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المحتوى المقدم من Gil Roth. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Gil Roth أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
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All About Change


1 Eli Beer & United Hatzalah: Saving Lives in 90 seconds or Less 30:20
30:20
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Eli Beer is a pioneer, social entrepreneur, President and Founder of United Hatzalah of Israel. In thirty years, the organization has grown to more than 6,500 volunteers who unite together to provide immediate, life-saving care to anyone in need - regardless of race or religion. This community EMS force network treats over 730,000 incidents per year, in Israel, as they wait for ambulances and medical attention. Eli’s vision is to bring this life-saving model across the world. In 2015, Beer expanded internationally with the establishment of branches in South America and other countries, including “United Rescue” in Jersey City, USA, where the response time was reduced to just two minutes and thirty-five seconds. Episode Chapters (0:00) intro (1:04) Hatzalah’s reputation for speed (4:48) Hatzalah’s volunteer EMTs and ambucycles (5:50) Entrepreneurism at Hatzalah (8:09) Chutzpah (14:15) Hatzalah’s recruitment (18:31) Volunteers from all walks of life (22:51) Having COVID changed Eli’s perspective (26:00) operating around the world amid antisemitism (28:06) goodbye For video episodes, watch on www.youtube.com/@therudermanfamilyfoundation Stay in touch: X: @JayRuderman | @RudermanFdn LinkedIn: Jay Ruderman | Ruderman Family Foundation Instagram: All About Change Podcast | Ruderman Family Foundation To learn more about the podcast, visit https://allaboutchangepodcast.com/ Looking for more insights into the world of activism? Be sure to check out Jay’s brand new book, Find Your Fight , in which Jay teaches the next generation of activists and advocates how to step up and bring about lasting change. You can find Find Your Fight wherever you buy your books, and you can learn more about it at www.jayruderman.com .…
The Virtual Memories Show
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المحتوى المقدم من Gil Roth. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Gil Roth أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
A weekly conversation about books and life, not necessarily in that order.
…
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706 حلقات
وسم كل الحلقات كغير/(كـ)مشغلة
Manage series 2455723
المحتوى المقدم من Gil Roth. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Gil Roth أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.
A weekly conversation about books and life, not necessarily in that order.
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706 حلقات
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×Artist Craig Thompson joins the show at long last to celebrate his new book, GINSENG ROOTS: A Memoir (Pantheon). We talk about how he spent ten summers of his childhood helping farm ginseng, how that herb connects rural Wisconsin with China and South Korea, how he balanced history, journalism, economics, and memoir in the pages of his book, and why he chose to make Ginseng Roots as a serial comic rather than a standalone book and how that affected his creative process. We get into how the book serves as a sort of midlife revision of his breakthrough book, Blankets , how the last chapter of the book had to happen in near-real-time, how a degenerative condition in his hands became a unifying theme to the book while almost derailing it, how he found the design language of the book and obsessed over a two-color process (to amazing results), and whether this is his swansong for comics (spoiler: it's not!). We also discuss what home means to him, 8 months into being on the road, what it was like discovering that he had a global audience, his ongoing relationship with his evangelical Christian upbringing, his editor's concerns that Ginseng Roots could open him up to accusations of cultural insensitivity (and how he got over it), all while geeking out over our fave cartoonists from the '90s indy period (go, Dylan Horrocks !), and more. Follow Craig on Instagram • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
Artist, professor and now like-it-or-not cartoonist Ari Richter joins the show to talk about his fantastic book, Never Again Will I Visit Auschwitz: A Graphic Family Memoir of Trauma & Inheritance (Fantagraphics). We talk about how he he began this project in the wake of the Tree of Life massacre in 2018, how it helped him exorcise the demons of his imagination after a lifetime of hearing his family's stories about the Holocaust, and how the book centered around intergenerational trauma and collaboration. We get into how he incorporated his grandfathers' holocaust memoirs into the book, why he found different styles for each section of the book, what he had to learn about comics storytelling after a career in fine arts, the revelation of reading Miriam Katin 's memoirs and why he avoided rereading MAUS during the 5 years he worked on this book. We also discuss how drawing comics has changed his brain, why he was stunned by the commercialism of Auschwitz, why he's glad he got a German passport, why comics folks seem friendlier than fine arts people, the insanity of composing his comics pages in Photoshop (and what happens when he forgets to label his layers ), and a lot more. Follow Ari on Instagram • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
Author and curator Dan Nadel joins the show to celebrate the publication of his amazing new biography, CRUMB: A Cartoonist's Life (Scribner). We get into Robert Crumb's significance in American art, comics, and culture, Dan's first experience with a Crumb comic (it was an ish of American Splendor ), the challenge of capturing the underground comics scene of the '60s & '70s, and what it took for him to get over the "R. Crumb" persona and realize how integrated Robert's personality is. We talk about Crumb's role as nexus in the history of comics, the book's focus on Crumb's drawing and how different tools opened him up artistically, what it means to see Crumb as part of tradition and not just a conceptual outlier, how his Crumb differs from the Crumb of Terry Zwigoff's documentary , and the one detail he's still dying to find out about Zap Comix. We also discuss Dan's comics and art upbringing, how he found his place as a publisher then gallery & museum curator , how he was affected by the death of Crumb's wife Aline in 2022, how his museum experience prepared him for writing about the racist and sexist aspects of Crumb's comics, the only cartoonist biography he could tackle after Crumb, whether Crumb's Book of Genesis succeeds as comics, and a lot more. Follow Dan on Instagram • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
No guest? No problem! It's time for another impromptu monologue episode: this time, Gil sorts through family legacies of the genetic and Larkinesque variety, as occasioned by taking his dad for cataract surgery and getting a call from an old & previously deceased friend ! Follow Gil on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…

1 Episode 632 - Peter Trachtenberg 1:29:19
1:29:19
