make the potentially tedious 24-hour race engaging while maintaining historical accuracy about Ferrari's mechanical failures and the controversial photo finish ending. Key discussion points include: Christian Bale's embodiment of Ken Miles versus Matt Damon's interpretation of Carroll Shelby The family dynamics between Miles, his wife Molly, and son Peter How the film explains complex racing concepts through natural character interactions The significance of the "7000 RPM" moment as both character development and historical commentary The hosts' differing views on whether the title Ford v Ferrari accurately represents the film's core conflict Legacy and Impact Pete and Andy reflect on how Ford v Ferrari succeeds where previous racing films struggled, balancing technical detail with emotional depth. It was quite a successful film, and provides lots to discuss. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

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Rush (2013) 57:25

منذ 10 weeks57:25

57:25

“The closer you are to death, the more alive you feel. It's a wonderful way to live. It's the only way to drive.” Racing Against Reality: Ron Howard's High-Speed Drama Ron Howard's Rush (2013) dramatizes the intense 1976 Formula One rivalry between James Hunt (Chris Hemsworth) and Niki Lauda (Daniel Brühl). The film garnered attention for its stylized portrayal of the racing world, though Howard's approach to the true story sparked debate about historical accuracy versus cinematic entertainment. Join us—Pete Wright and Andy Nelson—as we continue the Car Racing series with a conversation about Rush (2013) . The Racing vs. The Reality Pete and Andy explore how Howard's direction prioritizes dramatic tension over historical authenticity, particularly in the portrayal of Hunt and Lauda's relationship. Pete, an F1 enthusiast, notes that the film's decision to amplify their rivalry undermines the fascinating complexity of their actual collegial off-track relationship. Andy appreciates the performances but questions the narrative's divided focus between the two drivers. Technical Execution and Storytelling The hosts debate Howard's racing sequences, with Pete finding them overly stylized and "Michael Bay-esque," while Andy acknowledges their effectiveness for general audiences unfamiliar with F1. They discuss how the film's voice-over narration and character development choices impact the overall storytelling. Key Discussion Points The film's unclear protagonist focus, splitting attention between Hunt and Lauda Daniel Brühl's acclaimed performance and physical transformation The film's handling of the racing team dynamics and season structure Howard's visualization of the sport compared to earlier racing films The relationship portrayals, including Olivia Wilde as Suzy Miller and Alexandra Maria Lara as Marlene Lauda The balance between racing sequences and character development The simplification of F1's complex point system and team strategies The impact of Howard's stylistic choices on the film's authenticity Final Thoughts While both hosts appreciate elements of Rush , particularly Brühl's performance, they agree the film sacrifices some of the most interesting aspects of the true story in favor of more conventional dramatic beats. The conversation highlights how the film serves better as general entertainment than as a faithful portrayal of F1 racing history. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

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Le Mans 57:41

منذ 11 weeks57:41

57:41

“It’s a long race.” Racing to Nowhere: Steve McQueen's Polarizing Vision of Le Mans Steve McQueen's passion project Le Mans (1971) emerged from a tumultuous production history, shifting from its original incarnation as "Day of the Champion" with director John Sturges to a more experimental documentary-style racing film under Lee H. Katzin. After losing creative control and his salary to keep the project alive, McQueen delivered a divisive exploration of the legendary 24-hour endurance race that would ultimately lead to his production company's bankruptcy. Join us—Pete Wright and Andy Nelson—as we continue the Car Racing series with a conversation about Le Mans . The Documentary Approach Pete and Andy explore how Le Mans takes a radical departure from traditional racing film narratives, eschewing conventional storytelling in favor of an immersive, documentary-style experience. While Pete appreciates the authenticity of being inside the claustrophobic racing vehicles, Andy struggles with the film's glacial pacing and minimal dialogue, finding the experimental approach more frustrating than enlightening. Racing Without Story The hosts debate the film's unique structure, with only approximately 12 lines of dialogue for McQueen and virtually no traditional character development. Pete, as a racing enthusiast, finds value in the technical accuracy and racing footage, while Andy laments the lack of coherent storytelling and character relationships. Key Discussion Points: The complex production history involving multiple directors and McQueen's creative vision Comparison to Grand Prix and their different approaches to racing films The documentary-style filming techniques and their effectiveness The minimal dialogue and character development choices The authenticity of the racing experience versus narrative engagement Technical achievements in capturing the race environment The film's influence on future racing movies The hosts' dramatically different ratings Legacy and Impact Despite its commercial failure, Le Mans has gained a cult following among racing enthusiasts for its authentic portrayal of the legendary endurance race. The hosts discuss how the film's experimental approach influenced future racing films and documentaries, while debating whether its artistic choices ultimately serve or hinder the viewing experience. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Mission: Impossible - The Final Reckoning • Member Bonus 1:22:31

منذ 12 weeks1:22:31

1:22:31

“Our lives are the sum of our choices.” The Final Mission: Breaking Down Mission: Impossible - The Final Reckoning Christopher McQuarrie's Mission: Impossible - The Final Reckoning (2025) marks the ambitious conclusion to Tom Cruise's 29-year tenure as IMF agent Ethan Hunt. With a reported budget of $400 million, making it one of the most expensive films ever produced, this eighth installment brings together elements from across the franchise while pushing the boundaries of practical stunt work. The film faced multiple production delays due to COVID-19 and the 2023 SAG-AFTRA strike before finally reaching theaters in May 2025. Join us—Pete Wright and Andy Nelson—as we return to the Mission: Impossible series in a surprise member bonus episode with a conversation about Mission: Impossible - The Final Reckoning . A Measured Opening Act Pete and Andy discuss the film's extended opening sequence, with Pete finding the first hour somewhat bloated while Andy appreciates the careful franchise connections being established. Both hosts note how the film works to integrate elements from previous installments, particularly callbacks to the first and third films in the series. Standout Sequences The hosts spend considerable time analyzing two major action sequences: the submarine recovery mission and the climactic biplane chase. Both agree these represent some of the most impressive practical stunt work in the franchise, with particular praise for Tom Cruise's commitment to performing his own stunts even at age 60+. Character Development and Callbacks An unexpected highlight for both hosts was the return of a particular character from the first film, with Pete particularly praising how his scene with Ethan Hunt emphasized emotional weight over comedy. They also discuss Hayley Atwell's Grace taking up the mantle from Rebecca Ferguson's character, agreeing her presence felt natural within the team dynamic. Key Discussion Points: The revelation of the Rabbit's Foot's true nature from Mission: Impossible III Gabriel's evolution as an antagonist after being abandoned by the Entity The emotional resonance of Luther's sacrifice The practical versus CGI elements in the major stunt sequences The film's approach to providing closure while leaving possibilities open How the movie handles its connections to previous installments The evolution of the IMF team dynamic Tom Cruise's dedication to practical stunt work Final Thoughts While Pete and Andy differ slightly on the pacing of the opening act, both agree Mission: Impossible - The Final Reckoning delivers a satisfying conclusion to the franchise. The combination of practical stunt work, emotional depth, and franchise connectivity creates what they consider a fitting send-off for Tom Cruise's Ethan Hunt. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Theatrical trailer Original Material This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Cannonball • Member Bonus 10:52

منذ 12 weeks10:52

10:52

“I got a better chance of handling him when he's pie-eyed. The front seat don't know it, but the back is still pulling the strings.” Racing Across America with Roger Corman's Cannonball In our latest member bonus episode, we dive into Paul Bartel's 1976 action comedy Cannonball , produced by Roger Corman's New World Pictures. Made with a modest budget of $780,000, this unauthorized take on the real-life Cannonball Baker Sea-to-Shining-Sea Memorial Trophy Dash features David Carradine as a recently released convict entering an illegal cross-country race from Santa Monica Pier to New York. Join us—Pete Wright and Andy Nelson—as we continue our Roger Corman celebration with this early entry in the cross-country racing genre. A Race Without a Country Pete and Andy discuss how Cannonball struggles to create a genuine sense of cross-country scope, with the film seemingly transitioning directly from Los Angeles to New York with little in between. Despite this limitation, they find entertainment value in Paul Bartel's character-focused approach, particularly his own memorable performance as a lounge-singing mobster. Characters Over Cars The hosts explore how the film compensates for its modest racing sequences by focusing on its eccentric cast of characters. From David Carradine's brooding anti-hero to the three women in their van and Beutell Morris's car thief with questionable pickup lines, the film succeeds more as a character study than as a racing film. Key Discussion Points: • The surprising involvement of the Shaw Brothers Studio as co-producers • Notable cameos including Martin Scorsese, Sylvester Stallone, Roger Corman, Don Simpson, Joe Dante, Allan Arkush, and Jonathan Kaplan • The film's influence on later cross-country racing films like The Cannonball Run • Paul Bartel's apparent disinterest in car racing affecting the final product • The real history of the Cannonball Baker race and its enduring legacy • The impressive array of vehicles featured, including the 1968 Dodge Charger, Pontiac Trans Am, De Tomaso Pantera, Chevrolet Corvette, and 1969 Ford Mustang • How the film balances action with character development • The odd subplot involving identical cars and mysterious motivations The Legacy of Cannonball While both hosts found entertainment value in the film, they agree it falls short of both serious racing films and pure chaos movies like Death Race 2000 . However, they appreciate its place in racing film history and its influence on later, bigger-budget cross-country racing films. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Want More? This is a member bonus episode! While we'd love your support, you'll love what membership brings: monthly bonus episodes like this one, ad-free listening, early releases, exclusive Discord channels, and voting rights on future member movies. It truly pays to be a member. Ready to join? Visit TruStory FM to learn more about supporting The Next Reel Film Podcast through your own membership .…

The Next Reel Film Podcast

1
Grand Prix 1:22:19

منذ 12 weeks1:22:19

1:22:19

“All of us, proving what? That we can go faster, and perhaps remain alive?” Racing to Glory: John Frankenheimer's Grand Prix (1966) When director John Frankenheimer set out to make Grand Prix in 1966, he faced competition from Steve McQueen's planned racing film. Through strategic negotiations and groundbreaking technical innovations, Frankenheimer created what would become the definitive Formula One racing film of its era, pioneering new camera techniques and shooting during actual F1 races. Join us—Pete Wright and Andy Nelson—as we kick off our Car Racing series with a conversation about Grand Prix . A Technical Marvel on the Track Andy and Pete dive deep into Frankenheimer's revolutionary filming techniques, particularly the mounted cameras that could pan and tilt while cars raced at full speed. The hosts marvel at how the film captures the intense vibrations and physical demands of banking turns at Monza, with Andy noting how this technical authenticity remains impressive even by modern standards. Melodrama vs. Racing Excellence While both hosts praise the racing sequences, they share frustrations with the film's romantic subplots. Pete and Andy point out how the relationships involving James Garner, Yves Montand, Brian Bedford, Eva Marie Saint, and Jessica Walter often drag down the pacing, though these elements help illustrate the psychological toll of the sport. Team Dynamics and Sport Evolution Pete provides fascinating context about how F1 team structures have evolved since the 1960s, explaining how Grand Prix accurately captured the complex relationships between drivers, engineers, and team owners. The hosts discuss how the film's portrayal of team conflicts remains relevant to modern F1 racing. Key Discussion Points: Revolutionary split-screen techniques and their increasing effectiveness throughout the film The authenticity of racing sequences filmed during actual F1 events Strong performances from Yves Montand and Jessica Walter Technical innovations in racing cinematography The film's influence on modern racing movies Portrayal of team dynamics and driver relationships The ending involving the black flag Frankenheimer's successful negotiation with Ferrari and other racing teams The physical and psychological demands of F1 racing Complex relationships between drivers and their romantic partners Legacy and Impact Both hosts agree that while the melodrama may date the film, the racing sequences remain extraordinary achievements in filmmaking. The technical innovations and authentic portrayal of Formula One racing continue to influence modern motorsport films. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! Film Sundries Evolution of Monza F1 Track - 1922-2024 Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Last Man on Earth 55:38

منذ 13 weeks55:38

55:38

“I just can’t accept the idea of universal disease.” When Science Meets Survival Vincent Price stars in the first adaptation of Richard Matheson's influential novel I Am Legend , bringing to screen a post-apocalyptic tale that would help define both vampire and zombie genres for decades to come. Directed by Sidney Salkow and Ubaldo Ragona, The Last Man on Earth follows Dr. Robert Morgan as he navigates a world where a mysterious plague has turned the population into vampire-like creatures. Shot in Italy on a modest budget, this AIP production would go on to influence filmmakers from George Romero to Stephen King. Join us—Pete Wright and Andy Nelson—as we continue the I Am Legend series with a conversation about the 1964 film The Last Man on Earth . Scientific Survival vs. Gothic Horror Pete and Andy explore how Vincent Price delivers an unusually restrained performance, trading his typical gothic flourishes for the bone-weary routine of a scientist trying to survive. While Andy found Price's portrayal somewhat lacking in emotional depth, Pete appreciated seeing a different side of the horror icon, particularly in scenes showing the mundane aspects of post-apocalyptic life. The Evolution of Monster Movies The hosts discuss how The Last Man on Earth bridges vampire and zombie genres, with creatures that display characteristics of both. They note how the film's scientific approach to vampirism was groundbreaking for its time, though the execution of the monsters themselves often falls short of threatening. Key Discussion Points: The film's influence on George Romero's Night of the Living Dead Comparing adaptations of I Am Legend across different decades The moral implications of survival in a changed world Technical aspects of filming in Italy with a limited budget The effectiveness of black-and-white cinematography Adaptation and Innovation Both hosts agree that while The Last Man on Earth may not be the definitive adaptation of Matheson's novel, it remains the most faithful attempt. They particularly praise the film's exploration of isolation and humanity's capacity for adaptation, even as they critique its rushed pacing and underdeveloped character moments. Notable Elements: Vincent Price's lathe workshop scenes The empty streets of Rome as a haunting backdrop The scientific approach to vampire mythology The film's influence on subsequent post-apocalyptic narratives The Last Man on Earth emerges as a fascinating historical piece that, despite its limitations, helped establish many tropes we now associate with both vampire and zombie genres. We have a great time talking about it, so check it out then tune in. The Next Reel—when the movie ends, our conversation begins! Additional Resources Video Content: Full episode discussion on YouTube International Film Version: Italian-directed cut by Ubaldo B. Ragona (1964) Digital Streaming: Available on Apple TV , Amazon Prime , and other platforms (via Letterboxd ) Film Transcript: Recent fan-created dialogue transcript Historical Media: Original 1964 theatrical trailer Literary Source: Richard Matheson's 1954 novel "I Am Legend" Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Road House (2024) 1:06:10

منذ 14 weeks1:06:10

1:06:10

“You sure you thought this all the way through?” From UFC to the Big Screen: How Amazon's Remake Came to Be After years of development, Amazon Studios greenlit a modern remake of the 1989 cult classic Road House with Jake Gyllenhaal stepping into Patrick Swayze's shoes. Doug Liman signed on to direct, bringing his action expertise to the project. The production made headlines when they secured UFC star Conor McGregor for his acting debut, adding authenticity to the film's fight sequences. However, controversy emerged when Amazon decided to skip a theatrical release in favor of streaming, leading to public disagreement between Liman and the studio. Join us – Pete Wright and Andy Nelson – as we wrap up this return to our Movies and Their Remakes series with a conversation about Road House (2024). Fighting Talk: Breaking Down This Modern Take In our discussion, we explore how this remake both honors and diverges from the original. While Gyllenhaal brings his own charming interpretation to the role of Dalton, the film makes significant changes to the character's backstory that didn't necessarily improve upon the source material. We debate the effectiveness of these changes and whether they serve the story or simply modernize it for the sake of change. Key Elements That Pack a Punch Doug Liman's dynamic direction and innovative fight scene cinematography The chemistry between Gyllenhaal and McGregor, despite the latter's controversial casting Billy Magnussen's entertaining performance as the antagonist The shift from the original's Missouri setting to the Florida Keys Changes to the musical elements that defined the original Despite some missteps in attempting to "fix" elements of the original that weren't broken, Road House (2024) delivers as an entertaining action film that stands on its own merits. While we both enjoyed the movie, we recognize it may not quite reach the cult status of its predecessor. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Road House (1989) 59:15

