SONNETCAST – William Shakespeare's Sonnets Recited, Revealed, Relived podcast

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منذ 10 أيام31:01

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31:01

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SONNETCAST – William Shakespeare's Sonnets Recited, Revealed, Relived

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Sebastian Michael, author of The Sonneteer and several other plays and books, looks at each of William Shakespeare's 154 Sonnets in the originally published sequence, giving detailed explanations and looking out for what the words themselves tell us about the great poet and playwright, about the Fair Youth and the Dark Lady, and about their complex and fascinating relationships. Podcast transcripts, the sonnets, contact details and full info at https://www.sonnetcast.com

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SONNETCAST – William Shakespeare's Sonnets Recited, Revealed, Relived

updated منذ 6 أيام

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130 حلقات

#Books #Arts #Sebastian Michael

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1
Sonnet 121: Tis Better to Be Vile Than Vile Esteemed 31:51

منذ 6 أيام31:51

31:51

With Sonnet 121, William Shakespeare claims his right to be who he is and negates the authority of others to pass judgement on him and his actions, specifically those who themselves are not morally or ethically superior to him but who would appear to project their own corrupted values and jaded view of the human being onto those around them. In doing so, he stakes out a territory of moral autonomy for himself where he alone may determine whether his actions are in fact reprehensible or whether they are simply thought to be so by others, when to him they are the source of rightful delight and pleasure.…

1
Sonnet 120: That You Were Once Unkind Befriends Me Now 37:57

منذ 12 يومًا37:57

37:57

With Sonnet 120 William Shakespeare draws a line under the explanations and excuses offered throughout the previous three sonnets for his own infidelities in relation to his young man, and simply reminds himself now of how awful he felt when his lover treated him in a similar way on those occasions when it was him who was sleeping around with other people. The conclusion Shakespeare comes to is that they both in turn have been through hell, and that their respective debt to each other for each other's transgressions now must surely cancel itself out.…

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Sonnet 119: What Potions Have I Drunk of Siren Tears 28:11

منذ 20 يومًا28:11

28:11

With Sonnet 119, William Shakespeare further elaborates on his metaphor, introduced in Sonnet 118, of having taken bitter medicines to prevent himself from ever getting sick of his younger lover, these potions having been affairs, encounters, or even relationships of sorts with other people. Who these other people were he still doesn't tell us, but he here makes it even clearer that they were fundamentally bad for him, their principal, if not sole, redeeming feature being that their experience has ultimately strengthened him and cemented his love for his young man. The sonnet is the third of three sonnets which all attempt to explain and to some extent excuse Shakespeare's infidelities of the past, and they all do so in the wake, directly, of Sonnet 116 which famously and categorically posited, " Let me not to the marriage of true minds | Admit impediments."…

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Sonnet 118: Like as to Make Our Appetites More Keen 24:47

منذ 27 يومًا24:47

24:47

Sonnet 118 continues William Shakespeare's defence or explanation of his infidelities towards his younger lover with an argument that may well strike us as similarly spurious as the one deployed in Sonnet 117, even though unlike the previous poem, this one possesses an internal logic that allows him to come to a conclusion which does make some sense: so as not to get sick and tired of you, I have been tasting some bitter 'appetisers', as we might call them today, even going as far as purging myself with medicinal concoctions to ward off any such 'illness', but what I found in fact was that these 'treatments' themselves turned out to be harmful to my health and wellbeing.…

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Sonnet 117: Accuse Me Thus, That I Have Scanted All 32:59

منذ 5 weeks32:59

32:59

Sonnet 117 is the first of three distinct but related sonnets that all seek to excuse, or at the very least explain, Shakespeare's own infidelities and inconstancies, first confessed to his lover in Sonnet 109 and, most directly, in Sonnet 110. Here, our poet lists a whole raft of failings on his part in his conduct towards his young man, and positively invites him to level accusations to their end against him, only to then, with the closing couplet, claim that although such charges be justified in so much as all of this may well have been the case, he has with his actions merely been putting his lover's own fidelity and character to the test.…

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Sonnet 116: Let Me Not to the Marriage of True Minds 29:33

منذ 6 weeks29:33

29:33

With his celebrated and oft-recited Sonnet 116, William Shakespeare offers not so much a definition as a characterisation of what true love is: unshakeable and unaffected by external changes or temptations, steady and dependable as a lodestar in the darkest, stormiest hour, and everlasting "even to the edge of doom." With its religious overtones that echo the Christian marriage vows and invoke absolute certainties in a world that is inherently uncertain, it speaks to generations of lovers in a language that is direct and easy to understand. It is hardly surprising, then, that together with Sonnet 18, Shall I Compare Thee to a Summer's Day, and perhaps the nearly as famous Sonnet 29, When in Disgrace With Fortune and Men's Eyes, Sonnet 116 occupies the top spot of Shakespeare's Sonnets 'Greatest Hits', and it is also one of the most confident statements made by Shakespeare about, as much as in, his craft, poetry.…

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Sonnet 115: Those Lines That I Before Have Writ Do Lie 28:26

منذ 7 weeks28:26

28:26

With Sonnet 115 William Shakespeare turns his attention to the perplexing paradox that a love that is experienced as complete and absolute and therefore perfect, such as his love for his young man, may turn out, over time, to have been but a fledgling infant compared to the even fuller, more profound, more mature love that it has the potential to grow into. In acknowledging that love can evolve and grow over time it sets the premise that love itself is changeable – here for the better, to be more deeply and more sincerely felt than ever before – and it therefore not only concedes, but claims as a lover's right, the necessity, perhaps, to revise statements made about love in the past, and in doing so to effectively give those pronouncements the lie.…

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Sonnet 114: Or Whether Doth My Mind, Being Crowned With You 35:51

