المحتوى المقدم من Nicollette Ramirez. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Nicollette Ramirez أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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George Esquivel started making shoes for himself and some friends, up-and-coming musicians in Southern California. Soon, Hollywood came calling. And it wasn’t just celebrities who took notice. A film financier did, too. He said he wanted to invest in the company, but George soon realized his intentions weren’t what they seemed. Join Ben and special guest host Kathleen Griffith as they speak to George about the rise of Esquivel Designs. Hear what a meeting with Anna Wintour is really like, and what happens when you’re betrayed by someone inside your company. These are The Unshakeables. See omnystudio.com/listener for privacy information.…
المحتوى المقدم من Nicollette Ramirez. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Nicollette Ramirez أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
The Beez and Honey Podcast, or The Podcast for short, is an oral history of the contemporary art world covering everything about Art. I’ll be inviting people from all areas of the art field to discuss everything from sustainability to technology. Expect input from artists, curators, collectors, gallerists, art dealers and unexpected voices not part of the mainstream discourse which often centers around the price of art.
المحتوى المقدم من Nicollette Ramirez. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Nicollette Ramirez أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
The Beez and Honey Podcast, or The Podcast for short, is an oral history of the contemporary art world covering everything about Art. I’ll be inviting people from all areas of the art field to discuss everything from sustainability to technology. Expect input from artists, curators, collectors, gallerists, art dealers and unexpected voices not part of the mainstream discourse which often centers around the price of art.
This is an intimate discussion about Edward (Eddie) Bowen’s creative process, his history and his current Plantation Project and book launch: Black Light Void: Dark Visions of the Caribbean edited by Marsha Pierce
A discussion with artist CJ Chueca and curator Blanca de la Torre about the exhibition Mermaids In The Basement at the Sugar Hill Children’s Museum of Art & Storytelling, NYC.
Anthony Bannwart, www.anthonybannwart.com www.Studionaegeli.com Gstaad Gallery Anthony Bannwart, born in the watchmaking town of La Chaux-de-Fonds, is a Swiss conceptual interdisciplinary artist. Anthony Bannwart´s creativity and fluidity among materials and disciplines together with thorough researched concepts and productions mark his international career with participating exhibitions and workshops in Europe, the United States and Asia. The artist has a unique path leading to a timeless approach with universal themes and is known for his tributes to important personalities, such as Buckminster Fuller, Le Corbusier, Friedrich Dürrenmatt, Novalis, Fibonacci, among others. As a passionate sailor, the artist lives and works in Switzerland and is the founder of WAVESartinitiativefortheoceans.com…
Bridging the worlds of wellness, yoga and Art, Payal brings a fresh perspective on how Art supports our overall wellness. Listen to her journey on this first episode of 2023. Visit her website https://www.Payal.nyc/art-yoga
Con Los Pies En La Tierra: CAAM, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain. October 7th 2022 – January 29th 2023 Curators: Blanca de la Torre and Zoran Erić Artists: Ravi Agarwal / Amy Balkin / Luna Bengoechea Peña / Ursula Biemann / Saskia Calderón / Javier Camarasa / Tania Candiani / Tomas Colbengtson / Teresa Correa / Acaymo S. Cuesta & Branislav Nikolić / Mark Dion / Olafur Eliasson / Tue Greenfort / Gloria Godínez / Lungiswa Gqunta / Igor Grubić / Tea Mäkipää / Marija Marković / Mary Mattingly / Ana Mendieta / Santiago Morilla / Michael Najjar / Fernando Palma / pluriversal radio / PSJM (Cynthia Viera & Pablo San José) / Nikola Radić Lucati / Tabita Rezaire / pablo sanz / Zina Saro-Wiwa / Beth Stephens & Annie Sprinkle / Robertina Šebjanič & Gjino Šutić / Theresa Traore Dahlberg / Tanja Vujinović / Juan Zamora / Bo Zheng Con los pies en la Tierra seeks to explore the complexity of the ecological problematics connected to the current state of late capitalism, through realms like the struggle for indigenous sovereignty, gender equality, resistance to different kinds of extractivisms, land and water exploitation, and the legacy of colonialism and economic neocolonial strategies. We have to embrace the potential for resistance to all forms for environmental justice and propose an interconnected approach between visual arts and the newly opened eco-political spaces that are challenging the trinomy of Capitalism, Patriarchy and Colonialism. This exhibition is conceived as the second part of a broader project, which had the first phase in the Museum of Contemporary Art in Belgrade (MoCAB), after three-year-long research. Under the title Overview Effect, it was referring to the concept coined by Frank White, that described the cognitive shift reported by a number