Recording & Mixing podcast

Player FM - Internet Radio Done Right

83 subscribers

เพิ่มแล้วเมื่อ fiveปีที่ผ่านมา

المحتوى المقدم من Sound On Sound Ltd and Sound On Sound. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Sound On Sound Ltd and Sound On Sound أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

All About Change

1
Tiffany Yu — Smashing Stereotypes and Building a Disability-Inclusive World 30:23

منذ 17 يومًا30:23

التشغيل لاحقا

قوائم

إعجاب

احب

30:23

Tiffany Yu is the CEO & Founder of Diversability, an award-winning social enterprise to elevate disability pride; the Founder of the Awesome Foundation Disability Chapter, a monthly micro-grant that has awarded $92.5k to 93 disability projects in 11 countries; and the author of The Anti-Ableist Manifesto: Smashing Stereotypes, Forging Change, and Building a Disability-Inclusive World. As a person with visible and invisible disabilities stemming from a car crash, Tiffany has built a career on disability solidarity. Now that she has found success, she works to expand a network of people with disabilities and their allies to decrease stigmas around disability and create opportunities for disabled people in America. Episode Chapters 0:00 Intro 1:26 When do we choose to share our disability stories? 4:12 Jay’s disability story 8:35 Visible and invisible disabilities 13:10 What does an ally to the disability community look like? 16:34 NoBodyIsDisposable and 14(c) 21:26 How does Tiffany’s investment banking background shape her advocacy? 27:47 Goodbye and outro For video episodes, watch on www.youtube.com/@therudermanfamilyfoundation Stay in touch: X: @JayRuderman | @RudermanFdn LinkedIn: Jay Ruderman | Ruderman Family Foundation Instagram: All About Change Podcast | Ruderman Family Foundation To learn more about the podcast, visit https://allaboutchangepodcast.com/…

Recording & Mixing

منزل السلاسل•Feed

Welcome to the Sound On Sound Recording and Mixing podcast channel where you’ll find shows packed with Hints & Tips about getting the most out of the recording, mixing and mastering process. More information and content can be found at www.soundonsound.com/podcasts | Facebook, Twitter and Instagram - @soundonsoundmag | YouTube - https://www.youtube.com/user/soundonsoundvideo

64 حلقات

#Tech #Record #Mixer #Microphone #Techniques #Music #Sound #Mix #Effect #Monitoring #Dawes #Masters

Recording & Mixing

83 subscribers

updated منذ 23 يومًا

منزل السلاسل•Feed

64 حلقات

#Tech #Record #Mixer #Microphone #Techniques #Music #Sound #Mix #Effect #Monitoring #Dawes #Masters

ทุกตอน

Recording & Mixing

1
Yamaha NS-10M Studio Monitors 21:31

منذ 23 يومًا21:31

21:31

David Mellor explores how the Yamaha NS-10M monitors became a studio staple and why, decades after being discontinued, engineers are still seeking out second-hand pairs. Chapters 00:00 - Introduction 00:15 - Why NS-10Ms Became a Studio Staple 02:11 - Making Better Mixing Decisions 03:49 - A Second Pair of NS-10Ms 05:23 - Mixing With Missing Frequencies 09:11 - Reflex vs Closed Box Monitors 11:35 - Why Pleasant Isn’t Always Better 13:29 - Mixes That Translate 15:40 - Making Rapid Mixing Decisions 18:52 - The Case for Closed-Box Monitors The Phil Ward Article - https://www.soundonsound.com/reviews/yamaha-ns10-story David Mellor Biog David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording. He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. David has also had over 600 works published in the field of production music. Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show. David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, also returning to guest lecture at Surrey University. From 2001 until recently David has offered courses in audio online with Audio Masterclass. David now enjoys making YouTube videos for his 84,000 subscribers and releasing music on streaming services and Bandcamp for his dozen or so listeners. YouTube - https://www.youtube.com/@audiomasterclass Spotify - https://open.spotify.com/artist/6OkaDx4vB4O2ssUA5p4M8g Bandcamp - https://davidmellor.bandcamp.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Mic Techniques For Stereo Sound 31:40

منذ 8 weeks31:40

31:40

In this episode, David Mellor continues his exploration of microphone polar patterns by discussing techniques for capturing stereo recordings. He examines how the choice of polar pattern and microphone placement can be used effectively to achieve a balanced and immersive stereo image. Chapters 00:00 - Introduction 01:10 - Defining Mono 03:08 - Binaural Recording 04:24 - Defining Stereo 05:28 - Number Of Mics And Placement 06:58 - Polar Patterns 07:48 - Figure of 8 Demo 09:09 - The Blumlein Pair Configuration 11:05 - Coincident Cross Pair Figure Of 8 With Demonstration 16:53 - Coincident Cross Pair Of Cardioid With Demonstration 21:35 - Mic Spacing - The ORTF Configuration 24:31 - Mic Spacing - Omnidirectional Without Angling 27:28 - Medley Of Configurations 29:38 - Summary David Mellor Biog David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording. He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. David has also had over 600 works published in the field of production music. Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show. David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, also returning to guest lecture at Surrey University. From 2001 until recently David has offered courses in audio online with Audio Masterclass. David now enjoys making YouTube videos for his 84,000 subscribers and releasing music on streaming services and Bandcamp for his dozen or so listeners. YouTube - https://www.youtube.com/@audiomasterclass Spotify - https://open.spotify.com/artist/6OkaDx4vB4O2ssUA5p4M8g Bandcamp - https://davidmellor.bandcamp.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Creating A Filter Pan Effect 21:24