منذ 15 weeks59:15

59:15

“I want you to be nice, until it’s time to NOT be nice.” From Bar Fights to Box Office: The Making of a Cult Classic In the late 1980s, United Artists sought to capitalize on Patrick Swayze's rising star power following the success of Dirty Dancing . The studio paired him with director Rowdy Herrington for what was pitched as "the best drive-in movie ever made." The film's original casting included Annette Bening as Dr. Clay, but she was replaced by Kelly Lynch due to reported chemistry issues with Swayze. Despite initial skepticism from critics, the $15 million production would go on to become a cultural phenomenon. Join us – Pete Wright and Andy Nelson – as we return to our Movies and Their Remakes series with a conversation about Herrington’s 1989 film Road House . Bouncing Through the Film's Deeper Themes The film cleverly reinterprets classic Western tropes through the lens of late 1980s sensibilities. We discuss how Dalton embodies the archetype of the wandering hero, much like characters from films such as Shane and Seven Samurai . Furthermore, the movie explores themes of authoritarian capitalism through Ben Gazzara's villainous Brad Wesley, while simultaneously delivering crowd-pleasing action sequences and memorable character moments. Elements That Make Road House Stand Out Jeff Healey's authentic musical performances that evolve alongside the bar's transformation The distinction between bouncers and "coolers" in bar culture Sam Elliott's compelling performance as Wade Garrett, despite the ‘controversial’ lack of his signature mustache The film's ability to appeal to multiple audiences through strategic character development Dean Cundey's cinematography capturing both brutal fight scenes and sensual moments A Lasting Impact on Popular Culture Road House has demonstrated remarkable staying power, spawning a theatrical musical adaptation, a direct-to-DVD sequel, and most recently, a high-profile remake. While initially receiving Razzie nominations, the film has been embraced by audiences and reappraised by critics over the years. Both hosts found themselves thoroughly entertained by this blend of philosophy, fisticuffs, and Patrick Swayze's undeniable charisma. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Conan the Destroyer 1:13:21

منذ 16 weeks1:13:21

1:13:21

“What good is a sword against sorcery?” From Barbarian to Family-Friendly Fantasy After the success of Conan the Barbarian in 1982, producer Dino De Laurentiis wanted to create a more family-friendly sequel. He recruited director Richard Fleischer and turned to comic book writers Roy Thomas and Gerry Conway to craft a PG-rated story. With a screenplay by Stanley Mann, Universal Pictures aimed to broaden the franchise's appeal while maintaining its sword-and-sorcery roots. Join us—Pete Wright and Andy Nelson—as we continue the Conan series with a conversation about Fleischer’s 1984 film Conan the Destroyer . Destroying Expectations with Comic Book Flair The shift from the gritty, violent tone of the first film to a more lighthearted adventure creates interesting discussion points. While the comic book influence brings fresh energy to the franchise, the movie struggles to balance serious fantasy elements with comedic moments. The addition of characters like Tracey Walter's Malak as comic relief and Wilt Chamberlain's Bombaata as a double-crossing warrior presents both opportunities and challenges for the narrative. A Journey Through Cast and Creative Choices The film showcases notable performances and creative decisions that deserve attention: Grace Jones delivers an intense, committed performance as Zula André the Giant appears uncredited as the Dagoth monster Basil Poledouris returns with another masterful musical score The mirror room sequence features impressive practical effects despite questionable creature design Sarah Douglas brings regal menace to Queen Taramis Olivia d'Abo debuts as Princess Jehnna in an underwritten role The Legend Continues While Conan the Destroyer may not reach the dramatic heights of its predecessor, it represents an interesting experiment in broadening the appeal of the franchise. The lighter tone and increased emphasis on humor might disappoint hardcore fans, but the film maintains enough sword-and-sorcery spectacle to remain entertaining. We have a great time talking about it, so check it out then tune in. The Next Reel — when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Big Doll House • Member Bonus 10:11

منذ 16 weeks10:11

10:11

“Get it up or I’ll cut it off.” Roger Corman's Foray into Women in Prison Films In 1971, Roger Corman's New World Pictures sought to capitalize on the success of the women in prison film 99 Women . Working with a low budget, they brought on director Jack Hill who, dissatisfied with the original script, hired Don Spencer to create a new screenplay that would inject more humor into what he considered a preposterous story. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about The Big Doll House . Prison Break: Exploring Power, Agency, and Exploitation The film presents an interesting balance between exploitation elements and female empowerment. While it includes expected genre tropes like mud wrestling and torture scenes, it also subverts expectations by putting men in subservient positions. We discuss how Jack Hill manages to smuggle bigger ideas about institutional corruption and colonial impacts under the guise of spectacle and genre conventions. Behind Bars: Production and Performance Pam Grier and Sid Haig deliver standout performances that elevate the material The film's use of humor helps offset some of the more exploitative elements Shot back-to-back with other prison films in the Philippines to maximize efficiency Interesting character dynamics between the six main prisoners The film's ending strikes a lighter tone compared to similar genre entries Throughout our discussion, we explore how The Big Doll House fits into both Corman's broader production approach and Hill's filmography. While Andy prefers the more serious tone found in Women in Cages , Pete finds more value in this film's lighter touch. Despite its exploitation roots, the film manages to deliver entertainment value while sneaking in something of a commentary on power dynamics and institutional corruption. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at Letterboxd Theatrical trailer This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Hannibal Rising 1:03:27

منذ 17 weeks1:03:27

1:03:27

“Not a nick in the blade, I promise you. The butcher was like butter.” The Origin Story Nobody Asked For After the success of the Hannibal Lecter films, producer Dino De Laurentiis wanted to continue the franchise. When author Thomas Harris initially refused to write another story, De Laurentiis threatened to move forward with different writers. This ultimatum led Harris to craft both the novel and screenplay for Peter Webber's 2007 film Hannibal Rising . Serving Up a Dish Best Not Served At All The film fundamentally breaks what makes Hannibal Lecter such a compelling character. Instead of the sophisticated, intellectual monster we've come to know, we get a revenge story that transforms him into more of an anti-hero. This origin tale attempts to explain Lecter's cannibalistic tendencies through trauma and nurture rather than nature, which contradicts the essential mystery of his evil. Additionally, the film mishandles the iconic mask by trying to turn what was originally a tool used by law enforcement to control a dangerous killer into a dramatic prop meant to give young Lecter a superhero-like mystique. A Feast of Discussion Points Director Peter Webber's attempts at crafting an elegant period piece clash with the revenge thriller elements Gaspard Ulliel's performance, while good, fails to convince as a young version of either Brian Cox or Anthony Hopkins Gong Li's talents are wasted in an underdeveloped role as Lady Murasaki The beautiful cinematography by Ben Davis can't overcome the weak story Unexpected parallels to superhero origin stories, particularly sharing similarities with Magneto's backstory Despite its impressive production values and occasional moments of visual brilliance, Hannibal Rising represents the low point of the Hannibal Lecter series. The film's attempt to humanize one of cinema's greatest villains ultimately diminishes what made the character so fascinating in the first place. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Red Dragon 1:02:39

منذ 18 weeks1:02:39

1:02:39

“Don’t you understand, Will? You caught me because we’re very much alike.” The Return to Hannibal Lecter's Origins After the box office success of Hannibal in 2001, producer Dino De Laurentiis quickly moved forward with another adaptation of Thomas Harris's work. With Anthony Hopkins agreeing to return one final time as Dr. Hannibal Lecter, they secured Ted Tally to adapt the screenplay and Brett Ratner to direct. The film would serve as both a remake of Michael Mann's Manhunter and a prequel to The Silence of the Lambs . Join us – Pete Wright and Andy Nelson – as we continue the Hannibal Lecter series with a conversation about Red Dragon . Devouring the Details of This Psychological Thriller While Red Dragon brings together an impressive ensemble cast including Edward Norton, Ralph Fiennes, and Emily Watson, the film struggles to reach the heights of its predecessors. Despite strong performances and Tally's faithful adaptation of Harris's novel, Ratner's direction lacks the artistic flourishes that made both Manhunter and The Silence of the Lambs so memorable. However, the film does provide fascinating insights into Will Graham's relationship with Lecter and offers a deeper exploration of Francis Dolarhyde's psychological transformation. Additional Elements We Discuss The opening sequence showing Graham's capture of Lecter The film's nice production design and bland cinematography Ratner's safe directorial choices compared to previous directors in the series The expanded role of Lecter compared to Manhunter Fiennes's portrayal of Dolarhyde and his relationship with Reba The changed ending and its closer alignment with Harris's novel A Serviceable Addition to the Series While Red Dragon may not reach the artistic heights of earlier entries in the series, it delivers a competent thriller that expands the Lecter mythology. Despite strong performances and production values, the film's conventional approach prevents it from becoming truly memorable. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Hannibal 1:08:08

منذ 19 weeks1:08:08

1:08:08

“Bowels in or bowels out?” The Return of Dr. Lecter: A Sequel Ten Years in the Making When Jonathan Demme declined to direct the sequel to The Silence of the Lambs , producers Dino and Martha De Laurentiis began searching for a new director. After David Mamet's initial script was heavily rewritten by Steven Zaillian, Ridley Scott signed on to direct. Though Jodie Foster passed on reprising her role as Clarice Starling, Anthony Hopkins agreed to return as Dr. Lecter, with Julianne Moore stepping in as the new Clarice. Join us – Pete Wright and Andy Nelson – as we continue the Hannibal Lecter series with a conversation about Hannibal . Serving Up a Fresh Take on a Beloved Character The film attempts to expand Hannibal Lecter from supporting player to lead character, which proves both successful and problematic. While Hopkins delivers another captivating performance, the story struggles to maintain the psychological depth of its predecessor. The controversial change to the book's ending and the treatment of Clarice Starling's character spark considerable debate between us about whether these alterations helped or hurt the final product. Key Ingredients in This Gothic Feast The Florence sequences featuring Lecter as Dr. Fell provide some of the film's strongest moments Gary Oldman's unrecognizable turn as Mason Verger feels underutilized Hans Zimmer's score effectively enhances the mood The film's pacing issues and action sequences draw criticism Ray Liotta's performance and character arc culminate in one of the more memorable scenes Final Verdict Though Hannibal successfully grossed over $350 million worldwide, we find it a significant step down from The Silence of the Lambs . While the film has moments of grotesque beauty and maintains Hopkins' magnetic presence as Lecter, the muddled story and uneven pacing ultimately result in a disappointing follow-up. With Pete liking this more than Andy but still struggling largely with the adaptation, we see this as a missed opportunity to further develop these iconic characters. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer Original Material Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Silence of the Lambs 1:03:59

منذ 20 weeks1:03:59

1:03:59

“Quid pro quo.” The Birth of an Iconic Thriller After the commercial disappointment of Manhunter in 1986, producers Dino and Martha De Laurentiis were hesitant to pursue another adaptation of Thomas Harris's work. However, when The Silence of the Lambs was published in 1988, Gene Hackman initially optioned the rights with intentions to direct and star as Hannibal Lecter. When Hackman dropped out, Jonathan Demme took the helm, casting Jodie Foster as Clarice Starling despite initial resistance from the studio. Join us — Pete Wright and Andy Nelson — as we continue the Hannibal Lecter series with a conversation about The Silence of the Lambs . Serving Up The Silence of the Lambs with Some Fava Beans We examine how this film elevates the basic structure established in Manhunter to create something more compelling and psychologically complex. The relationship between Clarice Starling and Hannibal Lecter forms the dark heart of the story, with Anthony Hopkins delivering an unforgettable performance in just 24 minutes of screen time. We discuss how Foster's vulnerable yet strong portrayal of Starling adds crucial stakes to every interaction. Deeper Into the Darkness • The film's innovative use of first-person camera angles to create intimacy and discomfort • Jonathan Demme's gothic visual style compared to Michael Mann's industrial aesthetic • Questions about the storage unit subplot and its narrative purpose • The controversial portrayal of Buffalo Bill and transgender representation • The effectiveness of the film's two major misdirect sequences • Ted Levine's haunting performance as Buffalo Bill • The significance of the film winning the "Big Five" Academy Awards The Silence of the Lambs remains a masterpiece of psychological horror that transcends its genre roots through outstanding performances and skillful direction. This iconic thriller continues to captivate audiences with its psychological complexity and unforgettable characters. We have a great time talking about it, so check it out then tune in. The Next Reel — when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Suburbia • Member Bonus 10:42

منذ 20 weeks10:42

10:42

“They didn't realize they'd be the slums of the future.” Penelope Spheeris Brings Punk to Roger Corman After completing her documentary The Decline of Western Civilization about the LA punk scene, director Penelope Spheeris wanted to tell a narrative story in that world. Roger Corman saw potential in her vision and agreed to match her $250,000 investment to make the film. Spheeris made the unconventional choice to cast real punk musicians and street kids rather than professional actors, believing it would create more authentic performances. Join us — Pete Wright and Andy Nelson — as we continue the member bonus Roger Corman series with a conversation about her 1983 film Suburbia . Living on the Edge of Society The film powerfully depicts alienated youth finding community among fellow outcasts while struggling against societal rejection. Though Corman insisted on including sex or violence every 10 minutes, Spheeris managed to maintain her artistic vision while incorporating these commercial elements. We explore how she achieved this balance and whether it ultimately strengthened or weakened the final product. Key Themes and Production Elements The abandoned suburban setting becomes a character itself, reflecting broader issues of American development and social displacement. Spheeris based many plot elements on real stories she encountered while filming her documentary, including the pack of abandoned guard dogs. Her documentary background influences the film's raw, authentic style. Additional Discussion Points: The performances by non-professional actors and whether this approach succeeded The film's portrayal of parents and authority figures The parallel between abandoned dogs and abandoned youth The tragic bookending deaths that open and close the film How the film fits within Spheeris' larger body of work Corman's influence on the commercial elements We both found Suburbia to be a powerful and emotionally affecting film that transcends its low-budget origins through authenticity and strong thematic resonance. Though it can be difficult to watch at times, it offers valuable perspective on alienated youth and societal rejection that remains relevant today. We have a great time talking about it, so check it out then tune in. The Next Reel — when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at Letterboxd Script Options Theatrical trailer This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes like this one that only members can access. You also get member bonus content on select episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Manhunter 1:11:59

منذ 21 weeks1:11:59

1:11:59

“You want to know how he’s choosing them, don’t you?” The Birth of Cinema's Most Infamous Cannibal Before Anthony Hopkins donned the infamous mask as Hannibal Lecter, director Michael Mann brought Thomas Harris's novel Red Dragon to the screen in 1986. Working with a budget of $15 million, Mann cast William Petersen as FBI profiler Will Graham and Brian Cox as the imprisoned Dr. Hannibal Lecktor (spelled differently in this adaptation). Despite Mann's growing reputation after Miami Vice , the studio showed little faith in the project, providing minimal marketing support. Join us – Pete Wright and Andy Nelson – as we kick off the Hannibal Lecter series with a conversation about Manhunter . Hunting Down the Elements of Manhunter's Legacy While Manhunter initially struggled at the box office, its influence on the psychological thriller genre and subsequent Lecter films cannot be understated. The film's visual style, particularly Dante Spinotti's bold color palette and Mann's precise framing, creates a haunting atmosphere that perfectly complements the psychological cat-and-mouse game between Graham and Francis Dollarhyde (Tom Noonan). However, we disagree on Noonan's performance, with Andy finding it less compelling while Pete considers it a standout element of the film. Deep Diving into the Investigation Brian Cox's understated yet menacing portrayal of Lecktor offers a fascinating contrast to later interpretations The complex relationship between Dollarhyde and Reba McClane (Joan Allen) adds unexpected emotional depth Mann's signature visual style, particularly his use of bold blues and greens, enhances the film's moody atmosphere William Petersen delivers a compelling performance as the psychologically tormented Will Graham The film's procedural elements and Graham's investigation methodology feel authentic and engaging Michael Mann's direction emphasizes style, sometimes at the expense of narrative clarity The final confrontation sequence feels rushed compared to later adaptations As the first cinematic adaptation of Thomas Harris's work, Manhunter sets a strong foundation for the Hannibal Lecter series while standing on its own as a compelling psychological thriller. Though we have some disagreements about certain performances, we both appreciate the film's unique visual style and psychological depth. While it may not reach the heights of later entries in the series, it remains an important and entertaining entry in the canon. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Series 7: The Contenders 57:07

