Renaissance Man - Philip Brunelle And Music podcast

Renaissance Man - Philip Brunelle and Music

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Elizabeth MeLampy: Forget the Camel 39:33

منذ 9 أيام39:33

التشغيل لاحقا

قوائم

إعجاب

احب

39:33

"The basic premise of the event is that hunters hunt rattlesnakes from the surrounding environment all across West Texas, and bring them into the roundup for the weekend. And during the roundup, these snakes are kept in a pit and then, one by one, beheaded and skinned in front of in front of audiences." - Elizabeth MeLampy Elizabeth MeLampy is a lawyer dedicated to animal rights and protection, and her passion for this work shines through in her latest book, Forget the Camel, the Madcap World of Animal Festivals and What They Say About Being Human . To research the book, Elizabeth traveled across the country, immersing herself in a wide range of animal festivals — from the Iditarod dog sled race to the rattlesnake roundup in Sweetwater, Texas. Elizabeth examines these festivals as revealing microcosms of our broader relationship with animals. Whether it's rattlesnake hunts, frog-jumping contests, ostrich races, or groundhog celebrations, these events reflect the ways humans use animals to express cultural identity, community pride, and historical traditions. Yet beneath the pageantry and excitement lies a deeper question: Is our fascination with these spectacles worth the toll it takes on the animals involved? With compassion and insight, Elizabeth invites readers to consider whether there’s a more ethical and empathetic way to honor our stories — one that respects both animals and the traditions they inspire. Please listen, share and read, Forget the Camel. It will be released on April 8th, 2025. https://apollopublishers.com/index.php/forget-the-camel/…

Renaissance Man - Philip Brunelle and Music

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This podcast is an ongoing interview series with noted conductor, organist, musical leader, educator and entrepreneur Philip Brunelle.

29 حلقات

#Tim Brunelle #Arts #Renaissanceman

Renaissance Man - Philip Brunelle and Music

updated منذ عام واحد

منزل السلاسل•Feed

This podcast is an ongoing interview series with noted conductor, organist, musical leader, educator and entrepreneur Philip Brunelle.

29 حلقات

#Tim Brunelle #Arts #Renaissanceman

كل الحلقات

Renaissance Man - Philip Brunelle and Music

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29 - Dan Dressen 1:06:05

منذ 21 weeks1:06:05

1:06:05

Dan Dressen’s is typically the first voice you hear on the Renaissance Man podcast. His tenor opens the excerpt of “Quartet Of Swedes” from Benjamin Britten’s opera Paul Bunyan, recorded on Virgin Classics, conducted by Philip Brunelle. In this episode, the two long-time collaborators discuss why, as Dan puts it, “choirs are the perfect example of the whole being greater than the sum of their parts.” After reviewing Dan’s history leading to their first collaboration, the two discuss the business of choral rehearsing, the science and art of “choral blend,” why pronunciation matters most, the fortunate end of the maestro era, the benefits and challenges of listening, and why, “singing is such a psychological game. ” We end with a synopsis of friendship. Given over 40 years of personal and professional relations, Dan and Philip share a few lessons in how two people come to understand, respect and build a lasting connection. We recorded this in the Parlor of Plymouth Congregational Church in Minneapolis, where you’ll notice the old grandfather clock chiming in every 15 minutes and the occasional group moving through neighboring Guild Hall. This episode features the following musical recordings, all conducted and produced by Philip Brunelle: “Dear Friends, With Your Leave” composed by Benjamin Britten; from the opera Paul Bunyan — featuring tenor soloist Dan Dressen with The Plymouth Music Series (1988) https://www.discogs.com/master/877906-BrittenPlymouth-Music-Series-Philip-Brunelle-Paul-Bunyan “The King of Love My Shepard Is” composed by Edward C. Bairstow and performed by the Plymouth Congregational Church Choir at the 11am Service October 20, 2024 https://www.youtube.com/watch?v=-WT0Vauj5L4&t=1s “There Was A Naughty Boy” composed by Dominick Argento; from A Nation of Cowslips — Performed by the Ensemble Singers Of The Plymouth Music Series Of Minnesota (1998) https://www.discogs.com/release/15742159-Dominick-Argento-Christopher-ORileyEnsemble-Singers-Of-The-Plymouth-Music-Series-Of-Minnesota-Philip “What Cheer, Good Cheer” composed by Peter Warlock; from Praise And Thanksgiving: Music And Spoken Word — Featuring tenor soloist Dan Dressen with the Plymouth Congregational Church Choir (2006)…

Renaissance Man - Philip Brunelle and Music

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28 - Engaging with Aging 50:36

منذ 41 weeks50:36

50:36

This episode features Philip speaking with Plymouth Church's "Engaging with Aging" group about his childhood and early career, his relationship with his mother, and the importance of gratitude, providence and curiosity in establishing a remarkable career and life.