منذ 13 weeks21:24

21:24

David Mellor discusses how to create custom effects in a DAW without relying on expensive plug-ins. Here he demonstrates his approach to creating a filter pan effect using an EQ with high-pass and low-pass filters, highlighting how custom effects can help give your music a unique edge. Chapters 00:00 - Introduction 02:05 - Pan Effect 03:02 - Mono Pan 04:30 - Static Pan 06:21 - Music Track 06:42 - Creative Pan Effect 09:00 - Pan Effect Using A Low-Pass Filter 13:23 - Crossfading Using Filters 17:15 - Effecting Individual Instruments #slatedigital #infinityeq #protools David Mellor Biog David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording. He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. David has also had over 600 works published in the field of production music. Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show. David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, also returning to guest lecture at Surrey University. From 2001 until recently David has offered courses in audio online with Audio Masterclass. David now enjoys making YouTube videos for his 84,000 subscribers and releasing music on streaming services and Bandcamp for his dozen or so listeners. YouTube - https://www.youtube.com/@audiomasterclass Spotify - https://open.spotify.com/artist/6OkaDx4vB4O2ssUA5p4M8g Bandcamp - https://davidmellor.bandcamp.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Using Tube And Tape Plug-Ins 29:18

منذ 17 weeks29:18

29:18

In this episode, sound-designer Eddie Bazil looks at ways of enhancing a variety of individual tracks and full mixes using plug-ins that are designed to achieve the retro warmth and cohesion of tapes and valves. Chapters 00:00 - Introduction 01:32 - What Is Harmonic Distortion 02:32 - Advances In Music Production Quality 04:47 - The Introduction Of CD 05:59 - Triodes And Pentodes Vacuum Tubes 06:47 - Analysing Harmonic Content 07:56 - Example 1: TR-808 Sub Bass 10:35 - Example 2: Affecting A Whole Mix* 12:39 - Example 3: Adding Saturation 15:07 - The Benefits Of Tape 17:26 - Example 4: Applying Tape Effects To A Bassline* 20:59 - Example 5: Adding Tape To Beats 23:47 - Example 6: Enhancing A Piano Track 26:56 - Summary * Demonstration track ‘Puppet’ (Examples 2 and 4), written, performed and recorded by John Walden. Vocals sung by Yvonne McKeown. #voxengospan #SummitAudio #T-RackS #Kraftur #Aphex #SSL Eddie Bazil Biog Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge. https://eddiebazil.co.uk/ https://samplecraze.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Introduction to Guitar & Amp Modelling 21:40

منذ 20 weeks21:40

21:40

Paul White delves into the fun world of modelled guitars, amps and cabs, that cannot only make your songwriting and studio sessions more creative and unique, but can also greatly assist with streamlining live performances. Chapters 00:00 - Introduction 00:12 - Techniques For Modelling Amps And Cabs 04:22 - Amplifier Cloning 05:49 - Compression To Improve Tonal Quality 07:58 - Adding Room Ambience 09:41 - Cleaning Up The Sound With EQ 10:51 - Guitar Modelling Options 13:05 - Why We Have Split Pickups 16:24 - Non-Guitar Sounds At Your Fingertips 18:12 - Modelled Bass Guitars #BossVG800 #MODOBass2 Paul White Biog Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/…

Recording & Mixing

1
Creative Ways To Manipulate DAW Effects 16:22

منذ 24 weeks16:22

16:22

In this episode, Paul White looks at some creative ways that you can manipulate the standard plug-ins found in your DAW, using them alone or in combination with one another, to create some unique sounds, effects and rhythms. Chapters 00:00 - Introduction 00:08 - Hard Tune Effect 01:39 - Processing Speech 03:15 - Fast Pitch Processing 04:04 - Using Match EQ On Guitars 06:07 - Distortion And Reverb 07:14 - Adding In Pitch Shift 07:41 - Reverb And Distortion 09:07 - Adding More Reverb And Delay 10:02 - Using Distortion On Drums 11:30 - Using A Rotary Speaker On Drums 12:43 - Using An Impulse Response With Convolution Reverb Paul White Biog Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Gear Of The Year 2024 23:56

منذ 30 weeks23:56

23:56

Paul White and Hugh Robjohns pick their software and hardware highlights from the gear they've reviewed in the last 12 months. Chapters 00:00 - Introduction 00:24 - Lynx Hilo 2 02:49 - Blackstar Polar 2 / Polar 4 03:39 - AEA TRP 3 Preamp 05:40 - Logic Pro 11 07:24 - RME Fireface UFX III 09:57 - Dreamtonics Vocoflex 11:33 - Hum Audio LAAL Limiter 13:43 - FireSonic FireSpacer 14:54 - Crookwood VU Meter 17:03 - Nektar Panorama CS12 17:42 - IK Multimedia Tonex One 18:23 - Sound Particles inDelay 19:19 - Sonnect SoundWire Interface Paul White Biog Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/ Hugh Robjohns Biog Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too! Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Creating Musical Snippets 29:13