منذ 22 weeks57:07

57:07

“I saw you on TV. I love you!” A Reality TV Satire Takes on The Most Dangerous Game Before The Hunger Games and the reality TV boom of the 2000s, writer-director Daniel Minahan conceived Series 7: The Contenders as a TV show in the mid-90s. After networks passed on the concept, he developed it into a feature film that would serve as a prescient satire of reality television and American gun culture. With a small budget and shooting on digital video to authentically capture the TV aesthetic of the era, Minahan crafted his dark vision of an alternate present where random citizens are forced to kill each other for entertainment. Join us – Pete Wright and Andy Nelson – as we wrap up the People Hunting People series with a conversation about Series 7: The Contenders . The Game Show Where Survival is Not Optional This reality TV satire follows Dawn (Brooke Smith), a pregnant returning champion who must face off against five new contestants in a government-sanctioned show where ordinary citizens are selected by lottery to kill each other. The film's commitment to never breaking its reality TV frame, from commercial breaks to behind-the-scenes footage, creates an eerily believable world that feels increasingly less satirical and more prophetic with each passing year. Like any good reality show, the producers manipulate situations to create compelling narratives. The "random" selection of contestants conveniently includes Jeff, Dawn's former high school friend and romantic interest, leading to an emotional subplot complete with a nostalgic music video they made together. This attention to creating drama through personal connections and backstories mirrors actual reality TV production techniques, making the deadly premise feel disturbingly plausible. Production Choices and Performance Highlights The authentic digital video cinematography perfectly captures the TV aesthetic of the era Brooke Smith delivers a compelling performance as the pregnant returning champion Will Arnett's narration adds the perfect reality TV tone The integration of surveillance footage and multiple camera perspectives enhances the realism Strong supporting performances, particularly from Merritt Weaver as the youngest contestant The film's dark humor effectively balances entertainment with social commentary While box office numbers were modest, Series 7: The Contenders has developed a cult following for its ahead-of-its-time commentary on reality television and violence as entertainment. The film's examination of how media packaging can normalize extreme behavior remains relevant today, perhaps even more so than when it was released. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube! Watch this on Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Surviving the Game 1:03:40

منذ 23 weeks1:03:40

1:03:40

“Never underestimate a man who’s got nothing to lose.” The Most Dangerous Game Gets a 90s Action Makeover In 1994, director Ernest R. Dickerson took on his second feature film following his directorial debut with Juice . After years as Spike Lee's cinematographer, Dickerson was ready to tackle this action-thriller starring Ice-T as a homeless man hunted by wealthy thrill-seekers. The film drew inspiration from the 1924 short story "The Most Dangerous Game" by Richard Connell, updating it with a contemporary urban twist and social commentary. Join us – Pete Wright and Andy Nelson – as we continue the People Hunting People series with a conversation about Surviving the Game . Hunting Down What Makes This Film Tick The film assembles an impressive ensemble cast including Rutger Hauer, Charles S. Dutton, Gary Busey, F. Murray Abraham, and John C. McGinley. While Ice-T delivers a solid performance as Mason, the homeless man targeted for sport, it's the eccentric hunters who steal the show. Furthermore, the film explores themes of class divide and entitlement through its intense cat-and-mouse premise, though some logical gaps in the hunters' abilities occasionally strain credibility. Deep Diving into the Woods and Characters Gary Busey's dinner table monologue about training and killing his dog stands as the memorable highlight Dickerson's direction shows his cinematographer's eye, particularly in a Blade Runner -inspired shot of Rutger Hauer Stuart Copeland's score starts strong but becomes less effective as the film progresses... at least per Andy The film's Pacific Northwest setting (actually shot in Washington, not Oregon as stated) provides a compelling backdrop Charles S. Dutton's casting as a seemingly benevolent shelter worker who reveals darker motives works particularly well The film oddly uses Philadelphia stock footage to represent Seattle in the finale The Trophy Room Verdict Despite some narrative shortcomings and questionable hunter competency, Surviving the Game delivers exactly what you'd want from a 90s action thriller. The stellar cast elevates the material beyond its B-movie roots, while the social commentary adds welcome depth to the hunt. Both hosts thoroughly enjoyed this bonkers entry in the People Hunting People series. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch our conversation on YouTube ! Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Gary Busey and Gailard Sartain, Coach Chuck Sketch, Tulsa OK '74 Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Most Dangerous Game 1:02:28

منذ 24 weeks1:02:28

1:02:28

“What I needed was not a new weapon, but a new animal.” Setting the Stage for the Ultimate Hunt In 1932, RKO Pictures produced The Most Dangerous Game while simultaneously building elaborate jungle sets for their upcoming production of King Kong . Based on Richard Connell's 1924 short story, the film became one of the earliest to explore the concept of humans hunting humans. Using the same jungle sets and several cast members who would later appear in King Kong , including Fay Wray, directors Irving Pichel and Ernest B. Schoedsack crafted this taut 63-minute thriller on a modest budget. Join us – Pete Wright and Andy Nelson – as we kick off the People Hunting People series with this 1932 film The Most Dangerous Game . Pre-Code Thrills and Dark Psychology The film's pre-Code status allowed for surprisingly graphic content, including human heads displayed in jars and mounted on walls. Originally, even more shocking footage was shot, including fully stuffed human corpses positioned in death poses, though these scenes were ultimately cut. As Bob Rainsford and Eve Trowbridge run through the jungle, their clothing becomes increasingly torn and revealing – another pre-Code element that wouldn't have made it past censors a few years later. The film's exploration of hunting humans as sport raises intriguing questions about civilization versus savagery. Count Zaroff's twisted philosophy about hunting humans being the ultimate game creates a compelling narrative that examines humanity's darker impulses. Leslie Banks delivers a memorably sinister performance as Zaroff, using his real-life facial paralysis to enhance his character's menacing presence. Points of Discussion The innovative cinematography, including POV shots through the jungle Max Steiner's adventurous score that becomes diegetic when played on piano The film's efficient use of its brief 63-minute runtime Its enduring influence on the "humans hunting humans" subgenre The rapid development of the central romance This lean, atmospheric thriller maintains its impact even after 90 years. While some elements feel dated, The Most Dangerous Game effectively establishes many tropes that would define the "hunting humans" subgenre. We found much to admire in this tightly-crafted adventure, particularly its exploration of humanity's capacity for both civilization and savagery. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Women in Cages • Member Bonus 11:42

منذ 25 weeks11:42

11:42

“We all have our devils, my dear.” Roger Corman's Exploitation Era in the Philippines In the early 1970s, Roger Corman discovered he could stretch his production dollars further by filming in the Philippines. He partnered with established Filipino director Gerardo de Leon, known for his award-winning films and work in the Filipino film industry since 1938. Despite de Leon's prestigious background, Corman convinced him to direct Women in Cages , though de Leon would later distance himself from exploitation films. Join us – Pete Wright and Andy Nelson – as we continue our member bonus Roger Corman series with a conversation about Women in Cages . Breaking Free from Prison Film Conventions Pete and Andy engage in a spirited debate about the merits of Women in Cages , with Andy finding more depth than expected while Pete struggles with its exploitation elements. The film follows Jeff, a naive American woman framed by her drug-dealing boyfriend and imprisoned in a corrupt facility run by a sadistic guard played by Pam Grier. Through their discussion, they explore how the film attempts to balance serious themes with exploitation requirements. Deeper Themes Behind Prison Bars Strong performance by Pam Grier as Alabama, the complex and ruthless prison guard Examination of power dynamics and corruption within the prison system, though Pete questions if these themes truly land Controversial portrayal of violence and nudity that divides our hosts Noteworthy ending that leaves a lasting impact about women trapped in cycles of abuse Discussion of de Leon's reluctant participation in exploitation cinema Analysis of how the film handles themes of sexual exploitation and systemic corruption Classic Corman cost-cutting: Film set in a Spanish-speaking country but shot in the Philippines While Pete finds the film's exploitation elements overwhelming, distracting, and worst of all—boring, Andy appreciates its attempts to tackle deeper themes about women trapped in various forms of imprisonment. Whether viewing it as pure exploitation or something more substantial, Women in Cages represents an interesting chapter in Corman's production history and de Leon's career. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus content, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Mank 1:04:59

منذ 25 weeks1:04:59

1:04:59

“You can make the world swear King Kong is ten stories tall and Mary Pickford a virgin at 40, yet you can’t convince starving voters that a turncoat socialist is a menace to everything California holds dear? You’re barely trying.” David Fincher's Personal Connection to Old Hollywood After decades of development, David Fincher finally brought his late father Jack Fincher's screenplay about Herman J. Mankiewicz to life. Originally planned for production in the late 1990s with Kevin Spacey and Jodie Foster attached, the project stalled when studios balked at Fincher's insistence on shooting in black and white. Following Jack Fincher's death in 2003, David continued developing the script, eventually partnering with Netflix who gave him creative freedom to realize his father's vision. Join us – Pete Wright and Andy Nelson – as we return to our David Fincher series with a conversation about Mank . Writing History Through a Modern Lens In discussing Mank , we explore how Fincher approaches the controversial story of who really wrote Citizen Kane , while examining the film's portrayal of 1930s Hollywood politics through a contemporary perspective. We debate the historical accuracy of certain story elements and character portrayals, particularly regarding Herman Mankiewicz's political leanings and relationship with William Randolph Hearst. Behind the Scenes of Old Hollywood The film raises interesting questions about the balance between historical accuracy and dramatic storytelling. While some criticize the film's creative liberties with Mankiewicz's political views and relationships, we discuss whether these changes serve a greater purpose in crafting a compelling narrative. This leads to a broader conversation about the responsibilities filmmakers have when telling true stories and whether artistic license can be justified in service of a larger truth. Key Discussion Points Oldman's compelling performance as Mankiewicz... without prosthetics The technical achievements in recreating the period look using modern digital tools Amanda Seyfried's standout portrayal of Marion Davies Trent Reznor and Atticus Ross's period-appropriate score recorded remotely during COVID The film's exploration of fake news and media manipulation then and now Crafting a Modern Classic While not ranking among Fincher's most dynamic works as far as we’re concerned, Mank succeeds as both a love letter to classic Hollywood and a thoughtful examination of the creative process. Despite some historical liberties, the film's technical excellence and strong performances make it a worthy addition to Fincher's filmography. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Check out these other Mank-adjacent conversations in The Next Reel’s family of podcasts: Movies We Like: Cinematographer Erik Messerschmidt on Chinatown The Film Board: Erik Messerschmidt joins Justin Jaeger and Tommy Metz III for a Conversation on The Killer The Film Board: Mank Find places to watch this at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Anguish 1:00:52

منذ 26 weeks1:00:52

1:00:52

“You must start thinking of the spiral, the spiral that’s coming into your head.” An Overlooked Horror Gem In 1987, Spanish filmmaker Bigas Luna ventured into the horror genre with an innovative approach to storytelling. Working with a budget of $2 million, Luna crafted a unique narrative that would blend psychological horror with commentary on cinema itself. Despite its limited theatrical release and modest box office returns (to be generous), the film would go on to win several awards and be nominated for others. Join us – Pete Wright and Andy Nelson – as we wrap up this return to the 'Spoiled. Rotten? Twist Endings' series with a conversation about Luna’s 1987 film Anguish . Eyes Wide Open for This Horror Experience The film follows John Pressman (Michael Lerner), a troubled ophthalmologist's orderly whose overbearing mother (Zelda Rubinstein) exercises an unusual amount of control over his life. As their story unfolds, Luna takes viewers on an unexpected journey that challenges conventional horror storytelling. A Deeper Look into Cinema's Dark corners We discuss how the film's unique approach to storytelling enhances rather than diminishes its impact. While we initially found the first act somewhat challenging, we agree that the film's revelations make these early moments more meaningful in retrospect. We particularly praise Michael Lerner's performance and Zelda Rubinstein's uniquely unsettling presence. Key Elements of Discussion: The effective use of sound design and visual elements to create a hypnotic atmosphere The film's commentary on cinema and audience experience The innovative approach to horror storytelling The challenges of distribution and accessibility in modern times The potential impact of a modern remake The film's lasting influence on horror cinema Anguish proves itself to be a fascinating and innovative piece of horror cinema that deserves wider recognition. Despite its limited availability, this hypnotic and unsettling film rewards viewers with its creative storytelling and memorable performances. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Strait-Jacket 1:00:17

منذ 27 weeks1:00:17

1:00:17

“Lucy Harbin was declared legally insane today.” William Castle Brings Joan Crawford Back to Horror In the early 1960s, William Castle was known for his theatrical gimmicks and B-movie horror films. After the success of Whatever Happened to Baby Jane? , Castle saw an opportunity to work with Hollywood legend Joan Crawford. He enlisted acclaimed writer Robert Bloch, fresh off his success with Psycho , to craft a psychological thriller that would showcase Crawford's talents while delivering the shock value his audiences craved. Join us – Pete Wright and Andy Nelson – as we continue the 'Spoiled. Rotten? Twist Endings' series with a conversation about Strait-Jacket . Axe Murders and Plot Twists: Examining Psychological Horror The film follows Lucy Harbin (Crawford), who returns home after spending 20 years in an asylum for brutally murdering her husband and his lover. While the movie sets up an interesting exploration of psychological trauma and mother-daughter relationships, Pete and Andy discuss how the third act reveals impact what could have been a compelling dramatic story. They debate whether the film's ending undermines the careful character development established throughout the narrative. Beyond the Blade: Production Elements and Performances The discussion delves into several fascinating aspects of the film's production and impact: Crawford's commanding performance and range William Castle's marketing tactics, including distributing cardboard axes to moviegoers The film's interesting use of shadows and darkness in murder scenes Product placement history with Pepsi due to Crawford's connection to the company George Kennedy's memorable performance in his small role The evolution of the "hagsploitation" subgenre Strait-Jacket delivers as both a psychological thriller and a showcase for Crawford's talents, though some narrative choices may divide audiences. The film offers interesting commentary on societal treatment of women and mental illness, even if it doesn't fully capitalize on these themes. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Shattered 1:00:42

منذ 28 weeks1:00:42

1:00:42

“You know what I like about amnesia?” A Psychological Thriller with Twisting Memories In 1991, psychological thrillers were hitting their stride, delivering increasingly complex narratives filled with shocking twists. Wolfgang Petersen's Shattered emerged during this period as a stylish entry in the genre, starring Tom Berenger and Greta Scacchi. The film would mark another step in Petersen's Hollywood journey following his success with German cinema. Join us – Pete Wright and Andy Nelson – as we continue the 'Spoiled. Rotten? Twist Endings' series with a conversation about Shattered . Navigating the Fragments of Memory and Identity The film's elaborate plot twists and amnesia-driven narrative provide plenty of material for discussion. We thoroughly enjoy the movie's over-the-top nature and soap opera-style revelations, though we differ on its rewatchability. Pete suggests that much of the fun comes from discovering the surprises for the first time, while Andy argues the film's entertainment value persists even when you know what's coming. We also examine the plausibility of certain character actions, particularly regarding Greta Scacchi's performance and her character's behavior in solo scenes. Key Elements of Discussion The impressive car crash sequence and its technical achievements Bob Hoskins' scene-stealing performance as a pet shop owner/private investigator Alan Silvestri's replacement score after Angelo Badalamenti's original was rejected The film's noir-influenced cinematography by Laszlo Kovacs Tom Berenger's ability to portray both innocence and menace effectively The psychological accuracy of the amnesia portrayed in the film Despite its modest box office performance, Shattered delivers an entertaining blend of 90s thriller conventions with enough style and memorable performances to warrant attention. As a film that fully embraces its melodramatic twists while maintaining its noir-influenced style, it proves to be an engaging entry in the psychological thriller genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Pit and the Pendulum • Member Bonus 11:30

منذ 29 weeks11:30

11:30

“To be absolutely blunt about it, Nicholas believes that Elizabeth may have been interred... prematurely.” Roger Corman's Poe Adaptations Take Flight Following the success of House of Usher in 1960, American International Pictures eagerly greenlit another Edgar Allan Poe adaptation with Roger Corman at the helm. Richard Matheson returned to pen the screenplay, significantly expanding Poe's short story about torture during the Spanish Inquisition into a gothic tale of madness and revenge. With Vincent Price signed on to star and Daniel Haller designing the elaborate sets, Corman aimed to outdo their previous success with an even more ambitious production, working with a budget of $300,000. Join us – Pete Wright and Andy Nelson – as we continue the Roger Corman series with a conversation about The Pit and the Pendulum . Swinging Between Horror and Drama The film generates interesting discussion around its adaptation choices, particularly how it expands beyond Poe's original story. While Andy found entertainment value in Vincent Price's increasingly unhinged performance and the gothic atmosphere, Pete felt the film didn't deliver enough on its titular torture devices. Both hosts praise the impressive pendulum mechanism and sprawling dungeon sets, though they note the film saves these elements primarily for the finale. More Than Just Torture Devices The hosts explore Richard Matheson's screenplay contributions across multiple Corman-Poe films, discuss the film's influence on young Stephen King, and analyze how it compares to other adaptations of the period. They also examine the strong box office performance that helped cement AIP's commitment to more Poe films. Key Discussion Points: Barbara Steele's memorable performance as Elizabeth The effective use of color and dream sequences Debates over the film's marketing using different title variations The elaborate castle sets despite the modest budget John Kerr's portrayal of Francis Barnard The final shot revealing Elizabeth's fate While Pete found the film somewhat lacking in delivering on its horror and torture premise, Andy appreciated its atmospheric gothic qualities and Vincent Price's commanding presence. Despite their differing opinions, both agree The Pit and the Pendulum represents an important entry in Corman's Poe cycle that helped establish a formula for future adaptations. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes like this that only members can access. You also get access to members-only Discord channels, early ad-free releases for every episode, pre- and post-show chats, and more. Plus, you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
A Dandy in Aspic 1:02:04