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With his amazing new book The Twilight of Bohemia: Westbeth and the Last Artists in New York (Black Sparrow Press), Peter Trachtenberg explores the 50+ years of history for Westbeth Artists Housing in the far West Village, the role of the arts in New York City, and the ways we build & sustain community. We get into his long -term history with Westbeth, how this book's was born from an essay about the suicide of his friend and Westbeth resident Gay Milius , how Westbeth managed to survive a series of financial crises over the decades before finding a sustainable model, and how architect Richard Meier repurposed the Bell Labs complex into affordable artists' housing in the 1960s. We talk about Westbeth's requirement that residents be professional artists and what that came to mean over the years (esp. when some residents' productivity diminished), what it's like to raise families in Westbeth, and how the community handled generational change. We also discuss how Westbeth reflects New York back on itself, how Vin Diesel's vandalism as a kid growing up in Westbeth led to his acting career, how the Village's Halloween parade originated there, how I stumbled across Westbeth in 2017 during — what else? — a podcast , how we build artistic communities when we don't have geographic proximity, whether there's a secret radioactive room left over from the Bell Labs years (!), and more. Follow Peter on Instagram , and subscribe to his newsletter • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
Author David Shields returns to the show for a conversation about his new documentary, HOW WE GOT HERE , and the companion book, HOW WE GOT HERE: Melville plus Nietzsche divided by the square root of Allan Bloom times Žižek squared = Bannon (Sublation Media). We get into how the world moved from the death of God to the death of essence to the death of truth, and how deconstruction, once the province of left-wing academia, was weaponized by right-wing authoritarians for political aims. We talk about how much blame he bears for all this with his 2010 book Reality Hunger , how it feels to be a radical with deep skepticism of radicals' language, his affinity for Werner Herzog's notion of the ecstatic truth in documentary films, what he learned from interviewing nonfiction writers about the nature of truth, and how he feels about going to his first WWE event. We also discuss nonlinear warfare and the endless deconstruction of reality, how writing can "build a bridge across the abyss of human loneliness" (per DFW), what he's learned from the collaboration of making documentaries, his fixation on hamartia (the tragic flaw), Walter Benjamin's notion of pursuing the truth even if we'll never reach it, bringing the public, social and personal worlds together in his writing, and a lot more. More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…

1 Episode 630 - Meeting Across The River 17:56
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Uh-oh! Gil doesn't have a guest this week, so he recorded a monologue from a hotel room in Weehawken, NJ during a business conference for his day job! He talks mental health, oblique mythology, Charles Crumb, comics and pharma friends, the St. Patrick's Day Parade, and more! Follow Gil on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
With THE MAN NOBODY KILLED: Life, Death, and Art In Michael Stewart's New York (Celadon Books), author Elon Green brings us an investigation into a terrible episode of police brutality and its aftermath in mid-'80s NYC. We talk about what drew him to the story of Michael Stewart , a 25-year-old black artist-model-DJ who died at the hands of transit police in 1983, his amazement that no one else had written this book, and how his early assumptions about a coverup gave way to a different coverup. We get into how he so wonderfully evokes the gritty NYC of that era, spreading out a canvas that takes in the arts scene — think Haring, Basquiat, Madonna — and the awful crimes and police behavior — think Bumpurs, Goetz — of that era. We discuss the art of interviewing people 40+ years after an event without reopening old wounds, the judge on the case who talked with him for 3 hours and shared how his conclusions on the verdict changed, what he sees in Stewart's art, how he tries to build the entire environment of the world he's writing about in his books, why he considers himself a history writer (& despises the "true crime" label & genre), why being a good journalist means having a sense of decency, bringing his first book to life as an HBO series , and more. Follow Elon on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
Biographer Vanda Krefft returns to the show to celebrate her wonderful & illuminating new book: EXPECT GREAT THINGS!: How the Katharine Gibbs School Revolutionized the American Workplace for Women (Algonquin Books). We talk about the turn of the (20th) century origins of Katharine Gibbs & her school, the legacy of her executive secretarial course for generations of women, "Gibbs Girls'" descendants' desire to honor their family members, the incredible quality of faculty Gibbs was able to recruit, the risks women had to take to enter the professional workforce, and the Trojan Horse campaign of teaching women to learn how businesses work until they're able to run them themselves. We get into Vanda's desire to write about people who were overlooked in history, how this book veered away from her initial idea, how it required a different mode than her biography of William Fox , the challenges of century-old research into women's lives, what she had to learn about the history of women in America, the myth that the 1920s were liberating for women, and her interest in mid-century America. We also discuss how the Gibbs school declined when the family finally sold it in the late '60s, what she'd like her next book to be about, her experience living in Santa Monica during the LA fires, a lengthy aside about publishing and the changes I've seen, getting inspired by Howard Fishman 's book on Connie Converse , and a lot more. Follow Vanda on Instagram • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
With DEATH TRIP: A Post-Holocaust Psychedelic Memoir (Spiral Path Collective Press), Seth Lorinczi explores how trauma can be transmitted over generations, and how an ancient (& new) form of treatment can help overcome it. We talk about finding his family's story of the Holocaust, trying to understand why so much of it stayed hidden, how badly it warped his life, and how he & his wife found answers in psychedelic medicine (MDMA, ayahuasca, toad (!)). We get into the long-term damage of unmetabolized trauma and untouched grief, how psychedelics allowed him to recognize patterns in his life, family history, and the universe, the challenges of researching his family's Holocaust experience in Hungary, how his experiences led to a memoir (& a saved marriage), why Death Trip is a series of surrenders, how his close and distant relatives responded to the book, and why he thinks I should leapfrog therapy and try psychedelics first. We also discuss growing up in the punk scene of Washington, DC (and writing his next book about that), how coincidence becomes important after psychedelic experiences, how some married couples take up salsa dancing but he & his wife took up ayahuasca, how his daughter responded to all this, whether a person can change, how once you get the message you should put down the phone, and a lot more. Follow Seth on Instagram and subscribe to his Dispatches From The Fringe newsletter • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…

1 Episode 626 - Martin Mittelmeier 1:11:28