منذ 33 weeks29:13

29:13

For musicians and producers that struggle to finish tracks, Eddie Bazil explains the benefits of creating musical snippets and gives us some examples as to how we can tap into different moods, use sound design techniques to create something unique that becomes a useable addition to our musical catalogues and create pieces that stand the test of time. “Snippets and the creating of, serve to strengthen sound ideas, hone mixing and production skills, help to understand timing and flow, act as a testbed for song structuring ideas and are the playground for testing and mastering all manner of plug-ins”. Chapters 00:00 - Introduction 00:19 - What Is A Snippet? 01:53 - The Benefits Of Creating Snippets 04:26 - Planning Your Snippets 06:07 - Sound Design 06:53 - Example 1: Phased Pad 17:33 - Example 2: Happy, Mood-Lifting 22:01 - Example 3: Drama And Tension #SoundtoysPhaseMistress #FabFilterTimeless2 #EventideBlackhole #SteinbergGrooveagent #GforceimpOSCar3 #WavesOvoxVocoder #SteinbergHalionTrip #RobPapenAlbino #Kontakt #NIMaschine2 #AirHybrid3 Eddie Bazil Biog Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge. https://eddiebazil.co.uk/ https://samplecraze.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Essential Studio Effects and Processors 34:28

منذ 38 weeks34:28

34:28

Paul White and Hugh Robjohns talk us through four essential studio effects that every music producer or mix engineer needs to know for creating an effective mix, placing them in order of importance and giving an insight into how they can be used effectively. Chapters 00:00 - Introduction 00:21 - Effect 1: Reverb 02:11 - Convolution Reverb 04:28 - Reverb Controls 05:53 - Using Aux Sends 08:00 - Effect 2: EQ 08:57 - EQ Filters 11:44 - The Shelving Filter 13:40 - Parametric EQ 14:17 - Cutting Vs Boosting 15:26 - Effect 3: Delay 16:21 - Where To Use Delay 17:40 - Effect 4: Compression 18:43 - Setting Threshold and Ratio 19:51 - Soft-Knee Compression 20:33 - Tweaking Presets 22:08 - Other Controls 26:02 - Parallel Compression 30:11 - Creative Modulation Effects 30:58 - Using Effects Sparingly Paul White Biog Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/ Hugh Robjohns Biog Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too! Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Andy Bereza - Creator Of The Portastudio 44:27

منذ 42 weeks44:27

44:27

Pro Audio Design Engineer Andy Bereza summarises his impressive career in a chat with Paul Gilby. Andy founded Allen & Heath Mixers before working for TEAC/Tascam, where he conceived the TEAC Portastudio the portable multitrack cassette tape recorder that revolutionised the home recording market in the 1980s. He then co-founded Bandive-Turnkey where he developed a range of budget signal processors and the famous Great British Spring reverb to sell to the rapidly expanding Home Studio Recording market. At the same time, he was a consultant for the Fostex X15 multitrack cassette as well as helping to steer further product designs. Chapters 00:00 - Introduction 00:34 - Getting Into Electronics 01:45 - Building Custom Desks 04:09 - Allen & Heath Mixers 06:07 - The Minimixer 08:54 - The Pink Floyd Desks 12:24 - Allen & Heath Mod II Mixer 13:20 - Expanding The Company 15:23 - Moving To Tascam 16:58 - Constructing The Portastudio 21:57 - Setting Up Bandive / Turnkey 24:55 - Creating Products For The Home Studio 29:03 - Fostex Releases in the 80s 30:48 - Bandive Seck Mixers 32:08 - Expanding Turnkey 35:14 - Selling To Harman 38:38 - Launching Digital Postcards 41:07 - A Brief Career Summary 42:13 - Proudest Career Moment Andy Bereza Biog Andy Bereza started his career as a Audio Design Engineer after moving to London in 1967 to study Electronics at Chelsea University. A chance encounter with Siggy Jackson in Tin Pan Alley gave him his first custom commission and many more soon followed, with Andy building mixers for Bill Shepherd (producer of the Bee Gees), Alan Price, Maurice Gibb and also a location recording mixer for the Clockwork Orange movie. In 1970 Andy became the Founder of Allen & Heath, where he initially developed the black range of mixers, then their first mass market product the Minimix. At the same time he creating custom quadraphonic live desks for The Who along with Pink Floyd's Pompeii and Dark Side Of The Moon touring desks. In 1975, Andy joined TEAC America and was employed to introduce Tascam into Europe. Then in 1976 he was contracted directly with TEAC Japan where he developed the iconic Portastudio that changed the face of the home recording industry. In 1977 he became one of the founders of Bandive Ltd and helped to develop further products for the home recording market and created the popular Turnkey By Mail catalogue during the late 1970s to mid 80s. Bandive then opened the Turnkey retail store in central London. Following the sale of Bandive / Turnkey to Harman UK in 1987, he briefly became their Marketing Director, before signing up to become Managing Director of Fostex in 1991. Later in the 90s Andy left the Pro Audio industry and turned his attention to multimedia where he developed interactive product catalogues on CD-ROM. Paul Gilby Biog Paul Gilby is the co-founder, along with his brother Ian, of Sound On Sound magazine in 1985. Having written many product reviews and interviews over the years he now heads up the Digital Media side of the business managing the team that looks after the SOS website as well as the video and podcast productions. Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Setting Up A Home Studio 31:40