منذ 29 weeks1:02:04

1:02:04

“You haven't got an ounce of understanding or emotion in your body. You died the moment you were born. And when your heart finally stops beating, it'll be a mere formality.” From Novel to Cold War Spy Thriller Derek Marlowe's first novel caught the attention of producers looking to capitalize on the success of spy thrillers in the 1960s. With Anthony Mann set to direct and Lawrence Harvey to star, they began production in 1967. However, Mann's unexpected death during filming led to Harvey taking over directorial duties for the final portion of the shoot. Furthermore, Frank Sinatra's daily calls to the production demanding his wife Mia Farrow's return added additional tension to the complicated shoot. Join us – Pete Wright and Andy Nelson – as we wrap up the 1968 Crime Films series with a conversation about A Dandy in Aspic . A Double Agent Trapped in Aspic The film follows a Russian double agent ordered to track down and assassinate himself, creating an intriguing premise that never quite reaches its full potential. While the spy thriller elements and Cold War setting provide fertile ground for tension and intrigue, the execution falls short of contemporaries like The Spy Who Came in from the Cold . Additionally, Mia Farrow's character feels superfluous, appearing everywhere without clear purpose to the plot. Other Elements We Discuss Lawrence Harvey's dour performance and directorial contribution The Cold War atmosphere of London and Berlin locations Quincy Jones's '60s-era score The creative marionette title sequence Tom Courtney's engaging supporting performance The film's peculiar title and its cultural context The dangerous AVUS racing circuit featured in the finale Despite its flaws, A Dandy in Aspic offers an interesting take on the spy genre with solid performances and authentic Cold War locations. Though we found the film somewhat uneven and less engaging than other spy thrillers of the era, its unique premise and historical significance make it worth examining. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Watch it on the web Theatrical trailer Original Material Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Split 57:48

منذ 30 weeks57:48

57:48

“You're walking out on 85 grand?” MGM's Bold Step into R-Rated Territory In 1968, MGM was looking to break away from their family-friendly reputation and venture into more adult-oriented content. Based on Donald E. Westlake's Parker novel "The Seventh," they brought in Scottish director Gordon Flemyng fresh off his success with Great Catherine . With a stellar ensemble cast led by Jim Brown and a groundbreaking approach to racial representation in crime films, MGM was ready to push boundaries. Join us – Pete Wright and Andy Nelson – as we continue the 1968 Crime Films series with a conversation about The Split . Breaking Down This Historic Heist The Split represents several significant firsts - it was MGM's first R-rated film and featured Jim Brown as one of the first Black leading men in a major studio crime thriller. The film follows McClain (Brown) as he assembles an unlikely crew to rob the LA Coliseum during a playoff game. While the heist itself succeeds, the aftermath leads to betrayal, murder, and an unconventional alliance with a detective (Gene Hackman). The Film's Place in Crime Movie History Innovative team-building sequences showing McLean testing each potential crew member Strong performances from an all-star cast including Ernest Borgnine, Donald Sutherland, Jack Klugman, Warren Oates, Diahann Carroll, James Whitmore, and Julie Harris Progressive handling of racial themes without making them the central focus A period-specific heist that could only work in the pre-digital age Quincy Jones's distinctive musical score setting the 60s mood The film's unique position as part of the Parker novel adaptation series We both found The Split to be an entertaining and significant entry in the crime film genre, particularly noteworthy for its groundbreaking representation and MGM's willingness to push into edgier territory. The film successfully balances action, character development, and social commentary while delivering a satisfying heist narrative. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch The Cinematic Legacy of Donald E. Westlake Theatrical trailer Original Material and on Audible Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Boston Strangler 56:16

منذ 31 weeks56:16

56:16

“It’s bad enough if he’s guilty, but what if he’s innocent and you push him over the edge?” Setting the Stage for a Controversial True Crime Adaptation In 1966, writer Gerald Frank published his bestselling book about the Boston Strangler case, catching the attention of 20th Century Fox and producer Richard D. Zanuck. Director Richard Fleischer, known for his genre work, was brought on to helm the project. Against initial studio resistance, Tony Curtis lobbied hard for the lead role of Albert DeSalvo, even doing a screen test that convinced Zanuck. The film aimed to tell the story of the infamous Boston Strangler cases while they were still fresh in public memory. Join us – Pete Wright and Andy Nelson – as we continue the 1968 Crime Films series with a conversation about The Boston Strangler . Strangling Expectations: A Deep Dive into The Boston Strangler The film takes a fascinating approach to its subject matter by withholding DeSalvo's appearance until halfway through, building tension through police procedural elements and Henry Fonda's measured performance as John Bottomly. We discuss how Fleischer's innovative use of split-screen techniques helps tell multiple narrative threads simultaneously, while exploring the psychological complexity of the case. Though some period elements feel dated, Tony Curtis delivers a transformative performance that deserved Oscar recognition. Further Investigation into the Film's Impact Richard Fleischer's masterful direction and experimental visual style The film's treatment of psychological themes versus historical accuracy Strong supporting performances from George Kennedy and Sally Kellerman Contemporary critical response, including Roger Ebert's moral objections How the film stands up against modern true crime adaptations The evolution of public understanding of the actual case The Boston Strangler remains a compelling piece of cinema despite its historical inaccuracies. While the film takes creative liberties with the true story, its innovative visual style and Curtis's remarkable performance make it a standout entry in the 1968 crime film genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Grand Slam 1:01:27

منذ 32 weeks1:01:27

1:01:27

“All four with clean records. No police force in the world knows them or their work. In their fields, the very best.” Unveiling a Hidden Heist Film Gem from 1967 In 1967, Italian director Giuliano Montaldo brought together an international cast for an ambitious heist film co-production between Italy, Spain, and West Germany. Coming off his success with The Reckless , which was nominated for the Golden Bear prize at the Berlin International Film Festival, Montaldo secured Edward G. Robinson and Janet Leigh as two of his leads. With legendary composer Ennio Morricone providing the score, the production aimed to create a sophisticated entry in the burgeoning heist film genre. Join us – Pete Wright and Andy Nelson – as we continue the Heist Films series with a conversation about Montaldo’s 1967 film Grand Slam . Breaking Down This International Heist Caper The film follows a meticulous plan to rob $10 million in diamonds during Rio's Carnaval, orchestrated by Robinson's retired professor character. We discuss how the film builds tension through its carefully assembled team of specialists and elaborate heist sequence. While the ending has divided audiences over the years, we explore how this twist-filled finale actually enhances the film's themes about crime and betrayal. Key Elements of the Grand Slam Heist • The innovative card catalog system used to assemble the criminal team • Klaus Kinski's intense performance as the ex-military member of the crew • Janet Leigh's role and how her development may have been too much a giveaway, at least through modern eyes • Ennio Morricone's distinctive, Carnaval-influenced score • The technical achievement of the vault robbery sequence • The film's use of international locations, including some clever substitutions (and some bad blue screen) When Plans Come Together Despite being somewhat forgotten today, Grand Slam delivers as both a meticulously crafted heist film and an engaging story with great characters. We both rate it highly, appreciating its technical prowess and storytelling even when some of the twists become predictable. The film deserves more recognition among classic heist films of the 1960s for its innovative approach and international flair. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple , Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
After the Fox 1:00:21

منذ 33 weeks1:00:21

1:00:21

“In films, either you’ve got a face or you don’t got a face. You've got a face. Can I have it, please?” A Comedic Heist Caper from an Unlikely Collaboration In 1966, Peter Sellers sought to work with renowned Italian neorealist director Vittorio De Sica, bringing aboard playwright Neil Simon to pen his first screenplay. Despite De Sica's reported gambling debts motivating his involvement, the collaboration proved challenging. De Sica struggled with Simon's script and Sellers' performance style, while conflicts arose over casting choices, including Sellers' then-wife Britt Ekland. Join us – Pete Wright and Andy Nelson – as we continue the Heist Films series with a conversation about De Sica’s 1966 film After the Fox . Breaking Down This Fox's Complicated Hunt The film weaves together elements of heist capers and Hollywood satire, following master criminal Aldo "The Fox" Vanucci as he poses as an Italian film director to orchestrate a gold heist. While the premise shows promise, the movie struggles to balance its dual identity as both heist film and industry commentary. However, the stellar performances, particularly from Sellers and Victor Mature (playing a delightfully self-aware version of himself), help elevate the material beyond its structural issues. Key Elements of This Unique Crime Comedy • Peter Sellers' multiple disguises and his protective relationship with his sister (played by then-wife Britt Ekland) • Victor Mature's comeback performance lampooning his own image • The film's satirical take on moviemaking and celebrity culture • Burt Bacharach's memorable earworm title song • The clever setup of the heist using a film production as cover • A somewhat disappointing climactic car chase that fails to deliver on the film's early promise While After the Fox may not fully succeed as either a heist film or industry satire, it offers enough charm and laughs to warrant attention. The film's unique blend of crime caper and showbiz satire, combined with Sellers' comedic prowess, makes it an entertaining entry in both his filmography and the heist genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Death Race 2000 • Member Bonus 14:16

منذ 33 weeks14:16

14:16

“A perfect hit! And no pain for the target. Too bad the guy was only 38; just two years older, he'd have been worth three times the points.” Roger Corman's Vision of a Dystopian Future In 1974, Roger Corman learned about Norman Jewison's upcoming film Rollerball and decided to capitalize on its publicity by producing his own futuristic sports film. Based on a short story by Ib Melchior inspired by his experiences at the Indianapolis 500, Corman brought on Paul Bartel to direct what would become a satirical commentary on violence in entertainment and totalitarian control. With a budget of just $300,000, Corman assembled a cast including David Carradine and a pre-Rocky Sylvester Stallone to create this violent vision of America's future. Join us – Pete Wright and Andy Nelson – as we continue the Roger Corman series with a conversation about Bartel’s 1975 film Death Race 2000 . Racing Through the Film's Key Points The film's unique blend of dark comedy and social commentary creates an engaging discussion about its place in both exploitation cinema and political satire. We explore how Corman's influence shaped the film's development, particularly his push to emphasize comedy and include gratuitous elements that became his trademark. The movie's transformation from a serious script to a more satirical piece showcases Corman's understanding of what would appeal to audiences. Additional Pit Stops in Our Discussion • The cultural context of car-themed movies in the 1970s and their connection to American car culture • David Carradine's performance as Frankenstein and whether he was the right choice for the role • The film's commentary on media manipulation and fan culture • How the limited budget affected the scale of the cross-country race • The surprising franchise legacy, including multiple sequels and remakes • Tak Fujimoto's cinematography and how it enhanced the racing sequences A Victory Lap Worth Taking Despite its low budget and exploitation elements, Death Race 2000 succeeds as both entertainment and satire. While some critics initially dismissed it, including Roger Ebert who gave it zero stars before later acknowledging its merits, the film has earned its place as a cult classic. Both hosts thoroughly enjoyed the film, with Andy giving it four stars and Pete giving it three stars with a heart on Letterboxd. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
The League of Gentlemen 1:05:17

منذ 34 weeks1:05:17

1:05:17

“This was not intended to be a book-of-the-month club lunch.” A British Heist Film That Set Early Genre Standards In 1958, John Boland published his novel The League of Gentlemen , which quickly caught the attention of British filmmakers. Director Basil Dearden, known for his work with Ealing Studios, saw potential in this story of ex-military men planning an elaborate bank robbery. Working with screenwriter Bryan Forbes, who also took a role in the film, Dearden assembled an impressive cast including Jack Hawkins, Richard Attenborough, and Nigel Patrick. Join us – Pete Wright and Andy Nelson – as we return to our Heist Films series with a conversation about Dearden’s 1960 film The League of Gentlemen . Breaking Down This Military-Precision Heist The film follows a group of former military officers who, feeling cast aside by society (and kicked out of the military), band together to execute a sophisticated bank robbery. As we discuss the film, we explore how it handles character development within its large ensemble cast. While some characters receive more attention than others, the film mostly effectively balances its numerous players. Furthermore, we examine how the film's visual elements, particularly the smoke-filled heist sequence with gas masks, create memorable and striking imagery in black and white. Exploring Themes and Cultural Context Throughout our discussion, we delve into several fascinating aspects of the film: The military hierarchy that naturally reasserts itself among the characters The film's commentary on post-war soldiers struggling to find their place in society The blend of comedy and crime elements that would influence future heist films The impressive performances, particularly from Jack Hawkins and Richard Attenborough The film's innovative use of practical effects, especially during the climactic heist sequence The cultural attitudes and gender relations reflected in the film A Must-Watch Early Heist Film The League of Gentlemen stands as an important early entry in the heist film genre, arriving the same year as the original Ocean's 11 . While some character development opportunities may have been missed due to the large cast, the film succeeds in delivering both entertainment and social commentary. We both thoroughly enjoyed this British crime caper, particularly appreciating its technical achievements and ensemble performances. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Sum of All Fears 1:08:59

منذ 35 weeks1:08:59

1:08:59

“When I asked for your advice, I didn't mean that you should actually speak.” Rebooting the Jack Ryan Franchise After the success of Patriot Games and Clear and Present Danger , Paramount Pictures aimed to continue the Jack Ryan franchise with an adaptation of The Sum of All Fears . Initially, Harrison Ford was set to reprise his role as Jack Ryan, but he and director Phillip Noyce dropped out due to script issues. Paramount then decided to reboot the franchise with a younger actor, offering the role to Ben Affleck, who received blessings from Ford and Alec Baldwin. With director Phil Alden Robinson on board, the stage was set for a new era of Jack Ryan. Join us – Pete Wright and Andy Nelson – as we continue the Jack Ryan series with a conversation about Noyce’s 2002 film The Sum of All Fears . A Bold Adaptation Filled with Fascinating Political Intrigue In this episode, we delve into the daring choices made in adapting Clancy's novel, particularly how the film allows Jack Ryan, the embodiment of institutional intelligence, to fail. The movie's second half, focusing on the aftermath of a devastating bomb blast in Baltimore, surprised us with its engaging portrayal of escalating tensions between the U.S. and Russian presidents. We appreciate how the film questions the intelligence and diplomacy machine by highlighting Ryan's struggle to convey crucial information to decision-makers. (Mostly) Great Performances and Controversial Villains Throughout our discussion, we praise the performances of James Cromwell as President Fowler, Morgan Freeman as CIA Director William Cabot, and Liev Schreiber as John Clark. However, we do struggle a bit with Affleck playing Ryan. We also express disappointment in the film's decision to replace the Islamic terrorists from the novel with neo-Nazis, feeling that it weakens the story's impact and makes the villains less compelling. Other points: The challenges of adapting Clancy's novel and the script issues that led to the reboot Ben Affleck's performance as a younger Jack Ryan The film's depiction of the U.S. and Russian presidents' responses to the crisis Alan Bates and Colm Feore's roles as tepid neo-Nazi villains and their impact on the story A Thought-Provoking Entry in the Jack Ryan Series While The Sum of All Fears may not be the most celebrated entry in the Jack Ryan series, it offers a thought-provoking exploration of political intrigue and the consequences of intelligence failures. Despite some weaknesses in its adaptation choices and the lead casting choice, the film's second half delivers a gripping narrative that keeps viewers engaged. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Clear and Present Danger 58:35

منذ 36 weeks58:35

58:35

“The course of action I’d suggest is a course of action I can’t suggest.” The Road to Clear and Present Danger After the success of Patriot Games , Paramount Pictures was eager to continue the Jack Ryan series with another adaptation of a Tom Clancy novel. With Harrison Ford set to return as the intrepid CIA analyst and Phillip Noyce back in the director's chair, the stage was set for Clear and Present Danger . The film, released in 1994, brought a new level of complexity to the series, delving into the murky world of covert operations and political machinations. Join us – Pete Wright and Andy Nelson – as we continue the Jack Ryan series with a conversation about Clear and Present Danger . Navigating the Murky Waters of Clear and Present Danger In our discussion, we dive into the intricacies of Clear and Present Danger , exploring how the film captures the complexities of the political landscape and the moral ambiguity of covert operations. We examine Harrison Ford's portrayal of Jack Ryan, noting how he brings a different energy to the character compared to his performance in Patriot Games. The film's ability to balance the high-stakes political drama in Washington with the intense action sequences in Colombia is a point of interest, as we analyze how these two seemingly disparate storylines ultimately converge. Uncovering the Layers of Corruption Clear and Present Danger takes us on a journey through the labyrinthine world of government corruption, where personal agendas and political maneuvering take precedence over the greater good. We discuss: The performances of Henry Czerny and Harris Yulin as the villainous Ritter and Cutter Willem Dafoe's role as John Clark and the film's portrayal of covert military operations The emotional impact of James Earl Jones' character, Admiral Greer, and his relationship with Jack Ryan A Thrilling Addition to the Jack Ryan Series While Clear and Present Danger may not be perfect, it remains a compelling entry in the Jack Ryan series. The film's ability to tackle complex themes and its unflinching look at the darker aspects of government operations make it a thought-provoking and engaging watch. Harrison Ford's performance as Jack Ryan, coupled with the strong supporting cast, elevates the material and keeps the audience invested in the story. Clear and Present Danger stands as a testament to the enduring appeal of Tom Clancy's novels and the Jack Ryan character. Its exploration of political corruption, moral ambiguity, and the consequences of unchecked power remains as relevant today as it was upon the film's release. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material or on Audible Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Patriot Games 1:05:19