1:11:28
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With NAPLES 1925: Adorno, Benjamin, and the Summer That Made Critical Theory (Yale University Press, tr. Shelley Frisch), Martin Mittelmeier traces the roots of the Frankfurt School in southern Italy. We talk about the epiphany on the lip of a volcano in Lanzerote that brought this book to life, the years he spent poring over Theodor Adorno's writing (and the temptation to mimic Adorno's style), how Walter Benjamin's principle of porosity arose from both the tuff stone & the way of living of Naples, and the challenge of evoking the Naples of a century ago and how it led to a theory of society. We get into Critical Theory's attempts at understanding populism and oligarchic takeovers and why Adorno is having A Moment in Germany, the fun of speculating about meetings among great thinkers — yeah, I get into George Orwell, Henry Miller, and Inside the Whale —, the utopian aspect of local life in Naples and Capri, the complexities of reputation and destiny, and whether Critical Theory can hold up during the hyper-internet era. We also discuss the difficulties of translation with critical theory's associative language, why I need to read Hernán Diaz' Trust , his new work about Thomas Mann working with Adorno on Doctor Faustus in Pacific Palisades (a.k.a. Weimar Under The Palm Trees), how he's changed in the decade-plus since writing the book, and more. • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
Can LA private detective Happy Doll live up to the Four Noble Truths and escape the cycle of Samsara? Jonathan Ames returns to the show to help answer that question and celebrate his new novel, KARMA DOLL (Mulholland Books)! We talk about the joy of reading (& writing) page-turners, how his lead character Happy Doll has evolved over three novels (so far!), what it's like bringing Buddhism into a detective novel, and how his (& Happy's) LA has changed since he began this series. We get into how he managed to avoid writing about the worst days of the pandemic while keeping Karma Doll contemporary, how writing the Doll novels has affected his understanding of Buddhism, and how he's living up to the lesson he always gave students: write what you love . We also discuss TV writing and how it took him away from prose-writing for a decade or so, the need to make art and the transitoriness of bliss, how the LA fires left him driving all over the place like he was in a Lew Archer novel, his fave reads & TV shows, how we both played with dolls as kids in the woods of northern NJ, and a lot more. Follow Jonathan on Bluesky • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
With his latest book, THE DRIVING MACHINE: A Design History of the Car (Norton), architect and architecture & design writer Witold Rybczynski explores how cars evolved from their earliest days through the befuddling styles of today's EVs. We get into the design language of cars and how it had no true precedent, why European styles were so different and varied than America's, his favorite era for car design, and the differences between writing about cars and writing about buildings. We talk about the cars in his life and how he integrated them into The Driving Machine 's narrative (including the Mercedes that lasted him 25 years), the lives of the engineers & car-company founders he explored for the book, what he learned by drawing the book's car-illustrations himself, and how drawing all those cars brought him back to his youth. We also discuss the new book he's writing about his dissatisfaction with contemporary architecture, how it resulted from a Chat-GPT 'hallucination,' the cycles of architecture & the death of architecture criticism, the (sorta) imaginary house he designed for himself, and more. More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
Cartoonist Matt Madden rejoins the show to celebrate his new collection, SIX TREASURES OF THE SPIRAL: Comics Formed Under Pressure (Uncivilized Books). We talk about the liberation to be found in formal constraints, his history with OULIPO and its OUBAPO offshoot, how structure can inspire story, and the formal and thematic challenges in sequencing the stories in the collection. We get into how he tried to make the most of a multi-year residency at La Maison des Auteurs in Angouleme, the unwitting influence of Hergé on one of his favorite stories, the changes in his art & storytelling since publishing Ex Libris in 2021, and the "director's commentary" he added as back matter for Six Treasures. We also discuss Lewis Trondheim's challenge to him to make a comic without a formal rule or constraint, his Substack -goal of sharing OUBAPO rules, the balance of comics-making with child-rearing, the fun of making foldy-comics, why it's important not to let the formal constraints overwhelm the heart of the stories, and more. Follow Matt on Instagram and YouTube and subscribe to his Substsack • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
After 4+ decades as a reporter and with a half-dozen nonfiction books under his belt, Fred Kaplan rejoins the show to celebrate his first foray into fiction, A CAPITAL CALAMITY (Miniver Press)! We talk about how lockdown got him to start A Capital Calamity , how his history in national security and the defense sector informs the novel (& its accidental march torward WWIII), how his protagonist is & isn't a Fred-Not-Traveled, and what it was like to make things up after a career spent reporting the facts. We get into the moral quandaries of being an insider in Washington, his experience working for Les Aspin in the '70s, the early morning storytelling revelations that opened up the novel to him, and why he set a major scene of the book above The Comedy Cellar in NYC. We also get into whether we're slow-walking into WWIII, the lessons learned from the 2017-2021 era and how they may affect his coverage of the new administration, his jazz recommendations, the fun of dissecting Washington cocktail party culture, the pros & cons of a multipolar world, and more. Follow Fred on Bluesky , Facebook and Twitter • More info at our site • Support The Virtual Memories Show via Stripe , Patreon , or Paypal , and subscribe to our e-newsletter…
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With THE EMPTY LOT (Fantagraphics Underground), artist Mia Wolff brings together 100 paintings from more than 40 years of her oeuvre. We talk about how she found the thread & structure for the book, the patterns that emerged as she re-ordered the pieces and stitched them together with new illustrations, comics and prose pieces, and how you can make a joyride of a monograph by introducing your cat into the scene. We get into her dream of catspiders that inspired her for decades, the game of exquisite corpse she's been playing with Jim Woodring , and her history in art and side trips into a trapeze act with a circus and teaching martial arts. We also discuss the graphic novel she's working on and how that art parallels her painting, why The Empty Lot has an afterword in the form of a page-by-page tour-conversation with Samuel R. Delany , her love of transparency & translucency and why her paintings of water are so magical, the tension of her pitch meeting with Gary Groth, and a lot more. Follow Mia on Bluesky and Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Translator & author Damion Searls kicks off our 2025 season with a talk about his amazing new book, THE PHILOSOPHY OF TRANSLATION (Yale University