منذ 48 weeks31:40

31:40

Paul White and Hugh Robjohns discuss the basics of a good home studio setup, including choosing the right equipment and setting up your space correctly for achieving the best recording and mixing results. Chapters 00:00 - Introduction 00:14 - Minimum Equipment 00:54 - Audio Interfaces 02:46 - Headphones and Speakers 03:21 - Choosing A Microphone 08:55 - Additional Accessories 12:27 - Desks And Monitor Stands 16:21 - Speakers And Acoustic Treatment 21:06 - Choosing Studio Monitors 22:35 - Subwoofers And Bass Traps 26:16 - Cutting Reflections For Vocals 28:48 - Recap https://www.soundonsound.com/techniques/studio-sos-making-small-room-sound-good Paul White Biog Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/ Hugh Robjohns Biog Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too! Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
How To Remove Studio Hum 17:52

منذ 1 year17:52

17:52

Not everyone has access to a professional studio with bespoke wiring. Here, Paul White and Hugh Robjohns discuss the best practises for avoiding and eliminating electrical noise interference in your home studio. Chapters 00:00 - Introduction 00:21 - Arranging Plugboards In A Home Studio 02:09 - Uninterruptible Power Supplies 03:59 - Grounding Issues In Laptop Systems 07:19 - Radiated Interference 08:54 - Isolated Power Supplies 11:10 - Procedure For Eliminating Noise 12:38 - Breaking The Ground Path https://www.groundology.co.uk/ https://artproaudio.com/ Paul White Biog Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/ Hugh Robjohns Biog Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too! Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Drum Beat Construction - Part 2 19:49

منذ 1 year19:49

19:49

Eddie Bazil gives us more pointers on constructing beats, incorporating useful tools such as Drum Replacement Software and pre-constructed Loops, then adding enhancements using timing, pitch and other processing tips. Chapters 00:00 - Introduction 00:33 - Drum Replacement Software 01:41 - Example 1: Using Hit'n'Mix RipX DAW 05:41 - Example 2: Making Loops Your Own 11:36 - Example 3: Enhancing A Kick With Pitch And Timing Track credit for example 1: Ice Box featuring Omarion, produced by Timbaland - https://en.wikipedia.org/wiki/Ice_Box_(song) Eddie Bazil Biog Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge. https://eddiebazil.co.uk/ https://samplecraze.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Realistic Orchestras From Sample Libraries 32:37

منذ 1 year32:37

32:37

An introduction to using sample libraries focusing on the string section. Composer and Producer Sam Boydell talks us through selecting an orchestral sound library, creating a simple string motif and incorporating more realism into the finished piece by using a range of techniques, including articulations, dynamics and panning. Chapters 00:00 - Introduction 01:18 - The Tools Of The Trade 03:13 - Choosing Your Sound Library 06:01 - Starting With A String Motif 10:39 - Allocating Orchestral Positions 11:58 - Humanising The Performance 14:57 - Fine-Tuning Velocity And Timing 17:15 - Adding MIDI Automation 19:56 - Placing The Orchestra In A Space 22:17 - Incorporating Articulations 24:39 - Creating More Dynamics 27:46 - Mixing And Mastering Sam Boydell Biog Learning his craft by working in studios with the likes of Gareth Young (Sugababes), Stephen Lipson (Hans Zimmer) and Mark Hill (Craig David), Sam has grown into being credited for Composing many award-winning Commercials and Documentaries such as drift-racing’s, ‘Clipping Point’ (2022) rated at 9.3/10 on IMDb, as well as, prestigious TV shows like, Match of the Day (BBC). Sam is also considered one of the premiere Sound Recordists & Commercial Mixers in the UK, having worked with the likes of David Beckham, ITV and Ferrari. Further enterprises include the music label 60hz with Mark Hill and Neil Simpson, which works to nurture talent such as Nat Slater & Kyi in the past. And, Education, where he works with local universities and schools. https://boyde.tv/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Drum Beat Construction - Part 1 16:41

منذ 1 year16:41

16:41

In the first of a two-part series, Eddie Bazil explains how some simple adjustments in your DAW will help you to achieve more bounce in your drum beats, by adding syncopation, swing and dynamism. Chapters 00:00 - Introduction 00:20 - A Quick History Of Beat Production 01:07 - Early Programmable Drum Machines 04:33 - Defining A Good Beat 05:15 - Example 1: Shifting The Snare To Drive A Beat 07:55 - Example 2: Altering Dynamics And Note Durations 10:51 - Example 3: Adding Urgency With A Backbeat 12:37 - Example 4: Creating Swing With The Hi-Hats Eddie Bazil Biog Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge. https://eddiebazil.co.uk/ https://samplecraze.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
David Mellor - Mic Polar Patterns Part 2 23:29