منذ 37 weeks1:05:19

1:05:19

“You walk into a bar, half of whose customers want you dead. You walk up to the IRA's bagman, and in front of his guys, you threaten him? You're not a field man, Jack. You never were. You are an analyst. Analyze that.” The Second Chapter in Jack Ryan's Journey After the success of The Hunt for Red October , Paramount Pictures faced challenges bringing the next Jack Ryan story to the screen. The situation with Alec Baldwin's departure proved contentious, with Baldwin claiming Paramount "cut his throat" by negotiating with another actor (presumably Ford) while still in talks with him. The studio allegedly used Baldwin's Broadway commitment to A Streetcar Named Desire and script approval demands as leverage to make the switch. Join us – Pete Wright and Andy Nelson – as we continue the Jack Ryan series with a conversation about Phillip Noyce’s 1992 film Patriot Games . Playing Both Sides of the Game The transition from Baldwin to Ford fundamentally changes the character's dynamics, shifting from a younger analyst to a more seasoned veteran. We explore how this affected the film's tone and action sequences, particularly discussing whether some of the more intense scenes feel appropriate for Ryan's character. The film presents an intriguing mirror story between Ryan and Sean Miller - both men driven by family, albeit in opposing directions. While Ryan fights to protect his family, Miller seeks revenge for his brother's death, creating parallel narratives that drive the story's conflict. Elements That Drive the Action • The controversial casting change and its implications for the franchise • The mirrored narratives of family protection versus family revenge • Sean Bean's memorable performance as vengeful terrorist Sean Miller • The innovative satellite attack sequence that showcases '90s military technology • Debate over the film's balance between analysis and action • The political dynamics of presenting IRA terrorism to American audiences • Discussion of whether the finale's boat chase sequence serves the story effectively Patriot Games successfully continues the Jack Ryan franchise while charting its own course, though some creative choices push the character in new directions that don't always align with his analytical roots. The film proves entertaining even as it diverges from the more cerebral approach of its predecessor. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Caged Heat • Member Bonus 11:46

منذ 38 weeks11:46

11:46

“You’re in a house of desperate women here, and a long, long way from home.” Roger Corman's Exploitation Cinema: The Story Behind Caged Heat In the early 1970s, Roger Corman was producing a slew of women-in-prison films, capitalizing on the exploitation genre that had been popular then. When wannabe director Jonathan Demme approached Corman with the idea for Caged Heat , Corman initially declined, believing the subgenre had run its course. Undeterred, Demme raised the funds independently and eventually secured Corman as the distributor. Join us – Pete Wright and Andy Nelson – as we continue our member bonusRoger Corman series with a conversation about Demme’s 1974 film Caged Heat . Exploring the Depths of Women's Incarceration in Caged Heat In our discussion, we delve into the themes and statements Demme makes about institutional oppression, mental health, and unethical medical practices within the prison system. We also examine how the film attaches power to sexuality, potentially empowering the female characters in a way that was uncommon for the era. Additionally, we touch on the interesting casting choices, particularly Barbara Steele as the prison warden and Warren Miller as the sociopathic doctor, and how these decisions subvert audience expectations. Caged Heat : A Closer Look at the Characters and Filmmaking Techniques Throughout the episode, we discuss: The relationships between the various inmates and how Demme allows time for character development Tak Fujimoto's cinematography and the effective use of tracking shots The film's balance between comedy and serious moments The shocking and powerful sequence involving shock therapy While Caged Heat may not be a perfect film, it offers an intriguing look at the women-in-prison subgenre through the lens of Jonathan Demme's early directorial work. The movie's exploration of serious themes, combined with its exploitation elements, makes for an engaging and thought-provoking viewing experience. Although we have some reservations about the film and the subgenre as a whole, we appreciate the conversations it sparks. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Amazon or find other places at JustWatch Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
The Hunt for Red October 1:08:14

منذ 38 weeks1:08:14

1:08:14

“Andrei, you've lost another submarine?” From Novel to Box Office Success In 1984, Tom Clancy published his first novel The Hunt for Red October , which garnered attention from military officials for its technical accuracy. Despite the book's success, Hollywood struggled to adapt it. Producer Mace Neufeld optioned the rights but faced resistance from studios who considered the story too complicated. It wasn't until 1990, after six years of development, that the film finally made it to theaters. Join us – Pete Wright and Andy Nelson – as we kick off the Jack Ryan series with a conversation about The Hunt for Red October . Diving Deep into Cold War Tensions The film introduces us to Alec Baldwin as Jack Ryan, a CIA analyst who finds himself thrust into an intricate game of cat and mouse when he discovers that Soviet submarine commander Marko Ramius (Sean Connery) might be attempting to defect. We explore how Baldwin embodies the reluctant hero aspect of Ryan's character more effectively than subsequent actors in the role. The film's deliberate pacing and focus on intellectual strategy over action sequences sets it apart from typical action films of its era and beyond. Breaking the Surface with McTiernan's Direction Director John McTiernan, fresh off the success of Die Hard , brings his expertise to create tension through careful character development rather than relying solely on action sequences. The film's innovative language transition technique and strong performances from the international cast contribute to its enduring appeal. Other Discussion Points: The film's groundbreaking $30 million budget and its box office success Sean Connery's commanding presence despite his Scottish accent playing a Lithuanian The technical accuracy and military support in production Courtney B. Vance's standout performance as Sonar Operator Jones The film's clever handling of submarine warfare technology The evolution of Jack Ryan as a character across different actors The Hunt for Red October stands as one of the strongest entries in the Jack Ryan series, masterfully balancing intellectual intrigue with taut action sequences. The film maintains suspense through character development and strategic narrative choices rather than relying on conventional action tropes. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material and on Audible Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Kin-Dza-Dza! 1:06:19

منذ 39 weeks1:06:19

1:06:19

“The heavens have never seen such an ignominious Patsak as you, Violinist. It grieves me deeply.” A Satirical Take on Soviet Society Kin-Dza-Dza! , a 1986 Soviet science fiction comedy film directed by Georgiy Daneliya, was initially met with skepticism by Soviet authorities due to its satirical nature. However, Daneliya persevered and managed to get the film made, despite the challenges of filming in the hot Turkmenistan desert and dealing with bureaucratic red tape that delayed production. Join us – Pete Wright and Andy Nelson – as we wrap up this return to our Soviet Sci-Fi series with a conversation about Daneliya’s 1986 film Kin-Dza-Dza! . Diving into the Absurdist World of Kin-Dza-Dza! We explore the film's absurdist humor and how it effectively satirizes various aspects of Soviet society, such as the rigid caste system, the limitations on free speech, and the devolution of language. We discuss how the film's low-budget, dystopian aesthetic contributes to its commentary on consumerism and environmentalism, drawing comparisons to other works like Idiocracy and the films of Terry Gilliam and Jean-Pierre Jeunet. The Strengths of Soviet Science Fiction Throughout our discussion, we highlight how Kin-Dza-Dza! exemplifies the strengths of Soviet science fiction in its ability to critique contemporary society through a futuristic lens. We also touch on: The performances of the actors and their commitment to the absurdist tone The film's clever use of practical effects and production design The recurring jokes and their cultural significance, such as the "match math" Kin-Dza-Dza! stands as a unique and entertaining entry in the Soviet science fiction canon, successfully blending biting social commentary with absurdist humor. Its ability to critique Soviet society while still being an engaging and entertaining film is a testament to Daneliya's skill as a filmmaker and the power of science fiction to reflect on contemporary issues. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Buy the Blu-ray from Deaf Crocodile , See where they’re streaming it , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Wanda • The Next Reel 51:05

منذ 52 weeks51:05

51:05

“I don’t have anything. Never did have anything. Never will have anything.” The Tale of Barbara Loden's Unsung Masterpiece In the late 1960s, actress Barbara Loden came across a newspaper article about a woman on trial for bank robbery who thanked the judge for her sentence. Perplexed by what could drive a woman to such a point, Loden crafted a story that would become her sole feature film, Wanda . Despite being married to acclaimed director Elia Kazan, Loden struggled to get the film made, eventually scraping together a meager budget and shooting on 16mm. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Wanda . A Portrait of Aimlessness and Apathy in Rural America On the surface, Wanda may seem like a bleak and meandering character study, but it's precisely those qualities that make it such a fascinating film. We dive into Loden's raw, cinema verité-style approach to storytelling, which eschews traditional Hollywood structure in favor of a more naturalistic portrayal of its titular character's directionless existence. From her passive acceptance of a divorce that leaves her children in the care of their father to her listless drift into a life of crime with a small-time thief, Wanda's journey is one of quiet desperation and longing for purpose. Throughout our discussion, we grapple with the film's deliberate pacing, sparse cinematography, and lack of a traditional character arc. While Pete finds the film's unrelenting bleakness and Wanda's apparent lack of agency challenging, Andy argues that the film's power lies in its unflinching portrayal of a marginalized woman's experience. Wanda may not be an easy watch, but it remains a powerful and uncompromising portrait of a woman adrift in a world that offers her little in the way of hope or purpose. Barbara Loden's singular vision and commitment to telling an untold story make this a film that demands to be seen and discussed. Despite our differing reactions to the film, we both agree that Wanda is a work of undeniable importance and a testament to Loden's talent as a filmmaker. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Honeymoon Killers • The Next Reel 47:41

منذ 1 year47:41

47:41

“Now that you know everything about me, you still love me?” A Twisted Love Story and a Director's Only Film The Honeymoon Killers , released in 1970, is a crime drama based on the real-life story of Raymond Fernandez and Martha Beck, the infamous "Lonely Hearts Killers" who murdered as many as 20 women in the 1940s. The film was originally set to be directed by a young Martin Scorsese, but after a start too slow for the budget, the project was handed over to the producer’s friend and roommate Leonard Kastle, a composer and opera director with no prior filmmaking experience. Kastle had written the screenplay and so was asked to also direct the film, which would be his only foray into the world of cinema. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about The Honeymoon Killers . Discussion Points The film's low-budget, black-and-white aesthetic and its impact on the overall atmosphere The sequences directed by Martin Scorsese and how they fit into the larger narrative The real-life story of the "Lonely Hearts Killers" and how the film adapts and fictionalizes certain elements The film's controversial and provocative marketing campaign, including its sexually charged poster Oliver Wood's striking cinematography in his first solo job, particularly the powerful closeups that heighten the film's emotional intensity A Singular Vision Worth Rediscovering Despite its grim subject matter and challenging characters, The Honeymoon Killers remains a fascinating and singular work of cinema, one that showcases Leonard Kastle's unique vision, the fearless performances of its lead actors, and Oliver Wood's evocative cinematography. It's a shame that Kastle never directed another film, as his debut suggests a talent for crafting complex, emotionally charged stories that push the boundaries of conventional Hollywood storytelling. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Carnival of Souls • The Next Reel 51:16

منذ 1 year51:16

51:16

“Why can’t anybody hear me?!” The Fascinating Origins of a Classic Horror Film In the early 1960s, director Herk Harvey stumbled upon an abandoned amusement park in Salt Lake City, sparking the idea for what would become the classic horror film Carnival of Souls . With a shoestring budget and a cast of mostly unknown actors, Harvey set out to capture the haunting atmosphere of that desolate park. Join us – Pete Wright and Andy Nelson – as we kick off the One-and-Done series with a conversation about Harvey's 1962 film Carnival of Souls . Exploring the Liminal Space Between Life and Death Our discussion of Carnival of Souls delves into the film's unique storytelling approach and its exploration of the space between life and death. We examine how the protagonist, Mary Henry (played by Candace Hilligoss), navigates this liminal space after surviving a tragic car accident, and how her experiences blur the lines between reality and the supernatural. Throughout our conversation, we touch on: The effective use (overuse?) of organ music and striking visual imagery The ambiguity of certain scenes and their room for interpretation The film's influence on later horror movies A Timeless Classic That Continues to Captivate Despite its low budget and relatively unknown cast, Carnival of Souls has endured as a classic of the horror genre. Its haunting imagery, ambiguous storytelling, and exploration of existential themes continue to captivate audiences decades after its initial release. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Check out An Occurence at Owl Creek Bridge Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Indiana Jones and the Dial of Destiny • The Next Reel 1:02:14

منذ 1 year1:02:14

1:02:14

“I don't believe in magic, Wombat, but a few times in my life, I've seen things. Things I can't explain. And I've come to believe it's not so much what you believe. It's how hard you believe it.” The Final Chapter(?) in the Indiana Jones Saga After a 15-year hiatus, the legendary archaeologist Indiana Jones returns for one last adventure in Indiana Jones and the Dial of Destiny . Directed by James Mangold, this fifth installment aims to capture the spirit of the original trilogy while bringing the series to a satisfying conclusion. Join us – Pete Wright and Andy Nelson – as we wrap up (again) the Indiana Jones series with a conversation about Indiana Jones and the Dial of Destiny . Dialing Up the Nostalgia or Stuck in the Past? In our discussion, we explore the various aspects of Indiana Jones and the Dial of Destiny that worked well and those that may have fallen short. We delve into the film's attempts to recapture the magic of the original trilogy and debate whether the callbacks enhance the experience or make the film feel repetitive. Throughout the episode, we grapple with the question of whether this movie manages to justify its existence as a fitting conclusion to the franchise or if it ultimately feels unnecessary. A Polarizing Send-Off? As we conclude our discussion, it becomes clear that this final installment has sparked a range of reactions among fans and critics alike. Regardless of one's personal opinion, it's evident that the film has generated a lively debate about the legacy of Indiana Jones and the challenges of crafting a fitting end to a beloved series. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Unforgiven • The Next Reel • Member Bonus 11:00

منذ 1 year11:00

11:00

“It’s a helluva thing, killin’ a man.” A Western Classic Revisited Clint Eastwood's 1992 Western masterpiece, Unforgiven , was a critical and commercial success upon its release. The film, which Eastwood directed and starred in, was a revisionist take on the classic Western genre, exploring themes of violence, redemption, and the myth of the American West. With its complex characters and morally ambiguous storyline, Unforgiven challenged traditional Western tropes and helped revitalize the genre for a new generation of filmgoers. Join us – Pete Wright and Andy Nelson – as we conclude our member bonus series looking at the 1993 Academy Award Best Film Editing Nominees with Eastwood’s 1992 film Unforgiven . Exploring the Depths of Unforgiven We discuss how the film subverts traditional Western archetypes, presenting a more realistic and gritty portrayal of life on the frontier. We also explore the film's themes of violence and redemption, examining how Eastwood's character, William Munny, grapples with his past as a notorious outlaw and his desire to leave that life behind. Throughout the discussion, we highlight several key aspects of Unforgiven that make it a standout entry in the Western genre. We praise Eastwood's direction and performance, as well as the supporting cast, which includes Gene Hackman, Morgan Freeman, and Richard Harris. We also touch on the film's cinematography, which captures the stark beauty of the American West while also conveying a sense of danger and unease. Other Topics Covered The film's commentary on the mythologizing of the American West The moral ambiguity of the characters and their actions The role of women in the Western genre The film's place within Eastwood's larger body of work as a director and actor A Western for the Ages Ultimately, we conclude that Unforgiven is a masterful example of the Western genre and a film that continues to resonate with audiences over three decades after its release. Through its nuanced exploration of complex themes and its subversion of traditional Western tropes, Unforgiven stands as a testament to Eastwood's skill as a filmmaker and his enduring legacy in American cinema. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
The Player • The Next Reel • Member Bonus 9:57