منذ 8 weeks35:51

35:51

With his curiously cryptic Sonnet 114, William Shakespeare poses a rhetorical question to his younger lover, asking whether his experience of seeing him in everything he looks at is down simply to his eye flattering him, or to his eye having acquired the ancient mystical art of alchemy and actually turning even ugly creatures into beautiful angelic beings just such as the young man himself. He then also settles the matter emphatically and declares without reservation that it is indeed flattery on the eye's part that has this effect on him, but that any sin the mind may be committing in lapping it all up is mitigated by the fact that the eye too loves what it wants to see – the young man's beauty – and so willingly tastes of this flattering, though therefore potentially poisonous, potion first, before passing it on for the mind to metaphorically imbibe.…

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Sonnet 113: Since I Left You, Mine Eye Is in My Mind 26:49

منذ 9 weeks26:49

26:49

With Sonnet 113, William Shakespeare returns once more to the theme of separation, reflecting on how, when he is away from his younger lover, everything he sees takes on his lover's shape and thus reminds him of him. Although we don't know when exactly the sonnet was written and therefore where precisely in the collection it belongs, it would appear to also, therefore, pick up on the notion, emphatically expressed in the previous sonnet, of his lover being his 'all the world', and it certainly also connects strongly to the sonnet that follows, which will further elaborate on the idea that the younger man with his beauty turns even the ugliest appearance to loveliness in Shakespeare's mind.…

1
Sonnet 112: Your Love and Pity Doth th'Impression Fill 34:59

منذ 10 weeks34:59

34:59

With Sonnet 112, William Shakespeare picks up directly from Sonnet 111 in which he asked his younger lover to pity him, and he now goes one step further by telling him that it is his, the young man's, opinion – and his opinion only – that should ever matter to Shakespeare, because not only is the young man, as Sonnets 109 and 110 expressed, his "home of love" and "a god in love" to whom he considers himself "confined" and therefore fully committed, the young man is, so Shakespeare now asserts, his everything, his "all the world," and thus quite simply the only one who matters to him. Beyond that though, the sonnet also may well be telling us a great deal about the young lover's position towards Shakespeare and therefore about the status and character of their relationship at this advanced point in the proceedings, as we shall see...…

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Sonnet 111: O For My Sake Do You With Fortune Chide 22:26

منذ 11 weeks22:26

22:26

With Sonnet 111, William Shakespeare shifts focus from his infidelities in relation to his younger lover, addressed in the previous two sonnets, to a general deficiency in his reputation, which he blames squarely on the fact that his circumstances require him to earn a living in the public sphere. This, he claims, has led him to acquire the conduct of a person who attracts opprobrium, and while proposing to subject himself to whatever 'medicine' or 'penance' may be required of him, he sees and seeks his remedy first and foremost in the younger man's pity. This, he assures him, will suffice to cure him of any ills he may suffer resulting from any such misdeeds as come with the lifestyle his fortunes have imposed on him.…

1
Sonnet 110: Alas, 'Tis True, I Have Gone Here and There 31:53

منذ 12 weeks31:53

31:53

With his exceptionally candid and forthright Sonnet 110, William Shakespeare at once completes his apotheosis of his young lover, while at the same time confessing to him that yes, he too has had affairs with other people, but also reassuring him that these other lovers were no match for him and that they pale, compared to him, into insignificance, seeing that he is as "a god in love" to whom our poet feels and here declares himself to be inseparably tied.…

1
Sonnet 109: O Never Say That I Was False of Heart 29:44

منذ 13 weeks29:44

29:44

Sonnet 109 is the first of two truly remarkable sonnets that speak of William Shakespeare's own infidelities towards his young lover during a period of prolonged absence. Although they do not form a strictly tied pair, together these two poems position our poet and his relationship in an entirely new light, because they for the first time genuinely acknowledge that he, too, like his young lover, has succumbed to temptation elsewhere while they were apart, but they both affirm him to be the only one who ever mattered and the one who truly matters now.…

1
Sonnet 108: What's in the Brain That Ink May Character 29:25

منذ 14 weeks29:25

29:25

With Sonnet 108, William Shakespeare loops back into sentiments expressed intermittently since Sonnet 76, but particularly again recently in Sonnet 105: I have essentially said it all, there is nothing I can do other than repeat and reiterate and rephrase the praises I have sung and continue to sing for you. What it also picks up from Sonnet 105 is the religious tone this set with a there still fairly oblique reference to the Holy Trinity. This was already amplified, though subtly, in Sonnet 106, and here finds a whole new level of what may potentially be perceived as impudence, if looked on from a devoutly religious perspective. What it also does – and this may in some respects for our observation be most directly relevant – is to tell his young lover yet again that he is showing signs of age, but that to him, Shakespeare, this doesn't matter.…

1
Sonnet 107: Not Mine Own Fears, Nor the Prophetic Soul 39:42

منذ 15 weeks39:42

39:42

Of all the poems in the collection first published in 1609, Sonnet 107 most clearly and most compellingly seems to refer to external events that shape Shakespeare's world. Because of this, it takes up a pivotal position in the canon, since it may therein hold clues to both its date of composition and to the person it is addressed to. And while there is little doubt in most people's mind that its references are indeed intentional and allude to some momentous occasion that has passed off signally better than anyone at the time would have predicted, and that in the ensuing calm and peace our poet feels that his love and his poetry have been given a new lease of life, no-one can tell with absolute certainty just what Shakespeare is actually referring to or whom he is talking to, or even whether the two factors are directly or only indirectly linked, or not at all. There are, however, significant clues, and so much of our discussion of this sonnet will concern itself with what these are and what they mean for our reading of this and the other sonnets in the series.…

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