منذ 1 year23:29

23:29

A valuable test for recording engineers, David Mellor gives examples of different mic types to emphasise the importance of knowing your mic collection in detail so that you're using the correct one for the recording task at hand. Cardioid, Supercardioid, Figure of 8 and Omnidirectional are compared. Chapters 00:00 - Introduction 00:23 - Testing The Schoeps CMC 6 01:44 - Cardioid Examples 05:39 - Testing With Percussion 06:33 - Supercardioid Examples 08:40 - Figure Of 8 Examples 11:22 - Omnidirectional Examples 14:05 - Testing With Percussion 14:58 - Testing Each Mic Type at 0 Degrees 17:00 - Testing Each Mic Type at 45 Degrees 18:19 - Testing Each Mic Type at 90 Degrees 19:42 - Testing Each Mic Type at 180 Degrees 21:15 - Summary David Mellor Biog David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording. He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. He has also had over 600 works published in the field of production music, including the Chappell and Carlin music libraries (now combined into Universal Publishing Production Music). Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show. David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, and also returning to lecture at Surrey University. He also worked with John Cage on the International Dance Course at the University of Surrey. David now specialises in online audio education and has been Course Director of Audio Masterclass since 2001. https://www.audiomasterclass.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
David Mellor - Mic Polar Patterns Part 1 29:20

منذ 1 year29:20

29:20

In the first of this two-part series, David Mellor gives us an introduction to mic polar patterns, explaining the best type of mic to use for various recording situations. Chapters 00:00 - Introduction 00:43 - Influenced By The EMI Emiguide Tapes 04:08 - What Is A Polar Pattern? 06:46 - Omnidirectional and Figure Of 8 08:43 - Cardioid, Hypercardioid and Super-Cardioid 11:14 - Pressure-Sensitive and Pressure Gradient 11:58 - Imperfections In Higher And Lower Frequencies 13:01 - The Decca Tree 14:06 - Abbey Road Demonstration 15:32 - 0 degree axis Figure Of 8 16:10 - 90 degree axis Figure Of 8 16:48 - 180 degree axis Figure Of 8 17:30 - 270 degree axis Figure Of 8 19:01 - Multi-Pattern Microphones 19:58 - Best Usage 24:26 - Interference Tube, Parabolic Reflector 26:23 - Experimenting With Off-Axis David Mellor Biog David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording. He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. He has also had over 600 works published in the field of production music, including the Chappell and Carlin music libraries (now combined into Universal Publishing Production Music). Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show. David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, and also returning to lecture at Surrey University. He also worked with John Cage on the International Dance Course at the University of Surrey. David now specialises in online audio education and has been Course Director of Audio Masterclass since 2001. https://www.audiomasterclass.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Gear Of The Year 2023 18:10

منذ 1 year18:10

18:10

Paul White and Hugh Robjohns pick their software and hardware highlights from the last 12 months. Chapters 00:00 - Introduction 00:16 - Universal Audio Waterfall Rotary Speaker 03:25 - Boss GM-800 Guitar Synthesizer 04:24 - Tokyo Dawn Records Simulathe Cut 06:33 - PreSonus Eris 3.5 Studio Monitors 07:32 - Prism Audio Dream ADA-128 10:07 - Walrus Audio Fable Granular Soundscape Generator 10:59 - Blackstar St. James Amp Plug-ins 11:55 - Zoom F8n Pro Field Recorder 14:13 - Strymon BigSky Multi Reverb / Deco Tape Saturation 14:49 - Line 6 HX One Pedal Paul White Biog Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/ Hugh Robjohns Biog Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too! Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Drum Science - Part 3 28:39

منذ 2 years28:39

28:39

In the third and final part of this series, Rob Toulson focuses on recording drums and talks us through the issue of frequency cancellation in a multiple mic setup, details how to choose the recording sweet spot in a room and explains the various stereo mic technique options that are available. Chapters 00:00 - Introduction 00:52 - Phase Coherence 03:00 - Time Delays 05:10 - Comb Filtering 07:53 - Flipping The Polarity 12:22 - Choosing A Recording Space 14:56 - Mic Choice And Placement 17:43 - Stereo Techniques 18:08 - Spaced Pair Technique 19:02 - Glyn Johns Mic Technique 20:12 - Coincident Pair Technique 21:16 - ORTF Technique 22:20 - Mid-Side Technique 24:30 - Comparing The Techniques 25:22 - Other Mic Techniques Professor Rob Toulson Biog Rob is Director of RT60 Ltd, who develop mobile apps for musicians and sound engineers. RT60’s iDrumTune Pro app assists drummers with learning the skills of drum tuning and has been the number one music app in over 100 countries since its launch in 2012. More recently, Rob and RT60 developed Songzap, which simplifies the process of recording and capturing musical ideas, enabling songwriters to focus exclusively on their creativity. Rob stared his career as a mechanical engineer with a doctorate in digital signal processing, before following his passion and moving into the field of music technology and specialising in percussion acoustics and audio software development. Rob has held a number of academic research roles in his career, including Professor of Creative Industries at University of Westminster and Director of the CoDE Research Institute at Anglia Ruskin University. Rob’s also a successful musician, music producer and sound designer, having worked with many artists including Talvin Singh, Wilfy Williams and Mediaeval Baebes, who have previously topped the UK Classical Music Chart. Rob is author of a number of music related books and articles, including ‘Drum Sound and Drum Tuning’, published by Routledge in 2021, and co-editor of the ‘Innovation In Music’ book series, which is also published by Routledge. His sound design work has been included in films by BAFTA Winner Shreepali Patel and has been showcased at Glastonbury Festival, The V&A and The Natural History Museum. https://www.robtoulson.com/ https://www.rt60.uk/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Drum Science - Part 2 23:11