منذ 1 year9:57

9:57

“Can we talk about something other than Hollywood for a change?” Robert Altman's The Player is a satirical dark comedy that takes a sharp look at the inner workings of Hollywood and the movie industry. The film was nominated for Best Film Editing at the 1993 Academy Awards, competing against Basic Instinct , The Crying Game , A Few Good Men , and the winner Unforgiven . The Player marked Altman's return to the spotlight after a string of critical and commercial disappointments in the 1980s. Join us – Pete Wright and Andy Nelson – as we continue the member bonus 1993 Academy Awards Best Film Editing Nominees series with a conversation about The Player . This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get member bonus content in extended episodes, access to members-only Discord channels, access to watch episodes live when we record and comment along with it, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM . Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd…

The Next Reel Film Podcast

1
Everything Everywhere All at Once • The Next Reel 51:24

منذ 1 year51:24

51:24

“We’re all useless alone. It’s a good thing you’re not alone.” Everything Everywhere All at Once is a unique and ambitious film that defies genre conventions. Directed by the Daniels (Daniel Kwan and Daniel Scheinert), the film was born out of their desire to create something that would explore the multiverse concept in a fresh and exciting way. With an all-star cast led by Michelle Yeoh, the Daniels set out to craft a story that would not only entertain but also provoke thought and emotion. Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about Everything Everywhere All at Once . A Mind-Bending Journey Through the Multiverse In our discussion, we delve into the film's exploration of the multiverse concept and how it uses this premise to tell a deeply personal story about a mother-daughter relationship and a husband-wife relationship (and a daughter-father relationship). We examine how the Daniels masterfully weave together multiple genres, from science fiction to martial arts to comedy, creating a unique and engaging viewing experience. Additionally, we analyze how the film's inventive use of aspect ratios and visual effects enhances the narrative and immerses the audience in the various universes. Other Topics Covered The stellar performances by the cast, particularly Michelle Yeoh and Ke Huy Quan The film's exploration of themes such as family, identity, and the choices we make The Daniels' distinctive directorial style and how it elevates the material The emotional resonance of the story and its ability to connect with audiences Why Everything Everywhere All at Once is a Must-See Film Everything Everywhere All at Once is a film that pushes the boundaries of storytelling and filmmaking. It is a testament to the Daniels' creativity and vision, as well as the incredible talent of the cast and crew. Despite its complex narrative and unconventional structure, the film remains accessible and emotionally engaging, thanks to its relatable characters and universal themes. We thoroughly enjoyed discussing this unique and thought-provoking film, and we highly recommend it to anyone looking for a fresh and exciting cinematic experience. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Top Gun: Maverick • The Next Reel 1:12:23

منذ 1 year1:12:23

1:12:23

“It’s not the plane, sir. It’s the pilot.” The Long Road to Top Gun: Maverick The original Top Gun was a massive success in 1986, but it took over 30 years for a sequel to finally take flight. Development on Top Gun: Maverick began in 2010 when Paramount Pictures approached producer Jerry Bruckheimer and director Tony Scott about a sequel. Unfortunately, the project was put on hold after Scott's death in 2012. The studio eventually moved forward with the sequel in 2017, with Joseph Kosinski taking the helm and Tom Cruise reprising his iconic role as Pete "Maverick" Mitchell. Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about Top Gun: Maverick . Feeling the Need for Speed in Top Gun: Maverick In our discussion of Top Gun: Maverick , we dive into the film's thrilling action sequences and how they compare to the original. We also explore the movie's themes of legacy, aging, and the changing nature of warfare. Additionally, we examine how the sequel handles the absence of key characters from the first film and introduces new ones. Other Discussion Points The film's impressive practical effects and minimal use of CGI Tom Cruise's commitment to the team actually flying The emotional weight of Maverick's relationship with Rooster, Goose's son Jennifer Connelly's strong performance as Penny Benjamin The movie's nostalgic callbacks to the original Top Gun Why Top Gun: Maverick Soars Top Gun: Maverick is a rare sequel that manages to capture the spirit of the original while updating it for a new generation. The film's stunning aerial sequences, coupled with its exploration of complex themes and character relationships, make it a worthy addition to the Top Gun legacy. While the movie may lean heavily on nostalgia at times, it still manages to stand on its own as an entertaining and emotionally resonant blockbuster. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Tár • The Next Reel 1:02:14

منذ 1 year1:02:14

1:02:14

“You want to dance the masque, you must service the composer. You gotta sublimate yourself, your ego, and, yes, your identity. You must, in fact, stand in front of the public and God and obliterate yourself.” A Cinematic Masterpiece from Director Todd Field Director Todd Field may not be a prolific filmmaker, but his small body of work showcases his incredible talent and strong voice. After a 16-year hiatus, Field returns to the director's chair with Tár , a film that has been praised as a perfect piece of cinema and a masterful character study. Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about Tár . Conducting a Symphony of Power and Manipulation In our discussion of Tár , we dive into the complex themes and character dynamics that make this film so compelling. We explore how the film positions Lydia Tár (Cate Blanchett) as an antagonist against youth perspectives on art versus the artist, and how her own ideology and manipulative behavior inevitably lead to her downfall. We also delve into the gender dynamics at play in the film, with Tár using her power and position as a woman in a male-dominated field to manipulate and control those around her. Blanchett's performance is a standout, delivering a believable portrayal of a diabolical character that is rarely seen played by women in film. Other topics covered in our conversation include: The film's unorthodox opening credits and how they set the stage for the story The signature scene of Tár's guest lecture at Juilliard and how it represents the film's central themes The inevitability of Tár's behavior and how the film builds a case for her corruption by power The importance of representation and understanding changing perspectives in the arts Tár is a film that showcases the incredible talent of both its director and lead actress, delivering a powerful character study that explores themes of power, manipulation, and the corrupting influence of artistic genius. It's a film that is sure to spark discussion and leave a lasting impact on viewers. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Fabelmans • The Next Reel 56:30

منذ 1 year56:30

56:30

“Everything happens for a reason.” Spielberg's Passion Project Comes to Life Few filmmakers have had as much impact on cinema as Steven Spielberg, but it wasn't until recently that he felt ready to tackle his most personal project yet. With the passing of his parents, Spielberg finally felt he could tell the story of his youth and early days as a filmmaker without hurting their feelings. Join us – Pete Wright and Andy Nelson – as we continue the 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about The Fabelmans . A Fabelman's Home Movie Reveals Spielberg's Roots In The Fabelmans , we see young Sammy Fabelman discovering his passion for filmmaking, learning to use the camera to confront his fears and insecurities. As he grows older, his camera becomes both a tool for artistic expression and a shield from life's challenges, including his parents' crumbling marriage. We discuss how Spielberg masterfully weaves together the threads of Sammy's personal journey with his development as a filmmaker, showcasing the power of the medium to shape perceptions and evoke emotions. Throughout our conversation, we marvel at the film's authenticity and vulnerability, as Spielberg bares his soul on screen. We also touch on: The exceptional performances by Gabriel LaBelle, Michelle Williams, and Paul Dano Spielberg's signature themes of broken families, fear, and the unknown The evolution of Sammy's filmmaking techniques and understanding of the craft The film's poignant exploration of the artist's struggle and the sacrifices they make A Love Letter to Cinema The Fabelmans is more than just a coming-of-age story; it's a love letter to the power of cinema and the passion of those who create it. Through Sammy's journey, Spielberg reminds us of the magic that can happen when we surrender ourselves to the movies, and the courage it takes to bring our own stories to life on screen. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
A Few Good Men • The Next Reel • Member Bonus 7:18

منذ 1 year7:18

7:18

“You’re an ambulance chaser with a rank. You’re nothing.” This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get member content in episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM . Courtroom Drama Meets Military Ethics – and Hollywood Ethics – in Sorkin's Debut Before A Few Good Men hit the big screen, Aaron Sorkin's riveting story about two U.S. Marines accused of murder premiered on Broadway in 1989. The play, inspired by true events but not explicitly marketed as such, caught the attention of Hollywood heavyweights, leading to the 1992 film adaptation directed by Rob Reiner. With an all-star cast including Tom Cruise, Jack Nicholson, and Demi Moore, the movie garnered critical acclaim and four Academy Award nominations, including Best Film Editing. Join us – Pete Wright and Andy Nelson – as we continue the 1993 Academy Awards Best Film Editing Nominees member bonus series with a conversation about A Few Good Men . Unraveling the Truth Behind the Code Red In our discussion of A Few Good Men , we dive into the central theme of the film – the tension between following orders and doing what's right. As the story unfolds, we witness the journey of Lt. Daniel Kaffee (Tom Cruise) as he navigates the complex world of military justice. We analyze how the film effectively builds suspense, particularly during the intense courtroom scenes, which showcase Sorkin's signature rapid-fire dialogue. Throughout the episode, we highlight the performances of the stellar cast, including Jack Nicholson's iconic portrayal of Col. Nathan R. Jessup and Demi Moore's strong presence as Lt. Cdr. JoAnne Galloway. We also touch on the film's exploration of the Guantanamo Bay military base and its significance in the story, as well as the fact that the story is based on real events, despite not being explicitly marketed as a "true story." Other Talking Points The film's opening sequence and its impact on setting the tone Rob Reiner's direction and his successful run of films in the late 80s and early 90s The challenges of adapting a stage play for the big screen The film's commentary on the military hierarchy and its potential for abuse of power A Few Good Men stands as a testament to the power of storytelling, as it expertly weaves together elements of drama, suspense, and moral ambiguity. The film's thought-provoking themes, combined with its outstanding performances and skilled editing, make it a must-see for any fan of courtroom dramas or military-themed movies. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd…

The Next Reel Film Podcast

1
The Banshees of Inisherin • The Next Reel 1:03:08

منذ 1 year1:03:08

1:03:08

“It was all going fine until he chopped off all his fingers.” In 2022, writer-director Martin McDonagh reunited with his In Bruges stars, Colin Farrell and Brendan Gleeson, to create a haunting tale of friendship, loss, and the far-reaching consequences of our actions. Set against the backdrop of the Irish Civil War in 1923, The Banshees of Inisherin was filmed on the breathtaking Achill Island and Inishmore, capturing the essence of a remote Irish community. Join us – Pete Wright and Andy Nelson – as we kick off the final series in this season of looking at films nominated in various award categories over the last 100 years – a format we've thoroughly enjoyed exploring. We begin our 2023 DGA Awards Outstanding Directorial Achievement in Theatrical Feature Film Nominees series with a conversation about The Banshees of Inisherin . A Microcosm of War and Friendship In our discussion, we explore how The Banshees of Inisherin serves as a microcosm for the larger conflict of the Irish Civil War. The sudden dissolution of Pádraic and Colm's friendship mirrors the division and brutality of the war, with both men stubbornly refusing to reconcile. We also delve into the film's examination of the dehumanization of violence and how even the most trivial of disagreements can escalate into devastating battles. Throughout the episode, we touch upon various aspects of the film that contribute to its brilliance, such as the powerhouse performances of Farrell, Gleeson, Kerry Condon, and Barry Keoghan; the stunning Irish landscapes that create a captivating atmosphere; and the role of animals as extensions of the characters' identities and emotional states. We also ponder the potential for this story to become a legendary tale passed down through generations, becoming an origin story for future pub conversations. Other topics covered in our conversation include: The exploration of blind spots in self-perception and the journey of self-discovery The cultural conflicts and stereotypes at play within the island community The tragic consequences of the characters' inability to move past their differences The film's seamless blending of humor and heartbreak The Banshees of Inisherin is a masterful exploration of the complexities of human relationships and the far-reaching consequences of our actions. Martin McDonagh's deft direction, combined with the brilliant performances of the cast, makes for a film that is both thought-provoking and emotionally resonant. While the film's darker themes may not be for everyone, we found it to be a captivating and worthwhile cinematic experience. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries The Drake-Kendrick Lamar Feud Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Woman in Black • The Next Reel 1:01:53

منذ 1 year1:01:53

1:01:53

“Don’t go chasing shadows, Arthur.” Adapting a Classic Ghost Story for the Big Screen The Woman in Black , based on Susan Hill's 1983 novel of the same name, has been adapted for the stage, television, and radio. In 2012, James Watkins directed a feature film version starring Daniel Radcliffe in his first major role since the Harry Potter series. With a talented team behind the camera and a compelling lead actor, The Woman in Black aimed to bring a classic ghost story to life for a new generation. Join us – Pete Wright and Andy Nelson – as we continue the 2013 Fangoria Chainsaw Awards Best Actor Nominees series with a conversation about The Woman in Black . Radcliffe's Post-Potter Performance and the Film's Ghostly Atmosphere In our discussion, we explore Daniel Radcliffe's performance as Arthur Kipps, a young lawyer grappling with grief and tasked with settling the estate of the mysterious Alice Drablow. Radcliffe's portrayal marks a significant departure from his iconic role as Harry Potter, showcasing his range as an actor. We also delve into the film's effective use of atmosphere, from the eerie Eel Marsh House and causeway leading to it to the unsettling appearances of the titular specter. However, we note that the reliance on jump scares and horror tropes may detract from the overall impact of the story. Other Topics Covered The differences between the novel, previous adaptations, and the 2012 film The film's exploration of grief and loss The effectiveness of the period setting and production design The use of children in peril as a horror element The Woman in Black offers a haunting tale of a vengeful spirit and the devastating impact of loss. While the film may lean heavily on familiar ghost story conventions, it succeeds in creating a chilling atmosphere and showcasing Daniel Radcliffe's post-Potter acting chops. Despite some reservations about the ending and the reliance on jump scares, The Woman in Black remains a solid entry in the gothic horror genre and a testament to the enduring power of Susan Hill's original novel. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material: The Woman in Black by Susan Hill Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Sleep Tight (Mientras Duermes) • The Next Reel 58:54

منذ 1 year58:54

58:54

“Happy. That’s exactly my problem – that I can’t be happy. Not even when good things happen to me.” A Gripping Spanish Psychological Thriller Sleep Tight (Mientras Duermes) is a 2011 thriller directed by Jaume Balagueró that delves into the complex themes of obsession, trust, and the violation of personal space. The film follows César, a concierge at an apartment building, and his interactions with the residents, particularly Clara. Join us – Pete Wright and Andy Nelson – as we continue the 2013 Fangoria Chainsaw Awards Best Actor Nominees series with a conversation about Sleep Tight . A Slow Burn That Keeps You Guessing One of the most intriguing aspects of Sleep Tight is how it gradually reveals its central mystery, keeping the audience engaged and guessing throughout the narrative. The film excels at building suspense and creating an atmosphere of unease, as it explores the lives of the apartment building's residents and the role César plays in their daily routines. We discuss how the film's pacing and the careful release of information contribute to the overall sense of tension and anticipation. It's important to note that Sleep Tight is best experienced with as little prior knowledge of the plot as possible, allowing the story to unfold in its own surprising and unsettling way. Luis Tosar's Mesmerizing Performance At the heart of Sleep Tight is Luis Tosar's remarkable performance as César, which earned him many accolades. Tosar's portrayal of the complex and multi-layered character is a testament to his acting prowess, as he navigates the emotional depths and motivations of César with finesse. We explore how Tosar's performance is instrumental in driving the narrative forward and keeping the audience invested in the story, even as the film takes unexpected turns. Other topics covered in our conversation include: The film's exploration of the blurred lines between public and private life The use of claustrophobic spaces and voyeuristic elements to heighten tension The effectiveness of the film's conclusion and its impact on the viewer The universal themes of loneliness, isolation, and the need for connection Sleep Tight is a masterfully crafted psychological thriller that keeps the audience on the edges of their seats until the very end. With its slow-burn approach to storytelling, atmospheric tension, and a powerhouse lead performance by Luis Tosar, the film offers a gripping and thought-provoking experience that lingers long after the credits roll. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Sinister • The Next Reel 1:12:04

منذ 1 year1:12:04

1:12:04

“I like that you made the movies longer, they are better this way.” Scott Derrickson's nightmare after watching The Ring sparked the creation of Sinister , a chilling tale that taps into the growing fascination with true crime. Co-written with his frequent collaborator C. Robert Cargill, Derrickson's film follows a true crime writer who moves his family into a house with a brutal past, only to uncover a sinister supernatural force at work. Released in 2012, Sinister arrived just as the true crime craze was gaining momentum, with podcasts and television shows exploring the darker side of human nature. Join us – Pete Wright and Andy Nelson – as we continue the 2013 Fangoria Chainsaw Awards Best Actor Nominees series with a conversation about Sinister . Ethan Hawke's Descent into Darkness In Sinister , Ethan Hawke delivers a brooding and moody performance as a true crime writer determined to unravel the mystery behind a series of disturbing home movies. As he delves deeper into the investigation, Hawke's character becomes increasingly obsessed, putting his family in danger and blurring the lines between reality and the supernatural. We discuss how the film uses jump scares and horrific imagery to create a sense of dread and unease, keeping the audience on the edge of their seats. Haunted Houses and Demonic Deeds One of the key points we explore in our discussion is how Sinister subverts the "haunted house" trope. Instead of the horror being confined to a single location, the film has the demon Bughuul's influence follow the family even after they leave the murder house. This raises questions about the logic of Bughuul's actions and whether the film needed to provide a clearer explanation for his behavior. We debate the effectiveness of this approach and how it contributes to the overall sense of unease that permeates the film. Sinister Sounds and Creepy Kids The film's effective use of sound design and lighting to create a creepy atmosphere The unsettling portrayal of the ghost children and their role in the murders The challenges of working with child actors in horror films and how Sinister handles their creepy scenes The Verdict on Sinister Sinister is a film that effectively taps into the growing fascination with true crime and delivers a creepy and unsettling horror experience. While the logic of Buhguul’s actions may not hold up under scrutiny, the film's strong atmosphere, effective scares, and thought-provoking themes make it a standout entry in the horror genre. We have a great time discussing the film's strengths and weaknesses, so check it out and then tune in to hear our full conversation. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Amphibian Man 53:37