Press). We talk about how all writing — translation or not — involves constraints, he balanced the book between philosophical argument and concrete examples of translation, and how he came to define translation as "reading one thing and writing something else." We also get into where all the languages — German, Dutch, Norwegian, French — started for him (+ his lockdown project of teaching himself modern Greek), how the business of translation has changed during his career and the problems with the English market's dominance, how a 'book report' led to him becoming the translator of Nobel-winner Jon Fosse , how he edited an abridged version of Thoreau's (7000 pages of) journals , and why he only put one negative example in The Philosophy of Translation . Plus we discuss how he doesn't look over his own translators' shoulders, why he resents critics' bias against translation and the notion of "a 'faithful' translation" or "getting it right," how he & his peers fought for royalties over fee-for-service and the days when translators treated like typesetters, and plenty more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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It's the end of the year, so let's take stock of 2024 with a big ol' year-in-review monologue! Your intrepid/decrepit host, Gil Roth, gets personal while talking about what he's learned from the podcast & his guests this year, how they continue to change each other's lives, the moment he found his Spirit Jacket , his communion with a Roman sculpture , the validation of his year-long photo-book project, the joy of hiking the Catskills with an old friend , a big work-anniversary, the thrilling circumstances of his debilitating neck injury, the best non-clinical moment you can have in an oncology setting, the new addition to the Virtual Memories family, his 2025 wants, and above all, the question of whether a person can really change (and okay, above that , the question of what 'change' means). Follow Gil on Bluesky , Instagram , and LinkedIn • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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1 Episode 618 - The Guest List 2024 1:03:37
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Twenty-two of this year's Virtual Memories Show guests tell us about the favorite books they read in 2024 and the books they hope to get to in 2025! Guests include Roland Allen, Shalom Auslander, Laura Beers, Sven Birkerts, Mirana Comstock, Leela Corman, Nicholas Delbanco, Benjamin Dreyer, Eric Drooker, Randy Fertel, Sammy Harkham, Frances Jetter, Ken Krimstein, Jim Moske, Robert Pranzatelli, Jess Ruliffson, Dmitry Samarov, Dash Shaw, David Small, Benjamin Swett, Maurice Vellekoop, and D.W. Young (+ me)! • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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With The Picture Not Taken: On Life and Photography (NYRB), Benjamin Swett brings us a subtly beautiful series of essays that explore memory and identity and what we really see in the viewfinder. We talk about the role of photography in his life, how Musil, Sebald, and Knausgaard and taught him to trust digressions, the freedom to be found in the essay, how working in the NYC Parks Dept. led him into some strange career choices, and the challenge (& reward) of photographing trees . We get into our respective rebellions against our fathers and linearity, the loss of his daughter and how her shadow looms over the book, his idea for a negative-autobiography and my own photo-text project, how his family felt about being included in the essays, and the moment he felt comfortable moving from film to digital. We also discuss his 9/11 and what it revealed to him about himself, how the constraint of Instagram captions can lead to good storytelling, the ~30-year gap he took to finish his MFA, the benefits of leaning in to awkwardness and self-revelation, and a lot more. Follow Benjamin on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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LIVE from Labyrinth Books , artist and vulgarizer of history (in the French sense) Ken Krimstein returns to the show to celebrate his new book, EINSTEIN IN KAFKALAND (Bloomsbury)! We talk about the mystery of the 15 months Einstein & Kafka overlapped in Prague, how the two of them invented the modern world, what Ken has learned about graphic storytelling after 3 books, how the theory of relativity bedeviled him since childhood, and how he managed to make a graphic novel about Jews in Prague and not include a golem. We get into all the research and rabbit-holes of this project, including his monthlong research-stay in Prague, as well as the chapter he had to cut on Kafka's love of Yiddish theater, the challenges of portraying Einstein's professional and personal struggles, and his discovery that readers would follow his phantasmagoric flights and surreal episodes. We also discuss Ken's fixations on Mitteleuropa and scenes & salons, Sam Gross ' observation about his art, Kenny Werner 's concept of effortless mastery, why he wants to bring some joy to his next project, and more. Follow Ken on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Cartoonist & historian Eddie Campbell returns to the show with his fantastic new book, KATE CAREW: America's First Great Woman Cartoonist (Fantagraphics Underground), which explores turn-of-the-(20th)-century artist, cartoonist, illustrator, caricaturist, interviewer & journalist Kate Carew . We get into how Eddie discovered Kate's work while researching The Goat-Getters , how Kate wound up interviewing the likes of Mark Twain, Picasso, the Wright Brothers, and other celebs (& non-celebs) of her time, how her self-caricatures serve as a sorta graphic autobiography (and precursor to the whole world of graphic memoir storytelling), her support of women's suffrage, and how I accidentally semi-sorta inspired Eddie to make this book. We also talk about how Kate's story evades sentimentality, how Eddie & Audrey Niffenegger formed the Digital Art Burglars firm™, what he's learned from exploring the early history of American cartooning, why his next book is about the Midwest school of cartooning, how he wound up writing the comics histories he wanted to read, and why he had to pull a page from this book due to a complaint from the printer. Plus we discuss his new graphic novel about how he met Audrey, how his comic strip of the Pajama Girl , a murder victim in Sydney, led to him working with Alan Moore on From Hell , his life-lessons about making every pitch & taking every job that was offered, and why Kate Carew was such an enormous outlier in the world of cartooning. Follow Eddie on Bluesky • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Comics librarian and curator Caitlin McGurk returns to the show to celebrate her amazing new book, TELL ME A STORY WHERE THE BAD GIRL WINS: The Life and Art of Barbara Shermund (Fantagraphics). We talk about Caitlin's shock at her 2012 discovery of Barbara Shermund's incredible gag-comics and illustrations in the archive of the Billy Ireland Cartoon Library & Museum , how her interest in Barbara evolved from blog posts to a museum exhibit to a book, the challenge of writing about someone who did no interviews or press and had no close relatives, and how easily women get erased from history. We get into the gestalt of Barbara's fantastic linework and washes and her wry sense of humor, why Caitlin wound up writing an academic press version