منذ 2 years23:11

23:11

In part 2 of this 3-part series, Rob Toulson explains how to optimise the drum sound for recording by experimenting with drum head, damping system, tuning and drum shell combinations. Chapters 00:00 - Introduction 01:09 - Drum Heads 01:44 - Mersenne's Laws 04:05 - 1 and 2 Ply Drum Heads 05:45 - Damping Systems 07:10 - Centre Dot Drum Heads 09:27 - Choosing Your Timbre 11:44 - Selecting Your Drum Shells 14:25 - Optimising The Whole Kit 19:41 - Tuning The Kick Drum Professor Rob Toulson Biog Rob is Director of RT60 Ltd, who develop mobile apps for musicians and sound engineers. RT60’s iDrumTune Pro app assists drummers with learning the skills of drum tuning and has been the number one music app in over 100 countries since its launch in 2012. More recently, Rob and RT60 developed Songzap, which simplifies the process of recording and capturing musical ideas, enabling songwriters to focus exclusively on their creativity. Rob stared his career as a mechanical engineer with a doctorate in digital signal processing, before following his passion and moving into the field of music technology and specialising in percussion acoustics and audio software development. Rob has held a number of academic research roles in his career, including Professor of Creative Industries at University of Westminster and Director of the CoDE Research Institute at Anglia Ruskin University. Rob’s also a successful musician, music producer and sound designer, having worked with many artists including Talvin Singh, Wilfy Williams and Mediaeval Baebes, who have previously topped the UK Classical Music Chart. Rob is author of a number of music related books and articles, including ‘Drum Sound and Drum Tuning’, published by Routledge in 2021, and co-editor of the ‘Innovation In Music’ book series, which is also published by Routledge. His sound design work has been included in films by BAFTA Winner Shreepali Patel and has been showcased at Glastonbury Festival, The V&A and The Natural History Museum. https://www.robtoulson.com/ https://www.rt60.uk/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Drum Science - Part 1 26:07

منذ 2 years26:07

26:07

Rob Toulson dives into the science behind how drums produce sound in this three-part series. In part one he talks us through the different pitches, frequencies and overtones, to help producers, recording engineers and indeed drummers to better understand the essentials of tuning. Chapters 00:00 - Introduction 01:16 - Dealing With Multiple Frequencies 05:19 - Tuning The Fundamental Frequency 10:56 - Smoothing Out Modulation 13:31 - Harmonic Overtones 19:12 - Controlling Decay And Damping 23:11 - Summary Professor Rob Toulson Biog Rob is Director of RT60 Ltd, who develop mobile apps for musicians and sound engineers. RT60’s iDrumTune Pro app assists drummers with learning the skills of drum tuning and has been the number one music app in over 100 countries since its launch in 2012. More recently, Rob and RT60 developed Songzap, which simplifies the process of recording and capturing musical ideas, enabling songwriters to focus exclusively on their creativity. Rob stared his career as a mechanical engineer with a doctorate in digital signal processing, before following his passion and moving into the field of music technology and specialising in percussion acoustics and audio software development. Rob has held a number of academic research roles in his career, including Professor of Creative Industries at University of Westminster and Director of the CoDE Research Institute at Anglia Ruskin University. Rob’s also a successful musician, music producer and sound designer, having worked with many artists including Talvin Singh, Wilfy Williams and Mediaeval Baebes, who have previously topped the UK Classical Music Chart. Rob is author of a number of music related books and articles, including ‘Drum Sound and Drum Tuning’, published by Routledge in 2021, and co-editor of the ‘Innovation In Music’ book series, which is also published by Routledge. His sound design work has been included in films by BAFTA Winner Shreepali Patel and has been showcased at Glastonbury Festival, The V&A and The Natural History Museum. https://www.robtoulson.com/ https://www.rt60.uk/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Creative Tools For Beats, Sequences and Mixes 47:50

منذ 2 years47:50

47:50

Eddie Bazil dives into some of his favourite plug-ins and gives us a series of examples on how to use these tools creatively for designing unique and interesting beats, sequences and mixes. Chapters 00:00 - Introduction 00:21 - What Makes A Tool Creative? 03:25 - Example 1: A Cinematic Piano Effect 07:03 - Example 2: Creating A More Dynamic Beat 10:19 - Example 3: Sequencer-Based Multi Effects On A Drum Beat 13:26 - Example 4: Reshaping A Musical Sequence 21:21 - Example 5: A Sound Design Exercise Credits ‘Puppet’ track written, performed and recorded by John Walden Vocals by Yvonne McKeown Eddie Bazil Biog Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge. https://eddiebazil.co.uk/ https://samplecraze.com/ https://theaudioproductionhub.pivotshare.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Gain Staging - Episode 4 29:43