منذ 40 weeks53:37

53:37

“I don’t want to live among the fishes anymore. I’ll die of loneliness.” A Soviet Sci-Fi Fairy Tale of Love and Science In the 1960s, during the Khrushchev Thaw, Soviet filmmakers were given more creative freedom to explore stories beyond the typical Stalinist propaganda. This period saw a surge in sci-fi films, including the 1961 classic Amphibian Man , directed by Vladimir Chebotaryov and Gennadiy Kazanskiy. Based on the novel by Alexander Beliaev, the film tells the story of a man with surgically implanted shark gills who falls in love with a young woman, despite the disapproval of her capitalist suitor. Join us – Pete Wright and Andy Nelson – as we kick off a short return to our Soviet Sci-Fi series with a conversation about the 1961 film Amphibian Man . Diving Deep into the Story's Themes and Motifs In our discussion, we explore how Amphibian Man weaves together elements of science fiction, romance, and social commentary. The film's protagonist, Ichtyandr, embodies the Soviet ideal of scientific progress, while his love interest, Gutiere, represents the allure of a world beyond his underwater utopia. We also examine the film's villain, Don Pedro, as a classic capitalist exploiter, showcasing the Soviet critique of Western values. Throughout our conversation, we delve into the fairy tale aspects of the story, the believability of the romance, and the tragic ending that subverts expectations. We also discuss the technical achievements of the underwater cinematography and the film's influence on modern directors like Guillermo del Toro. Other Topics Covered in the Episode The film's original title, " Tarzan of the Sea ," and its copyright issues The dream sequence and its role in the narrative The ambiguity surrounding Ichtyandr's abilities and the dolphin scene Accusations of plagiarism against Guillermo del Toro's The Shape of Water The changing perceptions of ocean exploitation in Soviet cinema A Timeless Tale of Love and Progress Amphibian Man may not be a perfect film, but it remains a fascinating example of Soviet sci-fi cinema during a period of creative liberation. Its blend of science, romance, and social commentary creates a timeless fairy tale that continues to captivate audiences decades later. Despite some plot inconsistencies and missed opportunities, the film's core themes and visual splendor make it a worthwhile entry in the genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Amazon or find other places at JustWatch Theatrical trailer Original Material Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Creep 1:02:14

منذ 41 weeks1:02:14

1:02:14

“I’ve got a weird sense of humor, man.” Pushing Boundaries in Found Footage Horror Mark Duplass, known for his contributions to the mumblecore movement, teamed up with newcomer Patrick Brice to create a low-budget indie horror film that would challenge conventions and explore the unsettling nature of human interactions. With Duplass's experience in crafting authentic, character-driven stories and Brice's fresh perspective, they set out to push the boundaries of the found footage genre. Armed with a minimal crew, a largely improvised script, and a shared vision, they embarked on a journey that would result in the creation of Creep . Join us – Pete Wright and Andy Nelson – as we return to our Found Footage series with a conversation about Brice’s 2014 film Creep . Authenticity, Eccentricity, and Malevolence In our discussion of Creep , we explore how the film navigates the spectrum between authenticity, eccentricity, and malevolence. We examine Mark Duplass' portrayal of Joseph, a character who initially comes across as genuine and relatable but gradually reveals a darker, more unsettling side. The found footage aesthetic enhances the sense of unease, blurring the lines between reality and fiction. Additionally, we delve into the movie's ability to subvert audience expectations and keep viewers on edge throughout. Other Points of Discussion The effective use of a minimalist cast and setting The possible and somewhat weak attempt at creating a twist The chemistry between Mark Duplass and Patrick Brice The film's exploration of the darker aspects of human nature The pacing issues in the latter half of the movie Creep ing into the Horror Genre Creep showcases the potential of low-budget, independent filmmaking to create a memorable and unsettling horror experience. Mark Duplass' expertise in crafting authentic characters, combined with Patrick Brice's fresh perspective, results in a film that pushes the boundaries of the found footage genre. Despite some pacing issues, Creep 's exploration of the darker aspects of human nature and its ability to keep the audience guessing make it a worthwhile addition to the horror genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
A Bucket of Blood • Member Bonus 13:21

منذ 42 weeks13:21

13:21

“It’s called ‘Murdered Man’.” Roger Corman's Comical Foray into Beatnik Horror In the late 1950s, American International Pictures approached Roger Corman to create a low-budget horror film in just five days, using sets from another project. Corman, along with screenwriter Charles B. Griffith, decided to take a satirical approach, crafting a black comedy that poked fun at the beatnik culture of the era. The result was A Bucket of Blood , a quirky and entertaining film that showcases Corman's ability to deliver a memorable movie on a shoestring budget. Join us – Pete Wright and Andy Nelson – as we continue the member bonus Roger Corman series with a conversation about A Bucket of Blood . Sculpting a Masterpiece of Macabre Humor In our discussion of A Bucket of Blood , we delve into the film's clever satirical elements and its comical take on the horror genre. We explore how the movie lampoons both the beatnik scene and the pretentiousness of the art world, with Corman and Griffith drawing from their own experiences and observations. The film's lead actor, Dick Miller, delivers a standout performance as the lovable yet misguided busboy-turned-artist Walter Paisley, whose quest for fame and acceptance takes a dark and murderous turn. Corman's Signature Style and Social Commentary Throughout our conversation, we touch upon various aspects of the film that showcase Roger Corman's signature style and his ability to infuse social commentary into his low-budget productions. We examine how A Bucket of Blood addresses themes of social mobility, the search for identity, and the folly of pursuing success at any cost. Additionally, we discuss how the film fits into the broader context of 1950s cinema, drawing comparisons to other notable works of the era, such as Rebel Without a Cause and film noir. Other points covered in our discussion include: The film's effective use of a limited set and budget The portrayal of the beat generation and youth culture The transformation of Walter Paisley from protagonist to antagonist The satirical representation of the art world and its patrons A Timeless Tale of Ambition and Morality A Bucket of Blood may be a product of its time, but its themes and humor remain relatable and entertaining decades later. Corman's ability to craft a compelling and thought-provoking story within the constraints of a tight budget and schedule is a testament to his skill as a filmmaker. While the film's low-budget origins are evident, its clever writing, memorable performances, and biting satire more than compensate for any technical limitations. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
La Llorona 57:32

منذ 42 weeks57:32

57:32

“Did someone hear a woman cry?” A Haunting Guatemalan Ghost Story In 2019, Guatemalan filmmaker Jayro Bustamante released his third feature film, La Llorona , a haunting ghost story that explores the aftermath of the Guatemalan genocide. The film premiered at the Venice Film Festival and was selected as the Guatemalan entry for the Best International Feature Film at the 93rd Academy Awards. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about La Llorona . Women Confronting the Horrors of the Past In our discussion of La Llorona , we focus on how the film centers around the women in a retired general's family as they grapple with the accusations of genocide against him. Through the mysterious presence of their new housekeeper, Alma, and the visions she induces, the general's wife, daughter, and granddaughter are forced to confront the truth about his actions and their own complicity in the horrors of the past. As the story unfolds, the general becomes an increasingly antagonistic figure, unable to face the consequences of his past deeds. Blending the Ghost Story Genre with the La Llorona Myth La Llorona effectively combines elements of the traditional ghost story genre with the well-known Latin American folktale of La Llorona, the weeping woman. Bustamante skillfully weaves these two narrative threads together, creating a haunting and atmospheric tale that slowly reveals the truth behind Alma's presence and her connection to the general's victims. The film's use of water imagery and the unsettling presence of ghostly figures further enhances the eerie and unsettling tone. Other topics covered in our conversation include: The strong performances of the cast, particularly María Mercedes Coroy as Alma and Margarita Kenéfic as the general's wife The film's commentary on the intergenerational trauma caused by the Guatemalan genocide The gradual revelation of Alma's true nature and her role in the story The importance of acknowledging and confronting the atrocities of the past A Thought-Provoking and Haunting Film La Llorona is a powerful and thought-provoking film that uses the ghost story genre and the La Llorona myth to shed light on the horrors of the Guatemalan genocide. Through its haunting atmosphere, strong performances, and exploration of intergenerational trauma, the film leaves a lasting impact on its viewers. La Llorona is a compelling and important work that deserves to be seen and discussed. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Under the Shadow 59:31

منذ 43 weeks59:31

59:31

“You know, if they take a personal belonging, something that you treasure, then there’s no escape from them. You’ll be marked and they’ll always know how to find you.” Uncovering the Horrors of War and Gender Inequality Iranian filmmaker Babak Anvari's directorial debut, Under the Shadow , hit the festival circuit in 2016, garnering critical acclaim and numerous awards. Set in Tehran during the Iran-Iraq War of the 1980s, this Persian-language horror film delves into the personal and societal struggles of a mother and daughter as they face both the terrors of war and the oppression of gender inequality. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Under the Shadow . Peeling Back the Layers of Fear From the ever-present threat of war to the social horror of gender inequality, Anvari masterfully weaves together a tapestry of terror that keeps viewers on the edge of their seats. We discuss how the film's supernatural elements, in the form of malevolent spirits known as djinn, serve as a metaphor for the protagonist's internal struggles and the trauma she faces. Throughout our conversation, we explore the powerful performances of the film's lead actors, particularly Narges Rashidi as the mother, Shideh. Her portrayal of a woman grappling with the loss of her dreams and the pressures of motherhood in a war-torn, patriarchal society is both haunting and inspiring. We also touch on the film's effective use of sound design and cinematography to create an atmosphere of unease and dread. Digging Deeper into the Discussion The symbolism of the doll as a representation of Shideh's maternal instincts and her daughter's need for protection The ambiguity surrounding the origins of the djinn and their connection to the characters' trauma The film's commentary on the psychological effects of war and oppression on individuals and society The open-ended nature of the film's conclusion and its implications for the characters' futures Unveiling the Significance of Under the Shadow Under the Shadow is a testament to the power of horror cinema to explore complex social and political issues. By blending the supernatural with the all-too-real horrors of war and gender inequality, Anvari has crafted a film that is both terrifying and thought-provoking. Despite some minor criticisms regarding the clarity of certain plot points, we ultimately find Under the Shadow to be a compelling and essential addition to the canon of international horror cinema. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Pulse 57:08

منذ 44 weeks57:08

57:08

“Maybe, he suddenly just wanted to die. I get that way sometimes.” The Rise of J-Horror in the International Spotlight Japanese horror, or J-Horror, has a rich history dating back decades, with influential works like Masaki Kobayashi's Kwaidan (1964) and Nobuhiko Obayashi's House (1977) paving the way for the genre. However, it was in the late 1990s and early 2000s that J-Horror truly gained international recognition, thanks to a wave of innovative and terrifying films that captivated audiences worldwide. One of the most significant and thought-provoking films of this era was Kiyoshi Kurosawa's 2001 masterpiece, Pulse . Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Pulse . Exploring the Depths of Loneliness in a Connected World At its core, Pulse is a haunting meditation on the themes of isolation and disconnection in an increasingly technology-driven society. Kurosawa skillfully weaves a narrative that blurs the boundaries between the physical and digital realms, as the characters become entangled in a supernatural world accessed through the internet. As the film progresses, it becomes clear that the true horror lies not in the ghostly apparitions, but in the profound sense of emptiness and loneliness that permeates the characters' lives. Throughout our discussion, we examine how Pulse effectively communicates these themes through its atmospheric storytelling, unsettling imagery, and nuanced performances. Crafting an Unforgettable Atmosphere Kurosawa's deliberate use of static shots and wide angles to emphasize the characters' isolation The film's focus on the younger generation and their relationship with emerging technologies The iconic "ghost" movements and the smudged, blurred effects used to depict the supernatural entities The choice of eerie locations, such as abandoned buildings and desolate streets, which contribute to the film's oppressive atmosphere Pulse 's Lasting Impact on J-Horror and Beyond More than two decades after its release, Pulse continues to stand as a landmark film in the J-Horror genre and a testament to Kiyoshi Kurosawa's visionary directorial prowess. The film's exploration of the potential dangers lurking within our increasingly connected world remains as relevant as ever, striking a chord with contemporary audiences. While the narrative's pace may prove challenging at times, Pulse 's ability to provoke introspection and unsettle viewers is undeniable. Its influence can be seen in numerous subsequent horror films, both in Japan and internationally, cementing its status as a true classic of the genre. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Andy’s J-Horror to Watch list Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Ugetsu 56:35

منذ 45 weeks56:35

56:35

“You’re mine now. From now on, you must devote your whole life to me.” A Ghost Story as a Statement on Pride and Greed Kenji Mizoguchi's 1953 film Ugetsu , based on stories by Akinari Ueda and Guy de Maupassant, is a haunting tale set in war-torn 16th century Japan. The film follows two peasant couples whose lives are upended by the devastation of war and the allure of ambition. Ugetsu masterfully blends the supernatural with the harsh realities of the human condition, creating a timeless masterpiece that continues to captivate audiences. Join us – Pete Wright and Andy Nelson – as we continue the Ghost Stories series with a conversation about Ugetsu . Ugetsu : A Dive into the Ethereal and the Earthly In our discussion of Ugetsu , we explore how Mizoguchi seamlessly weaves together the ghostly and the mundane to create a powerful narrative. The film's central character, Genjuro, a potter, becomes consumed by his desire for wealth and fame, ultimately falling under the spell of a mysterious noblewoman who turns out to be a ghost. This supernatural element serves as a metaphor for the destructive nature of unchecked ambition and pride. We also delve into the film's portrayal of the effects of war on the peasant class, particularly the women who are left behind to fend for themselves while their husbands pursue their dreams. Mizoguchi's empathetic lens highlights the resilience and strength of these women in the face of unimaginable hardship. Other Facets of Ugetsu The film's stunning cinematography and its role in creating an otherworldly atmosphere The use of traditional Japanese theater techniques, such as the stylized makeup worn by Lady Wakasa The juxtaposition of Genjuro's story with that of his brother-in-law, Tobei, who seeks fame as a samurai The film's poignant ending and its commentary on the consequences of neglecting one's family and responsibilities A Timeless Tale of Human Fallibility Ugetsu is a film that transcends its historical setting to deliver a powerful message about the dangers of pride, greed, and the pursuit of glory at the expense of what truly matters. Mizoguchi's masterful direction, combined with the film's haunting visuals and compelling performances, cements Ugetsu 's place as a true classic of world cinema. We thoroughly enjoyed discussing this thought-provoking and emotionally resonant film. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Pete’s Letterboxd Ghost Story Watchlist Tune in to our conversation about Ugetsu with production designer Yôhei Taneda on Movies We Like in either English or Japanese Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

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The Cassandra Crossing 1:04:00