Renaissance Man - Philip Brunelle and Music

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27 - the Philip Brunelle MBA 1:04:52

منذ 43 weeks1:04:52

1:04:52

When we proposed this podcast episode to define a theoretical "MBA of Philip Brunelle," his response was, "good luck." Turns out there's plenty to reveal. And it all starts with that most important trait/skill/characteristic: Curiosity. "It must be your north star," Philip replies. We began at the beginning: 55 years ago Philip founded an arts organization. We discuss where the name VocalEssence came from. And we talk about what constitutes his approach—as a startup going from zero to "n." Philip details a deliberate mindset, a vision which informed how VocalEssence (at the time called the Plymouth Music Series) operated. We discuss consistent Philip's approach to managing, hiring, budgets, rehearsing and board relations. Then we talked about the importance of truly understanding your audience. As Philip puts it, VocalEssence's audience is, "always willing to hear new things, provided they are produced top notch. They know they will be challenged (by the repertoire) but they also know the performance will be world class." Finally, we dive into Philip's reaction to a non-profit fundraising challenge articulated by the author and educator Seth Godin. This episode ends with "The Earth Adorned" by performed by the Plymouth Congregational Church in Minneapolis choir from the album Praise And Thanksgiving—Music And Spoken Word.…

Renaissance Man - Philip Brunelle and Music

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26 - Thank You, Mary Ann 48:39

منذ 1 year48:39

48:39

Here's an episode for anyone curious about how a 55+ year old choral arts organization continues to thrive through its operational leadership. This Thanksgiving weekend we're turning our gratitude to VocalEssence Executive Director Mary Ann Aufderheide to celebrate her 20+ years helping lead the organization. So much to uncover in this episode, including her journey to VE, decades of lessons learned, insights around arts leadership, the evolution of arts management, and the challenges and joys of evolving a leadership role alongside an organization co-founder. Philip, Tim and Mary Ann discuss the balance of executive versus artistic leadership, the evolving role of an arts org board, and Mary Ann's highlights over the past 20 years. Thanks for your remarkable era of leadership, Mary Ann!…

Renaissance Man - Philip Brunelle and Music

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25 - VocalEssence '23-'24 Season & 55 Years at Plymouth Church 35:41

منذ 1 year35:41

35:41

Philip loves jokes and puns. So let's start there as a prelude to describing the 55th seasons at both VocalEssence and Plymouth Congregational Church in Minneapolis. Turns out various choir members have given Philip books of jokes and riddles, along with many other trinkets over the decades so we discussed that tradition. Then we worked through the many highlights of VocalEssence's 55th season, noting numerous new choral commissions, various collaborations, the challenge of selecting just 90 minutes of "favorites" from 55 years of curating and commissioning, and the return (in March) of Melanie DeMore—listen to Philip's interview with Melanie from episode 09 (link below). The second half of this episode focuses on the diverse repertoire selected for Plymouth from September to June, again highlighting lots of new commissions. The episode ends with a 2010 VocalEssence recording of the American folks song "Oh Dear! What Can the Matter Be" arranged by Norman Luboff. NOTES VocalEssence's 55th Season https://www.vocalessence.org/event/subscribe-vocalessence-2023-2024-season/ Melanie DeMore Interview (episode 9) https://soundcloud.com/renaissanceman-352514445/09-protest-music-with-melanie-demore…

Renaissance Man - Philip Brunelle and Music

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24 - Philip's 80th Birthday Spectacular 52:21

منذ 2 years52:21

52:21

We're each a product of our times and experiences. In this episode Philip retraces some historic moments to uncover insights across 80 years of choral direction, church music and artistic leadership. We discuss his favorite church organs around the world. That moment at the New York Philharmonic in June 1968 holding the score to Gunther Schuller's Concerto for Doublebass and Chamber Orchestra, while sitting between Leonard Bernstein and Aaron Copland. And the opportunities and challenges when shifting from performer to leader. We get Philip's perspective on the word "retirement," to wit, "I'm not going to." And his advice to signers, conductors, organizational leaders and audiences.…