منذ 2 years29:43

29:43

In this fourth and final episode, David Mellor, a sound engineer and the founder and Course Director of Audio Masterclass, delves into Gain Staging your plug-ins and how to avoid clipping during the mixing and mastering stages. Chapters 00:00 - Introduction 00:50 - Gain Staging Your Plug-ins 08:08 - 32-Bit Float 11:35 - Mixing And Mastering 16:27 - Gain Staging The Mix 19:32 - Headroom 21:50 - Mastering Using LUFS Listen to Gain Staging Episode 1 Listen to Gain Staging Episode 2 Listen to Gain Staging Episode 3 David Mellor Biog David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording. He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. He has also had over 600 works published in the field of production music, including the Chappell and Carlin music libraries (now combined into Universal Publishing Production Music). Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show. David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, and also returning to lecture at Surrey University. He also worked with John Cage on the International Dance Course at the University of Surrey. David now specialises in online audio education and has been Course Director of Audio Masterclass since 2001. https://www.audiomasterclass.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Gain Staging - Episode 3 27:54

منذ 2 years27:54

27:54

David Mellor, a sound engineer and the founder and Course Director of Audio Masterclass, introduces us to Gain Staging in a brand new series of podcasts. In the third episode David continues looking at preamps, outlines the use of VU Meters and talks about the benefits of balancing a track prior to mixing. Chapters 00:00 - Introduction 00:56 - More About Preamps 05:38 - Preamps With Valves 09:20 - The Mixing Process 16:17 - Using VU Meters 24:05 - Mixing During Recording Listen to Gain Staging Episode 1 Listen to Gain Staging Episode 2 Listen to Gain Staging Episode 4 David Mellor Biog David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording. He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. He has also had over 600 works published in the field of production music, including the Chappell and Carlin music libraries (now combined into Universal Publishing Production Music). Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show. David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, and also returning to lecture at Surrey University. He also worked with John Cage on the International Dance Course at the University of Surrey. David now specialises in online audio education and has been Course Director of Audio Masterclass since 2001. https://www.audiomasterclass.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Gain Staging - Episode 2 27:58

منذ 2 years27:58

27:58

David Mellor, a sound engineer and the founder and Course Director of Audio Masterclass, introduces us to Gain Staging in a brand new series of podcasts. In the second episode David focuses on gain staging during recording, by balancing mic input, preamps and gain within your DAW to achieve the optimal sound level. Chapters 00:00 - Introduction 00:40 - Dynamic Microphones 05:19 - Capacitor Microphones 11:25 - Gain Staging First Step 14:00 - The Pre-amp 16:39 - Headroom 20:49 - Audio Examples Listen to Gain Staging Episode 1 Listen to Gain Staging Episode 3 Listen to Gain Staging Episode 4 David Mellor Biog David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording. He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. He has also had over 600 works published in the field of production music, including the Chappell and Carlin music libraries (now combined into Universal Publishing Production Music). Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show. David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, and also returning to lecture at Surrey University. He also worked with John Cage on the International Dance Course at the University of Surrey. David now specialises in online audio education and has been Course Director of Audio Masterclass since 2001. https://www.audiomasterclass.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Gain Staging - Episode 1 29:29

منذ 2 years29:29

29:29

David Mellor, a sound engineer and the founder and Course Director of Audio Masterclass, introduces us to Gain Staging in a brand new series of podcasts. In this first episode he teaches the correct use of terminology and gives his three golden rules of Gain Staging. Chapters 00:00 - Introduction 01:38 - Using The Correct Terminology 05:56 - Why Use Gain Staging? 11:04 - The Benefits Of Gain Staging 15:31 - Working In Digital Audio 27:17 - Three Golden Rules Of Gain Staging Listen to Gain Staging Episode 2 Listen to Gain Staging Episode 3 Listen to Gain Staging Episode 4 David Mellor Biog David Mellor got his start in pro audio through the Tonmeister course at Surrey University studying music, piano performance, acoustics, electronics, electro-acoustics and recording. He went on to work at London's Royal Opera House, with responsibilities including sound design, front-of-house operation, stage monitoring and electronic design satisfying the likes of Luciano Pavarotti, Placido Domingo, Dame Kiri Te Kanawa and Karlheinz Stockhausen. He has also had over 600 works published in the field of production music, including the Chappell and Carlin music libraries (now combined into Universal Publishing Production Music). Notable uses of his music include the BBC's Horizon, Fahrenheit 911, and the Oprah Winfrey Show. David has been actively involved in Audio Education since 1986, teaching students of City of Westminster College and Westminster University, and also returning to lecture at Surrey University. He also worked with John Cage on the International Dance Course at the University of Surrey. David now specialises in online audio education and has been Course Director of Audio Masterclass since 2001. https://www.audiomasterclass.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Compression And Expansion 34:24