منذ 46 weeks1:04:00

1:04:00

“Anyone trying to leave the train by force will be stopped by force.” An All-Star 70s Disaster Film Mash-Up The 1970s saw a surge in the popularity of disaster films, with movies like The Poseidon Adventure , The Towering Inferno , and Earthquake captivating audiences. In 1976, director George P. Cosmatos and producer Carlo Ponti joined forces to create their own entry in the genre: The Cassandra Crossing . With an all-star ensemble cast including Sophia Loren, Richard Harris, Burt Lancaster, Martin Sheen, OJ Simpson, and Ava Gardner, the film aimed to capitalize on the decade's love for big-budget spectacles filled with peril and suspense. Join us – Pete Wright and Andy Nelson – as we wrap up this return to our Disease Films series with a conversation about The Cassandra Crossing . Sneezing in Rice and Other Disastrous Delights In this episode, we dive into the various disasters that unfold throughout The Cassandra Crossing . From the initial release of a deadly virus on a train to the impending collapse of the titular bridge, the film keeps the stakes high and the tension palpable. And know that we say that you have to go into this movie ready for its not-so-great quality that makes it fun... at least to us. We discuss how the movie effectively captures the sense of paranoia and fear surrounding the spread of disease, a theme that resonates strongly within our series. Additionally, we explore the film's campy and over-the-top moments, such as the infamous scene involving a sneeze and a bowl of rice, which contribute to its overall entertainment value. Exposing the Flaws and Celebrating the Fun While we acknowledge some of the film's shortcomings, such as the reliance on stereotypes and the clunky exposition, we also celebrate the elements that make The Cassandra Crossing an enjoyable viewing experience for us. From the performances of the all-star cast to the violent final crash, the movie offers plenty of reasons to sit back and enjoy the ride. Again... be in the mood for it or it may not work for you as well as it did for us. Other topics covered in this episode include: • The impressive ensemble cast and their performances • The film's commentary on government secrecy and the U.S. military's involvement in bioweapons research • The effectiveness of the movie's score in heightening the suspense • The role of Lee Strasberg and his character's surprising backstory... and exposition A Thrilling Journey Worth Taking Despite its flaws, The Cassandra Crossing remains a perhaps junky but goofy-fun-if-you’re-in-the-right-mood example of the 1970s disaster film genre, delivering a thrilling and entertaining journey from start to finish. Its exploration of themes related to disease and paranoia, combined with its star-studded cast and grand-scale spectacle, make it a film worth discussing and revisiting. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

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The Shooting • Member Bonus 9:58

منذ 46 weeks9:58

9:58

“The reason, Mr. Gashade, for the hunt is the kill.” A Low-Budget Western from the Corman-Hellman-Nicholson Trio After impressing producer Roger Corman with their previous work, director Monte Hellman and actor Jack Nicholson presented him with a spec script, but Corman had a different idea. He proposed that they make two Westerns instead, giving them three weeks to shoot each film. Hellman and Nicholson agreed, and the result was a pair of existential Westerns – The Shooting and Ride in the Whirlwind – shot in 1965 in Utah. Join us – Pete Wright and Andy Nelson – as we continue our 12-episode, 14th season-long Roger Corman series with a conversation about The Shooting , our second installment and member bonus episode. Unraveling the Mysteries of The Shooting In this episode, we delve into the enigmatic world of The Shooting , discussing the film's unique narrative structure and the questions it raises. We explore the mysterious characters, their motivations, and the shocking revelation at the end. The story follows a former bounty hunter turned miner who is hired by a woman to track down an unknown individual. As they embark on their journey, they are pursued by a menacing gunslinger clad in black. Throughout our conversation, we examine how the film's minimalistic approach and existential themes set it apart from traditional Westerns of the era. The Corman Connection and the Film's Place in Cinema History We discuss how The Shooting fits into the larger context of Roger Corman's productions and its significance in the careers of Monte Hellman and Jack Nicholson. The film's low-budget, experimental nature aligns with Corman's reputation for producing cost-effective, boundary-pushing cinema. We also explore how The Shooting , along with its companion piece, Ride in the Whirlwind , served as a precursor to the independent, counterculture-influenced films of the late 1960s and early 1970s. A Divisive Film: Contrasting Opinions While Andy enjoyed The Shooting , finding its fatalistic and existential themes compelling, Pete struggled to connect with the film. He found the experimental editing choices and the overall pacing to be challenging, making it a difficult watch for him. Despite their differing opinions, both hosts agree that the film's ambiguity and unconventional approach make it a unique entry in the Western genre. Other Topics Covered in the Episode The film's status as one of the first "acid Westerns" The symbolic and metaphorical elements woven throughout the narrative The effective use of the stark Utah landscape to convey isolation and despair Standout (?) performances from the cast, including Will Hutchins and Millie Perkins A Thought-Provoking and Unconventional Western While Andy appreciated The Shooting 's ambiguity and haunting atmosphere, Pete ultimately deemed it a "Casablanca movie," alluding to the exchange between Rick and Ugarte in the classic film: "You despise me, don't you?" "If I gave you any thought, I probably would." Despite their contrasting views, both hosts agree that the film remains a testament to Corman’s passion for cranking out low budget films and giving experimenting filmmakers like Monte Hellman and Jack Nicholson the chance to play. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries New Glossary Term: Casablanca Movie Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

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Pontypool 56:38

منذ 47 weeks56:38

56:38

“She doesn’t know it yet, but she’s hunting us.” How a Virus Spreads Through Language The 2008 Canadian horror film Pontypool , directed by Bruce McDonald and written by Tony Burgess, was inspired by Orson Welles' famous radio broadcast of War of the Worlds . Originally, Burgess envisioned the entire film as a radio play, with the main character Grant Mazzy reading the script accompanied only by a visual of the blue waveform. While this concept wasn't fully realized, it heavily influenced the confined, constrained storyline of the radio station employees trying to make sense of the outbreak consuming their small town. Join us – Pete Wright and Andy Nelson – as we continue the Disease Films series with a conversation about Pontypool . Dissecting the Viral Outbreak in Pontypool One of the most intriguing aspects of Pontypool is how the horror unfolds through the limited perspective of the radio station employees. As Grant Mazzy, Sydney Briar, and Laurel-Ann Drummond receive increasingly disturbing reports from Ken Loney in the "Sunshine Chopper," the tension builds before the true nature of the viral outbreak is revealed. The film's unique approach to storytelling keeps the audience engaged, even when the explanation for the virus itself may seem a bit far-fetched. Throughout our discussion, we explore the metaphorical implications of a virus that spreads through the English language. As a Canadian film, Pontypool seems to comment on the value of traditionalism and the French language in Ontario, while also critiquing the potentially damaging influence of American shock jock radio. The film's central conceit – that language itself can become contagious and dangerous – resonates even more strongly in today's era of social media and misinformation. Other Highlights from Our Conversation The wordplay and coincidences in Grant Mazzy's opening monologue, foreshadowing the importance of language in the story The debate over whether Grant Mazzy was infected by the virus at the end of the film The role of Dr. Mendez as the "book of the vampire," providing exposition and context for the outbreak The powerful portrayal of Laurel-Ann's deterioration, offering a window into the effects of the virus Pontypool may not be a perfect film, but its clever premise and thought-provoking themes make it a worthwhile entry in the Disease Films series. By confining the action to the radio station and relying on reports from outside, the movie creates a sense of claustrophobia and dread that keeps the audience engaged despite the sometimes flimsy explanation for the virus itself. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
Chameleon Street 52:10

منذ 48 weeks52:10

52:10

“I think, therefore I scam.” The Sundance Struggle of Wendell B. Harris Jr.'s Sensational Con Artist Story In 1989, writer-director-actor Wendell B. Harris Jr. crafted a stunning debut feature, Chameleon Street , based on the incredible true story of con artist William Douglas Street Jr. Despite winning the Grand Jury Prize at the 1990 Sundance Film Festival, Harris faced immense difficulties securing distribution for his groundbreaking film. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Chameleon Street . Unraveling the Layers of a Chameleon's Tale Throughout our discussion, we dive into the fascinating layers of Chameleon Street , from its energetic and in-your-face production style to the subversive commentary on race and identity. We explore how Harris Jr. taps into the con artist's perspective, using voiceover narration and camera techniques to create a thrilling cinematic experience that keeps the audience engaged from start to finish. As part of our One-and-Done series, we also delve into the unfortunate reality of Harris Jr.'s struggle to make more films after this impressive debut. Despite his undeniable talent and the film's critical acclaim, the Hollywood system failed to provide him with the opportunities he deserved. Unpacking the Complexities of Identity and Representation The film's thought-provoking exploration of race and the challenges faced by a black man navigating various roles in society Harris Jr.'s masterful performance as William Douglas Street Jr., showcasing the con artist's chameleon-like abilities The movie's subversive humor and biting social commentary, particularly in scenes where Street Jr. openly insults his unsuspecting targets The film's propulsive narrative structure, which keeps the audience engaged as the protagonist moves from one audacious scheme to another A One-and-Done Wonder Worth Rediscovering Chameleon Street is a testament to Wendell B. Harris Jr.'s immense talent as a filmmaker and storyteller. Through his deft handling of the subject matter and innovative storytelling techniques, Harris Jr. crafts a compelling and thought-provoking exploration of identity, race, and the art of the con. While it's disheartening that he never had the chance to make another feature film, Chameleon Street remains a powerful and essential piece of cinema that deserves to be celebrated and rediscovered by audiences today. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

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Killer Klowns from Outer Space 59:25

منذ 49 weeks59:25

59:25

“Well I’ll be greased and fried! What’s the circus doing up in these parts?” The Chiodo Brothers and Their Creature Feature Legacy Before Killer Klowns from Outer Space , the Chiodo Brothers – Charles, Edward, and Stephen – had already made a name for themselves in the special effects world of the 1980s. With credits on films like Critters and sequences in RoboCop , they were well-versed in creating practical effects and creature designs. Killer Klowns from Outer Space represented an opportunity for them to showcase their skills in a feature-length film, with Stephen Chiodo taking on the role of director. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about their 1988 film Killer Klowns from Outer Space . Clowning Around with Horror Tropes and Twisted Expectations In our discussion, we marvel at how Killer Klowns from Outer Space gleefully subverts classic clown tropes, turning seemingly innocent gags into sinister and often grotesque moments. From the balloon animal hunting dog to the shadow puppet T-Rex that devours its victims, the film consistently surprises and delights with its inventive use of clown iconography. However, we question whether the horror-comedy balance always lands, with some scenes leaning more heavily into the absurd than the truly frightening. A Trio of Heroes and the Trope of Incompetent Authority Figures Throughout our conversation, we explore the dynamics between the film's central trio – Mike, Debbie, and Dave – and how their relationships evolve as they face the alien clown threat. We also examine the trope of young heroes pitted against incompetent authority figures, a common theme in 1950s-era B-movies that Killer Klowns from Outer Space both embraces and satirizes. Other topics we cover include: The memorable performances of the supporting cast, particularly Royal Dano as Farmer Gene Green and John Vernon as the skeptical police officer The film's vibrant color palette and the effectiveness of the practical effects The Chiodo Brothers' continued work in the industry, including their involvement in Team America: World Police and Marcel the Shell with Shoes On Why Killer Klowns from Outer Space Endures as a Cult Classic Despite its status as a one-and-done feature for director Stephen Chiodo, Killer Klowns from Outer Space has endured as a beloved cult classic. Its unique blend of horror and comedy, combined with the Chiodo Brothers' imaginative creature designs, has helped it stand the test of time. While it has some soapy acting and feels of its era, we ultimately find Killer Klowns from Outer Space to be a delightful and entertaining entry in the realm of 1980s horror-comedy. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

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The Way of the Dragon 1:07:33

منذ 50 weeks1:07:33

1:07:33

“In this world of guns and knives, wherever Tang Lung may go to, he will always travel on his own.” Bruce Lee's One-and-Done Showcase of Martial Arts Mastery In 1972, Bruce Lee was already a rising star in the martial arts film world, having starred in a handful of successful films. However, he had yet to have the opportunity to fully showcase his unparalleled fighting skills on his own terms. That all changed with The Way of the Dragon , a film that allowed Lee to demonstrate his incredible martial arts prowess while also taking on the roles of writer, director, and producer. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about The Way of the Dragon . Exploring the Comedic Side of Kung Fu and the Legendary Bruce Lee In our discussion, we delve into the humor infused throughout The Way of the Dragon , from the situational comedy to Bruce Lee's character-driven gags. While the film's comedic elements may not land for everyone, they provide an intriguing glimpse into the lighter side of the kung fu genre. We also examine Bruce Lee's importance to the world of martial arts cinema and how his unique style and charisma helped popularize the genre on a global scale. The Way of the Dragon may not be a perfect film, but it stands as a testament to Bruce Lee's immense talent and enduring legacy. His only directorial effort provides a platform for him to showcase his unrivaled martial arts skills and offers a fascinating glimpse into what could have been had he not tragically passed away at a young age. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

The Next Reel Film Podcast

1
The Little Shop of Horrors • The Next Reel • Member Bonus 11:31

منذ 51 weeks11:31

11:31

“You didn't mean it. You never mean it. You didn't mean it the time when you put up the bouquet with the 'get well' card in the funeral parlor, and sent the black lilies to the old lady in the hospital, you didn't mean it.” Roger Corman's 38th Film in 5 Years The year was 1960. The American movie landscape was dominated by Westerns, sword-and-sandal epics, and Rock and Roll musicals. But in the underbelly of Hollywood, a different kind of movie was brewing. This was the era of exploitation cinema, and Roger Corman was its undisputed king. With a knack for spotting talent and squeezing every penny out of a budget, Corman churned out low-budget genre films at an astonishing rate. The Little Shop of Horrors was one of them. Join us – Pete Wright and Andy Nelson – as we kick off our Member Bonus Roger Corman series with a conversation about his 1960 film The Little Shop of Horrors . Don't Feed the Jokes In this episode, we dig into the fascinating backstory of how The Little Shop of Horrors came to be, a film shot in just two days on a set borrowed from another Corman production, A Bucket of Blood . We marvel at Corman's legendary efficiency and his ability to create entertaining films on a shoestring budget. We also discuss the film's unique blend of horror and comedy, noting how the comedic elements ultimately overshadow the horror, making for a surprisingly funny viewing experience. We analyze the film's sharp, witty dialogue, packed with puns, wordplay, and topical references that would have resonated with audiences in 1960. Other Buds to Snip From This Conversation Jack Nicholson's small but memorable role The film's connection to the later stage musical and film adaptation The somewhat effective practical effects used to bring Audrey Jr. to life The film's lasting legacy as a cult classic The differences between the original ending and the ending of the musical The Little Shop of Horrors is a fascinating time capsule of early 1960s filmmaking and a testament to Roger Corman's ingenuity and talent. It's a fun, fast-paced, and surprisingly funny film that holds up remarkably well today. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Letterboxd This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM .…

The Next Reel Film Podcast

1
Johnny Got His Gun • The Next Reel 1:01:34

منذ 51 weeks1:01:34

1:01:34

“How can you tell what’s a dream or what’s real when you can’t even tell when you’re awake or when you’re asleep?” Dalton Trumbo's Controversial Anti-War Classic In 1971, blacklisted screenwriter Dalton Trumbo adapted his own 1939 anti-war novel Johnny Got His Gun for the big screen. The film marked Trumbo's directorial debut and only feature film as director. Set during World War I, the story follows a young American soldier who becomes a quadruple amputee after being hit by an artillery shell. Trumbo's powerful critique of war and its devastating effects on soldiers resonated strongly in the Vietnam War era. Join us – Pete Wright and Andy Nelson – as we continue the One-and-Done series with a conversation about Johnny Got His Gun . Locked-In Horror: A Haunting Tale of War's Casualties We dive deep into the film's harrowing portrayal of Joe Bonham, played by Timothy Bottoms, as he struggles with his horrific injuries and loss of autonomy. The movie's exploration of disability rights and the dehumanization of wounded veterans sparks a thoughtful discussion. We examine how Trumbo's adaptation differs from his novel, particularly in its use of flashbacks and dream sequences to break up the claustrophobic hospital scenes. While we appreciate the film's powerful anti-war message, we debate the effectiveness of some of its more surreal elements. Other points of discussion include: • Timothy Bottoms' compelling performance as Joe Bonham • The impact of Jason Robards as Joe's father • Donald Sutherland's portrayal of Christ in dream sequences • The film's bleak ending and its emotional impact • Comparisons to other "locked-in" films like The Diving Bell and the Butterfly • Trumbo's transition from novelist to filmmaker A Thought-Provoking Journey Through War's Aftermath Johnny Got His Gun remains a powerful and disturbing examination of war's human cost. While we found some aspects of the film more effective than others, we agree that it's an important work that continues to resonate decades after its release. Its unflinching look at the physical and psychological toll of combat makes it a challenging but worthwhile viewing experience. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins! Film Sundries Watch this on Apple or Amazon , or find other places at JustWatch Script Options Theatrical trailer Original Material Letterboxd Support The Next Reel Family of Film Podcasts: Become a member for just $5/month or $55/year Join our Discord community of movie lovers The Next Reel Family of Film Podcasts: Cinema Scope: Bridging Genres, Subgenres, and Movements The Film Board Movies We Like The Next Reel Film Podcast Sitting in the Dark Connect With Us: Main Site : Web Movie Platforms : Letterboxd | Flickchart Social Media : Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest Your Hosts : Andy | Pete Shop & Stream: Merch Store : Apparel, stickers, mugs & more Watch Page : Buy/rent films we've discussed Originals : Source material from our episodes Special offers : Letterboxd Pro/Patron discount | Audible…

مرحبًا بك في مشغل أف ام!

يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.