Renaissance Man - Philip Brunelle and Music

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23 - St Olaf ACDA Interview 52:33

منذ 2 years52:33

52:33

23 - St Olaf ACDA Interview by Tim Brunelle

Renaissance Man - Philip Brunelle and Music

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22 - 2023 World Choral Symposium Recap 23:00

منذ 2 years23:00

23:00

This episode is a quick recap of Philip's journey to Istanbul for the 2023 World Choral Symposium. We talk about his previous trip to Istanbul 60 years prior, and the range of insights uncovered during this year's event, and his visit to the historic Blue Mosque. We also preview the final concert of VocalEssence's 54th season featuring Moira Smiley, the American Choral Director's Association annual meeting at the end of this month, and Philip's plans for the summer. VocalEssence Concert https://www.vocalessence.org/event/singing-the-world-awake2/ World Choral Symposium https://wscmistanbul2023.com…

Renaissance Man - Philip Brunelle and Music

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21 - Pragmatic Choral Direction 58:44

منذ 2 years58:44

58:44

"Singing is a tricky business!" notes Philip, before he flies East to attend the 2023 World Choral Symposium in Istanbul. "It's the only musical experience where you can't see your instrument." In episode 21 we sat down to talk about the business of being a choir director. "It begins with observing the product, the choir in action," says Philip. He learned by being a choir member first, then watching how others, including Robert Shaw and Charles Munsch, directed. Philip's first full-time choir director position came with also being the organist at Holy Trinity Lutheran in Minneapolis at age 20. (He had joined the Minnesota Orchestra the year prior.) Philip moved to become Organist and Choir Director at Plymouth Congregational Church in Minneapolis at age 25, where he has remained since. "Choirs need three things," says Philip. "The first is rhythm. That's the most important skill. Then you learn notes. And then words. That's it!" Philip also talks about the business of "singing as one," which is not about blend—rather, about achieving a unified sound. He also reveals various habits, process and techniques for helping balance choirs, build confidence among singers, and increase their flexibility. "50% of what a choir does is vocal. 50% is listening," says Philip. As a director, you are always coaching ways to actively listen, so a choir hears where and how each part fits in the picture. This episode features excerpts from two VocalEssence recordings. The first is from Lobgesang (Hymn of Praise)by Felix Mendelssohn (1840). The second is "A Ukrainian Prayer" by John Rutter. Both can be found at VE's YouTube page.…

Renaissance Man - Philip Brunelle and Music

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20 - The State of Choral Music Around the World, Circa 2023 35:23

منذ 2 years35:23

35:23

The State of Choral Music Around the World, Circa 2023. To begin the 2023 season of this podcast we journey around the globe to gain an understanding of choirs, audiences, repetoire and innovation in choral music. Philip surveyed his network to gain perspective from choral leaders, including: • Simon Halsey, Chorus Director – City of Birmingham (England) Symphony Chorus • Jorge Cordoba, radio program: Horizontes de Nuestra Música (Mexico) • Reijo Kekkonen, publisher of Finnish choral music - Sulasol • Jonathan Velasco, Senior Lecturer, University of Philippines College of Music • Virginia Bono, Founder and Artistic Director, Estudio Coral Meridies (Argentina) • Yoshi Egawa, Deputy Secretary-General, Japan Choral Association Both choirs and audiences are coming back, but slowly, worldwide. Within Philip’s network, he’s estimating audiences returning to roughly 60-75% of pre-Covid levels, as of early 2023. Interestingly, in both Finland and especially the U.S. there’s been a shift in ticket purchasing—from season tickets and per event tickets sold months in advance to much shorter purchasing windows. The average is now just a few weeks, and often day-of purchasing, which is impacting the ability for choral organizations to plan financing of choral programs effectively. Choirs are also curious about and embracing more diverse sources of repetoire. In Mexico there’s a resurgence in interest in pre-Hispanic sounds and instruments. And in a nod to the value of continuous innovation, Philip encourages young choral musicians to, “Be curious—See what’s out there, and what’s out there may not be brand new...it may be somthing that was written 100 years ago.”And to conclude, Philip’s assessment of the state of choral music globally is: It is thriving, growing and embracing a wider range of music, in great part because, “Everyone needs music in their life for their own soul and for their own well being.” *** We closed out this episode with a snippet of Felix Mendelssohn’s Lobgesang (Hymn of Praise), performed by the VocalEssence Chorus & Ensemble Singers featuring Nicholas Chalmers, tenor, JoAnna Johnson, soprano, Elsa Buck, soprano II, and orchestra conducted by Artistic Director & Founder Philip Brunelle—recorded at Benson Great Hall, Bethel University in Arden Hills, MN on Saturday, October 15, 2022.…