of the book before rewriting it for a trade publisher, the challenges & rewards of designing a book to showcase so much art, how Barbara helped create the look of The New Yorker in its early years, why Caitlin speculated (but not too much) about Barbara's sexuality. We also discuss the malleability of history, how the Billy Ireland has changed in the 10 years since Caitlin & I last recorded , the pep talk she wished she could have gotten from our late friend Tom Spurgeon , time Al Capp (!!) advocated for allowing women into the National Cartoonists Society, the incredible story of tracking down Barbara's remains and giving her a proper funeral 35 years after her death, and a lot more. Follow Caitlin on Instagram and the Billy Ireland blog • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Artist Frances Jetter joins the show to talk about her amazing new book, AMALGAM: An Immigrant, His Labor Union, and His American Family in Brooklyn (Fantagraphics Underground). We talk about how the book both expanded and narrowed in scope during its 12-year process, how her grandfather's story bleeds out into American, Jewish and labor history, and how she integrated her trademark linocut prints with other media to create an unforgettable graphic narrative. We get into how the editorial illustration field changed over her career and why she moved toward artist's books and narrative art, why "illustrator" isn't a dirty word & why having her work out in the world is important, how we don't always see the resonances of our work when we're in the middle of it, how working with other materials and forms (like sculpture) rejuvenated her drawing, what she learned about storytelling in the making of AMALGAM , her family's political background and her awakening, how students have changed over her 40+ years teaching at SVA, and more. Follow Frances on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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With THE NOTEBOOK: A History of Thinking on Paper (Biblioasis), Roland Allen explores how the proliferation of paper & binding changed culture, business, and maybe the nature of human consciousness. We talk about how keeping a diary got him obsessed-ish with notebooks, how he found a narrative and protagonists as he delved into the history of notebooks, and what it means to see the notebook as a piece of technology/hardware. We get into their influence on art and the Renaissance (and the theory that sketchbooks allowed artists to move toward realism), how diaries created a new, private persona distinct from the public self, how he discovered a new reading for a line of Hamlet , and how digital options never manage to replace the paper notebook. We also discuss how Moleskine came to dominate the notebook market and how Bruce Chatwin's The Songlines jumpstarted their craze, how Roland learned to switch off the "this isn't interesting" filter in his own diaries, how writing this book made him a better notebooker, the way Dutch album amicorum (friendship books) served as a social media precursor, how our notebooks can outlive us (and his posthumous plans for his diaries), and a lot more. Follow Roland on Instagram and Bluesky • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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With his new graphic novel, NAKED CITY (Dark Horse Books), artist/activist Eric Drooker finishes the New York trilogy begun in Flood! and Blood Song . We talk about how Naked City started with the image of a beleaguered squeegee-man and wound up a love letter to New York and especially Tompkins Square Park, the challenges of using word/thought balloons and captions after making wordless comics for so long, and the importance of staying handmade in the digital era. We get into his upbringing in Stuy Town and the Lower East Side/Loisaida, why we were recording in an apartment above the Museum of Reclaimed Urban Space , how New York changed during his life, why he semi sorta escaped from the city, what it's like being a quality-of-life criminal, and the time he made his start with stencil-graffiti only to get over-tagged by Basquiat. We also discuss his artistic & political awakenings, the Tompkins Square Park riot and police militarization, his ambivalence about street art going into the gallery, the importance of on-the-ground activism ( MOAR STREET POSTERS ), the surveillance panopticon, and more. Follow Eric on Instagram , Facebook and YouTube • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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With his fantastic new book, MYSTICISM (NYRB), philosopher Simon Critchley explores mystic traditions from medieval Christianity to the present. We talk about the evolving definition of mysticism, its female-centric history, how it's not just the moment of revelation but the adoption of a form practice (like Julian of Norwich's half-day of revelations and ~40 years of theological examination of them), and whether today's aesthetic experiences can truly be a substitute for the religious transcendence of the past. We get into attention as a form of mysticism and close reading as a form of attention, how we can try to overcome this age of distraction upon distraction, what it means to de-create our creaturely self and 'get out of our own way', how philosophy treated religion as bonkers, and why he's drawn to the weirdness of Christianity. We also discuss how he's made a publishing career out of death, how we each faced our theoretical deaths and found liberation in their wake, the music he makes with his oldest friend, John Simmons , how Brian Eno's concept of a Scenius is hard to create virtually, how his life and his teaching have changed since the pandemic began, The Time He Got To Meet Nick Cave (grr!), and a lot more. Follow Simon on Instagram and Facebook , and follow Critchley And Simmons on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Hail Satan! It's spooky season, and writer/editor Doug Brod joins the show to celebrate his fantastic new biography, BORN WITH A TAIL: The Devilish Life and Wicked Times of Anton Szandor LaVey, Founder of the Church of Satan (Hachette). We talk about the line between huckster and believer, the history of the Church of Satan , why Doug didn't want to puncture the mythology LaVey built around his life, and the fun of writing a chapter about Sammy Davis Jr. exploring Satanism. We also get into how LaVey's philosophy of self-deification and aesthetics managed to penetrate American culture, how Doug balanced reporting & cultural history for the book, the people he wishes he could've interviewed, how LaVey reveled in spreading his gospel to the post-punk/'zine generation in the '90s, what it takes to create one's own aesthetic world while still going out to Olive Garden, Doug's first book about '70s hard rock , and what it means to consider Satan as metaphor rather than incarnated being, and more. Follow Doug on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Author & essayist Sven Birkerts returns to the show to celebrate his fantastic new essay collection, The Miró Worm and the Mysteries of Writing (Arrowsmith Press). We talk about the estrangement of the everyday, the problem of other minds, how serendipity tells us something about where we are, authors' photos and self-mythologizing, moving house (& turning 70) during COVID, and the inspiration of Cortazar's Around the Day in Eighty Worlds . We get into the threat of AI to writing, reading, and