منذ 2 years34:24

34:24

Eddie Bazil demystifies Compression and Expansion with a detailed explanation of their uses and with a range of practical examples using plug-ins. Chapters 00:00 - Introduction 00:22 - Compressors And Expanders Explained 01:33 - Compressor Behavioural Types 02:40 - Common Compressor Topologies 06:06 - Example 1: Boz Digital Manic Compressor On Drums 10:26 - Example 2: FabFilter Pro MB On A Synth Line 13:28 - Example 3: PreSonus Studio One Expander On A Drum Beat 15:26 - Example 4: A Drum Beat Using Different Topologies 20:24 - Example 5: Using Sidechaining On Reverb 23:28 - Example 6: FabFilter Pro MB On A Vocal Line 27:16 - Example 7: Sidechain Compression And Expansion To Create Texture And Motion Credits Example 6 - The song and the poem are both called Everyone Sang. The poem was by Sigfried Sassoon and was set to music and performed by Anne Gregson. www.annegregson.co.uk Recorded at www.mrpunch.info Eddie Bazil Biog Eddie Bazil launched his music industry career at the age of 17 as a synth programmer for a range of Electro / New Wave bands including Art of Noise, Spandau Ballet, Pet Shop Boys, Bobin, Paul Dee, DJ Krush, DJ Shadow, Jets Orchestra. By his 20s he was working as a sound designer for Akai, Roland Emu/Ensoniq, eventually signing on exclusively with the latter. Later, due to a growing demand for software instruments and libraries, Eddie started to develop libraries for various software manufacturers, including Native Instruments, Kiesel, Sound Effects Library, Arturia and Propellerheads. A meeting with Phil Allen, a Capital Radio DJ, resulted in the company Samplecraze, which Eddie has spent 20 years developing as an educational resource. At this time he trained in music production and soon gained a number of prominent contracts working with some notable artistes such as Busta Rhymes, Greensleeves, 9 Bar, SFP, Sleeveless, Chris Campbell and Gam Productions. He contracted to Island Records and Chrysalis as a producer and remixer, plus was commissioned to write the score for Macbeth that ran at 2 Way Mirror at Alexander Palace for the Cambridge Shakespeare Company. His ongoing development of Samplecraze has led to him offering educational workshops and classes, releasing four books via PC Publishing and becoming a contributor and forum moderator for Sound On Sound. Recently he has established The Audio Production Hub for online education and been invited by the Recording Academy to become a Grammy judge. https://eddiebazil.co.uk/ https://samplecraze.com/ https://theaudioproductionhub.pivotshare.com/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
A History Of Guitar Synths 18:28

منذ 2 years18:28

18:28

Paul White takes us through the history and evolution of guitar synths, from early attempts at creating onboard sounds and audio to MIDI pick-ups, through to using pedals and plug-ins to emulate synth effects. Chapters 00:00 - Introduction 00:13 - Types of Guitar Synths 04:03 - The Introduction Of MIDI 05:19 - Pitch To MIDI Pickups 08:04 - Alternative Systems 10:38 - Using Pedals To Emulate Synths 13:31 - Introducing Plug-ins 15:10 - The Future Of Audio To MIDI Paul White Biog Paul White joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1970s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Amp Modelling 12:40

منذ 2 years12:40

12:40

Paul White explains how to get the best out of Amp Simulation software, from getting a good guitar input signal, setting up effective monitoring for encouraging the best performance and tips on achieving the desired end-effect. Chapters 00:00 - Introduction 00:50 - Getting A Guitar Signal 03:39 - Dealing With Latency 04:42 - Monitoring 05:54 - Using Your Own Pedals 08:15 - Using Speaker Cabinet Emulations 09:11 - Adding Room Ambience 10:00 - Creative Sound Design 10:27 - Using Amp Modelling With Other Instruments Paul White Biog Paul White joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1970s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/ Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

Recording & Mixing

1
Gear Of The Year 2022 19:22

منذ 3 years19:22

19:22

Paul White and Hugh Robjohns pick their hardware and software highlights from the last 12 months, plus feature some late arrivals. Chapters 00:00 - Introduction 00:14 - ASM Hydrasynth Deluxe 02:01 - Boss RE-202 Space Echo / IK Multimedia Amplitube X-SPACE Reverb / Red Panda Particle 2 Granular Delay 02:57 - Moogerfooger Plug-ins / UAFX Amp Emulator Pedals 04:12 - IK Multimedia Amplitube TONEX Amp Simulation Software 04:47 - Arturia Efx Fragments Granular Delay / Eventide Physion II 05:25 - PMC6-2 Monitors 07:00 - MiMU Jellyfish Granular Synth 07:45 - The Great Chip Shortage 09:11 - Rob Papen eXplorer-8 Bundle / Sub51 and Soundtrax Drop Pad 10:26 - Sonnect Audio Sound Bullet 11:46 - Eventide H90 Harmonizer® Multi-FX Pedal / Two notes ReVolt Amp Simulator Pedal 13:38 - Waves BB Tubes Plug-in 14:27 - Hardware Recorders 17:05 - Synth Sounds For Guitar Paul White Biog Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing. He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before recently becoming Executive Editor. Paul has written more than 20 recording and music technology textbooks, the latest being The Producer’s Manual. Having established his own multitrack home studio in the 1980s he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too! http://www.cydoniacollective.co.uk/ Hugh Robjohns Biog Hugh Robjohns has been Sound On Sound´s Technical Editor since 1997. Prior to that he worked in a variety of (mostly) sound-related roles in BBC Television, ending up as a Sound Operations Lecturer at the BBC´s technical training centre. He continues to provide audio consultancy and bespoke broadcast audio training services all over the world, lectures at professional and public conventions, and occasionally records and masters acoustic and classical music too! Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts…

مرحبًا بك في مشغل أف ام!

يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.