of astronauts having looked back from Space to Earth. We took it as a metaphor to show the encompassing view needed to understand all aspects of the global eco-social crisis in a moment where we are surpassing the biocapacity of the Earth. In this second part, the new exhibition at CAAM, titled in Spanish Con los pies en la Tierra we decided to shift the focus “down to earth”, with an earthbound approach to the environmental issues, showing how this “all the way around” position brings us, at the end of the day, to the same views of interconnectedness and ecodependency. Moreover, we have to consider that the word tierra is a homonym in the Spanish language, meaning both the planet Earth and the soil. The “mirroring” of these two perspectives would give deeper insight and tackle the discourse of environmental justice, as a result of a large project that involved a series of workshops, lectures, panel discussions, encounters with activists, and theoretical events.…
One of the youngest exhibitors ever at SFMOMA in 1975, Feldsott all but disappeared from the art world, spending more than twenty-five years in Central and South America, where he worked on ecological restoration and cultural conservation projects and studied traditional medicine with Indigenous communities. Throughout this period, he continued to create a large body of work that, together with his past and current work, become a record of the human journey. The exhibition is curated by Amelie A. Wallace Gallery Director Hyewon Yi. Gallery Hours: Mondays – Fridays: 12 pm – 5 pm and by appointment Location: Campus Center, Main Level SUNY College at Old Westbury Route 107, Old Westbury, NY 11568 Location: Long Island Expressway to exit 41N; 107N to the main gate of SUNY College at Old Westbury; turn left and follow signs to Campus Center; go downstairs to Gallery on the main level. www.oldwestbury.edu. Contact Info: Director & Curator: Hyewon Yi, PhD 516-876-2709/3056 yih@oldwestbury.edu…
For more than ten years C24 Gallery has brought strong visual programming to NYC’s Chelsea Arts District, and the world. Here the gallery manager Deborah Oster Pannell speaks to us about the history of the gallery, it’s current exhibition, and it’s plans for the future. https://www.c24gallery.com/
Wildriana Paulino (b.1999) was born in San Francisco de Macorís, Dominican Republic. She is currently residing in New York City, where she recently received her BFA form the School of Art at The Cooper Union. Her research on femicide -the killing of women for the condition of being women- has led her to work with themes of femininity, violence, trauma, and alienation. Wildriana’s interest in the female experience stems from her own experience growing up in the Dominican Republic, where she grew up in a house with only women, no men. Growing up in a matriarchal household was then contrasted with the way female life is treated in the country. Femicide is a normalized crime in the Dominican Republic and little to no justice is done for the victims. After being exposed to this kind of violence, Wildriana began to relate the female body with earth itself. In this way, given the female experience the autonomy that is stripped away through femicide. To represent such accounts, she utilizes printmaking, painting, drawing, photography, and installation.…
EXODUS VIII: Off the Cloth Curated by: Karen Cordero Reiman and Juan Puntes March 25 – May 4, March 25 Installation premiere starts April 1. Opening Reception. Panel Discussion and Performances 5 to 8 pm Off the Cloth, curated by Juan Puntes and Karen Cordero Reiman, inaugurates the new downtown location of Whitebox. The exhibit forms a part of Whitebox’s ongoing “Exodus” series highlighting the work of émigré artists living and working in New York City. The show will present an intergenerational dialogue between thirteen women artists whose work refers to their transcultural heritage through the use of or reference to textiles as material and metaphor, and will have a six-week run from the end of March through mid-May 2022. The goal of the exhibit is to establish a sense of communion between the artists’ practice and the audience’s sense of identity, as a consequence of shared cultural, gender-bound or social experiences. Off the Cloth will also include panel discussions with the artists, performances and other activities that will contribute to an active interchange with the community. These artists use aesthetics as the ultimate weapon of political resistance in the face of a fragile and tumultuous world, stitching together our differences. In their work, textiles, combined with other disciplines and media, become a vehicle or reference point for exuberant narratives. The selection highlights the diversity of the participants’ cultural and ethnic backgrounds, and engages in and broadens the timeless dialogue between craft and art. Women’s artistic deployment of skills such as sewing, knitting, and weaving, that are traditionally relegated to the status of domestic craft and separated from “high art”, are celebrated and embraced here without condition. The exhibit will also generate spaces and a variety of instances for multi-directional conversations between the participants and with the curators and other interlocutors, in order to enrich and expand the dialogue generated by the show. Participating Artists: Shiva Lynn Burgos | Jodie Lyn-Kee-Chow | Blanka Amezkua | Christine David | Isolde Kille | Sandra Eula Lee | Simonetta Moro | Qinza Najm | Aurora Pellizzi | Eva Petric | Yohanna Roa | Amanda Valdez | Lilia Ziamou WhiteBox established as the first alternative, internationalist art space in nascent Chelsea September 1998 on west 26th street. 1998-2008 Chelsea 2008-2018 LES 2018-2221 East Harlem 2022 - 2033 Alphabet City…