thinking, opening up to ambivalence, why people find it so tough to say the word "soul", what he misses about teaching, Kierkegaard & Walker Percy's The Moviegoer & being on The Search, and wondering what Bob Dylan is like in the kitchen in the morning. We also discuss writers' homes & graves and the myth of inspiration, his new Sketches From Memory essays and how they've opened him up as a writer, how we build circles of affinity, how his father's career as an architect influenced his eye (but not his writing), why people find it so tough to say the word "soul", and more. Follow Sven on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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With his phenomenal new book, A NATURAL HISTORY OF EMPTY LOTS: Field Notes from Urban Edgelands, Back Alleys and Other Wild Places (Timber Press), Christopher Brown shifts from novels into nature-writing/memoir/nonfiction mode and I am HERE for it. We talk about the eco-cosmos of East Austin, TX, the years of observation that opened him to the hidden pockets of wildness in urban environments, why solitude in nature is a myth, what we have to gain from taking a long walk, Long Time vs. the short presence of Anglos in Texas, how 2020's lockdown turned off global capitalism and showed how society might truly change, and how this book mutated from when we talked about it at Readercon 2023 . We get into Bruce Sterling's unforgettable critique of his writing, the process of turning a narrative of colonization into one of decolonization, (eco)psychogeography & the Situationists, why he (begrudgingly) brought the personal/memoiristic into the book and how it helped him come to terms with himself, and what a workshop with horror writers taught him about the truth-telling power of non-redemptive storytelling. We also discuss the design flaws of the agricultural revolution, how his readers in different regions respond to his FIELD NOTES newsletter , the nature of mysticism and writing a narrative about transcending the self, hiking a Massachusetts marsh in summer with Jeff VanderMeer , and plenty more. Follow Christopher on Bluesky , Instagram and Mastodon , and subscribe to his FIELD NOTES newsletter • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Artist Dmitry Samarov returns to the show to bail me out after a stressful couple of weeks and to explore his fantastic new book, MAKING PICTURES IS HOW I TALK TO THE WORLD , a survey of his art from the '80s to today. We talk about the process of selecting pieces for the book, what artistic legacy means to him, finding roots of his work in his childhood, and why the notion of 'progression' doesn't apply to his work. We get into the transformative experience of working at Tangible Books and how it's inspiring his new 'zine project , why he's culling a lot of his library and how he's deciding which books to keep, how his bookshelf paintings started to open him to abstraction, and why literary folks like Magritte but painters don't. We also discuss our monastic devotion to art and Antonio López García's devotion to painting his quince tree , why artistic memoirs tend to be no good but why not-great artists can be good critics, what it means to see his own books in thrift stores, how moving some furniture can change one's perspective, why he's against starting art with An Idea, and a lot more. Follow Dmitry through his newsletter and his podcasts, HU U NO and THAT HORRORCAST • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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With Salinger's Soul: His Personal & Religious Odyssey (Post Hill Press), author and retired journalist/editor Stephen B. Shepard explores the life of JD Salinger and the hidden core of an author who became famous for avoiding fame. We get into why Stephen decided to chase this elusive ghost, why Salinger didn't make it into his previous book about Jewish American writers , whether he believes Salinger's unpublished writing will see the light of day, and why it was important that he approach the book as biography and not literary criticism (although he does bring a reader's voice to the book). We talk about the lack of sex in Salinger's fiction, the uncanniness of Holden Caulfield's voice, Salinger's WWII trauma, his rise to fame, search for privacy, abandonment of publishing, embrace of Vedanta & ego-death, and his pattern of pursuing young women, and how it all maybe ties together. We also discuss Stephen's career as a journalist and how it influences his writing, what he learned in building a graduate program in journalism at CUNY , the ways we both started out in business-to-business magazines (he went a lot farther than I did, editing Newsweek and Business Week ), how journalism has changed over the course of his career, Philip Roth's biography and what it means to separate the book from the writer, and a lot more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Benjamin Dreyer joins the show to talk about the joy of good writing. We talk about his career as managing editor and copy chief of the Random House, his post-retirement perspective on that role, the authors he enjoyed working with, the success of his first book, DREYER'S ENGLISH: An Utterly Correct Guide to Clarity and Style (Random House), and his plans for the followup, DREYER'S FICTION (!). We get into why he's leaving NYC and looking forward to Santa Monica (and talk about the books that he can leave behind and those he can't), the way that writing a Substack newsletter has made him a better writer, how the copy-editor's role is to enhance the writer's work, not to reshape it, whether his online persona changed after retirement, his love of digressive footnotes, how he feels about "weird" catching on this election season, whether the success of Dreyer's English surprised him, the moment he KNEW it was a hit, and what his authors had to teach him about the process of writing his first book. We also discuss the tension within the pronoun section of DE (c.2019), how he hopes to revise it, and why the mind needs to catch up with the soul sometimes. All this & a lot more, so go listen! Follow Benjamin on Bluesky , Facebook , and Instagram , and subscribe to his Substack • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Nicholas Delbanco returns to the show to celebrate his 32nd book and his first true foray into memoir (or ME -moir), STILL LIFE AT EIGHTY (Mandel Vilar Press)! We talk about how the rediscovery of the 40-page history of art he wrote at eleven years old (!) sparked this project, how he built the book as a mosaic, why he centers it around the homes, totem-objects, and writers in his life, and why he wanted his first memoir to be an act of gratitude rather than a list of complaints. We get into decision to part with some of his library and the books he regrets selling, his long-term interest in literary and artistic reputation and how its study helped him navigate the transition from "promising" to "distinguished" writer, his writing practice and process, and what he learned when recently revising a series of his early novels. We also discuss his embrace of compression and restraint in his later writing, why he'll write a fictional character's poetry but doesn't write poetry on his own, what his family's history and business taught him about the balance between the dutifulness and risks of art, his surprise at how quickly John Updike's reputation waned, what he's learned in his 80s, and a a lot more. More info at our