Ernesto Neto (*1964, Rio de Janeiro) lives and works in Rio de Janeiro. The artist participated in the Venice Biennale in 2001 and 2017. In recent years, his work has been the subject of solo exhibitions in public institutions including The Museum of Fine Arts, Houston (2021); Centro Cultural La Moneda, Santiago (2020); Pinacoteca de Sāo Paulo, and Museo de Arte Latinoamericano de Buenos Aires - MALBA (2019); Fondation Beyeler, in the Zurich Main station (2018); Museum of Contemporary Art Chicago (2017); Thyssen-Bornemisza Art Contemporary - TBA 21, Vienna (2015); Aspen Art Museum, Colorado, and the Guggenheim Bilbao (2014); Espace Louis Vuitton, Tokyo (2012); and Museum of Modern Art, New York (2010), The Art Museum of Nantes (2009); The Panthéon, Paris (2006); among others. Neto’s work is represented in institutional collections worldwide including The Museum of Modern Art, New York; Tate, London; Solomon R. Guggenheim Museum, New York; Carnegie Museum of Art, Pittsburgh; Albright-Knox Gallery, Buffalo; Boijmans van Beuningen Museum, Rotterdam; Art Gallery of New South Wales, Sydney; Hara Museum, Tokyo; Contemporary Art Center of Inhotim, Brumadinho; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Museum of Contemporary Art, Los Angeles; and Centre Pompidou, Paris. Ultimatum at Galerie Max Hetzler 57, rue du Temple, 75004, Paris 12 March —16 April 2022…
Lawrence B. Benenson is dedicated to several charitable and educational institutions that are working to increase truth, fairness, creativity and logic in New York City and everywhere. Mr. Benenson is currently a member of the Board of the Mosholu Montefiore Community Center in the Bronx, The Lincoln Center Real Estate and Construction Council, Inner-City Scholarship Fund, Center for Arts Education, American Folk Art Museum, ART / OMI International Arts Center, The Realty Foundation of New York, New York Junior Tennis and Learning, Al Hirschfeld Foundation, Ad Reinhardt Foundation and The Museum of Modern Art (MoMA). Lawrence Benenson gives money to organizations focusing on reducing hunger, increasing reproductive rights, safeguarding the environment, enhancing arts education, housing the homeless and kindness.…
Marcin Dudek (b. 1979, Poland) lives and works in Brussels, Belgium. Art as a strategy for living; Marcin Dudek’s practice builds from autobiographical experience and expands to explore the broader phenomenon that shaped it. These include the rituals of subculture, DIY economy and crowd dynamics – how one gets pulled into many and what control is lost as a mass gains momentum. Often working with found, salvaged or repurposed materials, Dudek constructs objects, installations, painting and performance, touching upon questions of power and aggression in the context of sport and cultural spectacle. His paintings offer insight into his overall approach, which incorporates a rather obsessive work ethic, meticulously slicing and manipulating medical tape, rubbing images into the cloth and building up a painting through collage. The level of detail and craft is manic and neurotic, meditative and thoughtful, as violence becomes an energetic aesthetic reflecting a lived experience. After leaving Poland aged 21, he studied at the University Mozarteum, Salzburg and at Central Saint Martins, London, graduating in 2005 and 2007 respectively. His work has been exhibited internationally at institutions including the Moscow Museum of Modern Art, Salzburger Kunstverein (AT), the Arad Art Museum (RO), Bunkier Sztuki Gallery in Krakow (PL), the Goethe-Institut Ukraine, and The Warehouse Dallas (US). His installation "The Cathedral of Human Labor" (2013) is on permanent view at the Verbeke Foundation in Belgium. In 2018, he presented a large installation at Manifesta 12 Palermo, which was followed by a solo exhibition at the Wrocław Contemporary Museum. Current and upcoming exhibitions include the "Psychic Wounds" at The Warehouse Dallas (US) curated by Gavin Delahunty and a group exhibition at 180 The Strand/ Vinyl Factory, curated by OOF, London (UK).…
Beija Flor means hummingbird in Brazilian Portuguese and it is said to be the means by which our prayers are taken from Earth to the Spirit World. Oséias Castro dos Santos is an Artisan of Light and works with plant medicine, creating sacred objects for ritual use. Here he speaks about his life experiences and his work.…
Artist Tinko Czetwertynski has traveled the world capturing people from all continents. Recently his work has centered around Nature (of which we are a part) but listen to him discuss the full body of his oeuvre and be inspired.
مرحبًا بك في مشغل أف ام!
يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.