site • Catch up on my 2017 and 2022 conversations with Nicholas • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Cartoonist and animator Dash Shaw returns to the show to celebrate his phenomenal new graphic novel, BLURRY (New York Review Comics). We talk about the decompressed mode he brought to this book, the turning points we encounter in the most mundane situations, his focus on the microscopic moments of doubt we have between two very similar things, and how he settled on the idea of structuring the book around nested stories (& figured out to thread them together by the end). We get into the 2x2 panel regularity of every page of Blurry and how that allowed him to build the book, how the experience of making a Clue miniseries changed his comics-making process, and how Blurry felt like he'd been playing a video game for a long time and then discovered a bonus level. We also discuss his film-making process and how that contrasts with the isolation of making comics, the ways his work tends toward collage, why naturalistic dialogue is another form of stylization, what it was like to grow up in a comics-friendly house, and a lot more. Follow Dash on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Comics journalist Jess Ruliffson joins the show to talk about the origins of INVISIBLE WOUNDS (Fantagraphics), her collection of stories from veterans of the wars in Afghanistan and Iraq, but we wind up talking about guys' butts, among other things. We get into her focus on male vulnerability, the Tim Hetherington photos that led her to make Invisible Wounds , the differences between soldiers who enlisted pre-/post-9/11, what it's like to come home from war with no idea what to do next, and the new comics she's making with her husband, Ernesto Barbieri, about his work as an ICU nurse . We talk about her upbringing in Mississippi, what she's learned about interviewing and how stories sometimes take shape in retrospect, whether it's "permissible" to tell stories about people in a different demographic, the common thread of moral injury in her work, how she met her husband through an MFA open house, and how she found her way into comics and journalism. We also discuss her frustration at not drawing the butts she wants to draw, her experiences teaching comics and learning to give her students permission, what she's learned from making the Terrible Anvil podcast with Tom Hart , why her therapist insisted she never make a memoir, and more! Follow Jess on The Terrible Anvil podcast • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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For my 600th episode, the great artist Joe Coleman joins the show to celebrate his phenomenal new career-spanning retrospective book, A DOORWAY TO JOE: The Art of Joe Coleman (Fantagraphics). We talk about art, mortality, mythography, history, the corruption of the flesh, the nature of evil, his Odditorium & the power of relics, Dr. Mombooze-o 's send-off for his dead parents, playing Whac-A-Mole with T-cell lymphoma , getting arrested for being an Infernal Machine, taxi-driving in NYC's Travis Bickle era, the inspiration of the Hubble telescope, the pagan Celtic roots in Irish Catholicism, what it's like to work on one square-inch of a painting for 8 hours at a time, our respective appearances on the Uncle Floyd Show , playing in the Steel Tips with Patrick McDonnell & Karen O'Connell, and how he found his love and muse in Whitney Ward . (Also, this one's got an interminable intro, so jump to the 15:45 mark to start the conversation.) Follow Joe on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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This one's all about legacies: familial, literary, cultural & institutional! Mirana Comstock joins the show to celebrate the publication of The Algonquin Round Table: 25 Years with the Legends Who Lunch (Excelsior Editions/SUNY Press), by her grandfather, the late literary lion Konrad Bercovici . We get into how Mirana discovered this manuscript, what it meant to edit it & write the intro, what it was like to help bring the Algonquin scene & Konrad's writing to life for a new generation of readers, and the experience of growing up in a multigenerational household of compulsive artists & writers. We talk about why her grandfather's immense literary stature diminished, the nature of charisma and The Aura, the scandal of Chaplin stealing Konrad's script for The Great Dictator , how the Algonquin habitués were the influencers of their time (only with something to say), how the Algonquin scene was like Vienna café society transposed into New York & American capitalism, Mirana's discoveries as she researched the figures in the book, and why there'll never be another book like this one. We also discuss the New-York Historical Society 's acquisition of Konrad's papers, her New York and how it's changed, her idea for transforming her family's writing into a meta-stage production, and a lot more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Artist & illustrator Anita Kunz returns to the show to talk about how art saved her life, as we catch up on her fantastic books, ORIGINAL SISTERS and STRIKING A POSE: A Handy Guide to the Male Nude (Pantheon and Fantagraphics, respectively). We talk about Anita's passion for figure drawing, how disconcerted some male viewers were by Striking A Pose , the difference between drawing women and men and all the tension and dynamics that go into making art from each gender, and why Winston Churchill's granddaughter was none-too-pleased by his appearance in her book. We get into how her 2020 lockdown project of painting one portrait of a badass woman every day evolved into her Original Sisters series, how it feels to be closing in on 500 portraits (!), and how she keeps finding more badass women to paint. We also discuss her transition from an acclaimed illustration career into big art projects, how Barbara Nessim helped her find a gallery (and how she had to get over her fear of gallery owners), the book of parables & fables she's making, how it feels to see her Original Sisters in museum exhibitions (and how much she's looking forward to their big show at the Norman Rockwell Museum ), the burden of having to be A Nice Girl In A Small Town growing up, how she makes great art while being racked with self-doubt, the importance of mentors and art-friends, and a lot more. Follow Anita on Instagram , check out the Original Sisters site, and listen to our 2021 conversation • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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With his amazing new book, FEH: A Memoir (Riverside Books), Shalom Auslander explores how the judgmental disgust of FEH infected his life, and what it meant to get sick & tired of the disgust and outrage FEH -stival and look for a way out. We talk about the sense of shame, disgust and self-loathing at the core of our common story, why every bookstore should be called, 'You Suck', his friendship with the late Philip Seymour Hoffman and how they bonded over FEH , and how hard he's worked to find the un- FEH for his kids. We get into how story is our operating system (but what happens when there are bugs in the OS?), how the FEH machine came after his psychiatrist, the notion of misotheism , and his video series UNGODLY where he reads the Bible and asks, 'What if God is the antagonist?'. We also discuss his ultra-orthodox upbringing, how "Jewish heritage" has been subsumed by Holocaust memorials, his antipathy toward the pop-culture Anne Frank and how he rewrote her for HOPE: A Tragedy , his time in the advertising industry and how it led to his TV show Happyish , his bleak Peanuts parody strip that got Jeannie Schulz's approval, the neurological condition where blind people believe they can see and how it parallels our existential state of FEH , the realization that cynicism doesn't mean you're smart (just lazy), and a lot more. Subscribe to Shalom's Substack • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Artist & illustrator Maurice Vellekoop joins the show to celebrate his amazing new graphic memoir, I'M SO GLAD WE HAD THIS TIME TOGETHER (Pantheon). We talk about the midlife crisis that led to the memoir (and the subsequent crisis that almost made him give up), the joy and pain of putting his life on the page, his process of self-discovery as a gay man and an artist, and why his mother hoped she wouldn't live to see the book come out. We get into his (editor) partner's sigh that told him the first draft needed a drastic rewrite, the role sublimation has played in his art & sex life, his accidental technique for drawing himself crying, how the AIDS crisis did & didn't affect his life, his decision on how to depict sex in the book, the incredible color palettes he uses throughout the work, and the realization that he had a 500-page book on his hands. We also discuss life on Toronto Island and what it was like during lockdown, why he'd like to try stage design (just once), his Pride tradition, why publishing a book of erotica was a great stepping-stone for making a memoir, and more! Follow Maurice on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Historian, professor & author Laura Beers joins the show as we celebrate her important new book, ORWELL'S GHOSTS: Wisdom and Warnings for the Twenty-First Century (Norton). We talk about her course on Orwell and the making of the early twentieth century, how the post-Jan. 6 misuse of "Orwellian" inspired her to write this book, and her own path into Orwell. We get into Orwell's balancing act between freedom of speech and obligation to truth, what he meant when he wrote that he was "for democratic socialism, as I understand it," his family's history with Empire and his hatred of inequality, why my favorite of his essays, Inside The Whale , may be the most misunderstood Orwell piece of all (!), and why The Road To Wigan Pier might have the most influence on her. We also discuss the ways to reckon with Orwell's prejudices and especially his misogyny, why students are still coming into college with Animal Farm under their belt, Laura's trip to Barcelona to follow Orwell's steps in the Spanish Civil War, how her chapter on gender involved some deep, critical reading and writing, how we should look at the "blacklist" Orwell provided to the Information Research Dept., how Laura's next book on the politics of infertility sort of dovetails with Orwell's Ghosts , and more! Follow Laura on Twitter and BlueSky and listen to her on Progressive Britain • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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1 Episode 594 - Robert Pranzatelli 1:46:53
1:46:53
التشغيل لاحقا
التشغيل لاحقا
قوائم
إعجاب
احب1:46:53
Author, publicist and partially involved narrator Robert Pranzatelli joins the show to celebrate his amazing new book, PILOBOLUS: A Story of Dance and Life (University Press of Florida). We talk about the origins of the legendary Pilobolus dance company, his transformational first experience seeing them in 1997, the workshops he took with them and the friendships they engendered, and the "itchy fingers" moment when he realized he had to write their history. We also get into Pilobolus' unique melding of improvisation and dance technique, the joyful challenge of describing their dance pieces on the page, the importance of capturing the time capsule of Pilobolus' '70s roots (and covering All The Affairs, along with the friendships and fallings-out), how Pilobolus was taken seriously by dance critics long after audiences flocked to them, the company's through-line in its 50+-year history and how they managed to continue the tradition of something that was based on overthrowing tradition. Plus we discuss Robert's history as a writer, how Metal Hurlant & Moebius blew his mind as a teen, how he became a book publicist at Yale University Press , his narrow-focus mode of reading, his greatest eBay score, why he got choked up while reading a text he sent Pilobolus' artistic directors after a performance, and more. More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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With That's Some Business You're In (Zoop), cartoonist-humorist-author Bob Fingerman has created a career retrospective to celebrate (lament?) his 40th year in comics. We got together in LA to talk about that milestone, what it meant to him to bring together decades of his comics, art, and illustration into a single volume, the challenges of writing the narrative to his work-life, and what he learned from looking at the arc of his career. We get into the 'maybe someday' vibe of the big projects he wants to tackle, the process of getting over his younger shame at making comics for, um, 'lower-prestige' (but well-paying) magazines, the distance he needed on his best-known comic, Minimum Wage , the artist's retrospective he really wants to see, why he enjoys creator-owned work instead of someone else's IP, and his true artistic goal. We also discuss the life-changing stuff — like addressing the tension between narcissism and imposter syndrome, the nature of change, the toxicity of NYC, and the need to leave a better memory — while we talk about life in LA, the writers who blew him away and how he can't begin to emulate them, the way his characters changed from punching bags to people, the joy of hummingbirds and small dogs, and a lot more. Follow Bob on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
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Author & illustrator Swan Huntley joins the show to celebrate her two new books, I WANT YOU MORE (Zibby Books), and YOU'RE GROUNDED: An Anti-Self-Help Book to Calm You the F*ck Down (Tarcherperigee). We talk about how ghostwriting a memoir for a Real Housewife of New York led her to write I Want You More , a thriller novel about fame, identity, and murder, why she uses the first person in fiction and loves the challenge of lying to the reader, how we're seen by others and how we want to be seen, and the fun of writing thrillers and melding character with a big plot. We also talk about how You're Grounded took shape as a melding of words and drawings, how she settled on "anti-self-help", how her various addictions shaped her identity and what it meant to be herself as she overcame (some of) them, how taking up drawing in a writing lull helped bring out different voices, and the need to calm the f*ck down. We also discuss the creation of identity vs. the discovery of identity, why she biked the El Camino pilgrimage solo, the memoir she's working on, the nature of celebrity & our reactions around famous people (& her upcoming essay, "My Best Friend Is Famous"), how she found her place in Los Angeles, and more. Follow Swan on Instagram • More info at our site • Support The Virtual Memories Show via Patreon or Paypal and via our e-newsletter…
مرحبًا بك في مشغل أف ام!
يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.