Renaissance Man - Philip Brunelle and Music

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19 - VocalEssence '22-'23 Season & 54 Years at Plymouth Church 37:49

منذ 3 years37:49

37:49

Philip dives into the work involved in planning not one, but two seasons: His 54th as Organist and Choir Master at Plymouth Congregational Church in Minneapolis, and the 54th season of VocalEssence. As Philip notes, "People love challenges in choral music" and both seasons deliver. We discuss the business of being a music director in these two seasons, and the efforts required to get them ready for launch. Then we talk through details behind the six major concerts in VE's 54th year.…

Renaissance Man - Philip Brunelle and Music

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18 - Stewart Copeland 23:59

منذ 3 years23:59

23:59

Episode 18 welcomes 5-time Grammy winning drummer and composer Stewart Copeland to unravel his latest composition, the oratorio Satan's Fall. In this episode, brother Chris steps in for Tim as Philip and Stewart discuss the intricacies of the source text, Milton's epic Paradise Lost. As for composing, "The most important thing in any piece of music is rhythm," says Philip. "That's it. It starts with rhythm. I always say (to a choir), 'You've got just three things to deal with... you've got rhythm, notes, and words... and you learn them in that order.'" The trio discuss the commissioning process, writing specifically for choir and Stewart's assertion that in Satan's Fall, "choir is boss." Thanks to Cody Boudrot for engineering. Photo credit: Ali Rogers/Pranalens Music in episode 18: Opening montage is a collection of VocalEssence and Plymouth Church choir moments plus Philip Brunelle on organ and conducting orchestra. The closing moment is a segment from Act I of Stewart Copeland's Satan's Fall from Milton's "Paradise Lost". The Mendelssohn Choir of Pittsburg, Matthew Mahaffey conducting; God (bass Hayden Keefer), Satan (bass Scott O’Neal) narrators, Raphael (tenor Nathan Granner), Raphaella (soprano Jamie Chamberlin) and the Messiah (soprano Stephanie Sue Curtice). Source: https://www.youtube.com/watch?v=KisCEHVdMjk…

Renaissance Man - Philip Brunelle and Music

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17 - VocalEssence 2021-2022 Season, Examined 51:25

منذ 4 years51:25

51:25

Episode 17 covers the expanse of inspiration and insights leading to VocalEssence's 2021-2022 season. Philip talks about researching and programming a diverse mix of choral music—from Astor Piazzolla to Gabriel Kahane to The Aeolians to Jose Nünez to Stewart Copeland of The Police. "There's so much great choral music of the past and present," notes Philip, gesturing to the tens of thousands of scores surrounding his office. In this episode we also learn what constitutes a "fantastic" composition for singers, that Philip manages to "inbox zero," and the secret history linking Stewart Copeland to Philip back in 1977.…

Renaissance Man - Philip Brunelle and Music

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16 - Resilience 30:45

منذ 4 years30:45

30:45

An apt title for this episode might be How a Choral Director Works Through a Pandemic (and Other Adversities). In facing the onset of the pandemic in early 2020, Philip recalls, "my reaction was—become creative. What are the opportunities to share music in a new way, in a new dimension?" That's our main focus in this episode, on the ways in which a choral director pivots in the face of a situation that literally threatens choral music. There was a lot to learn, and a lot that's now changed. Philip remarks, "We know there's no going back. we can be in a space, we can sing... but there's an audience beyond the room, so it's going to have to be streamed. We have to think about the audience in the venue and the audience watching on their screen." At the root of it all is a mindset: "When something comes at you that you are not expecting, don't panic. Panic will get you nowhere, except down a path you don't want to go."…

Renaissance Man - Philip Brunelle and Music

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15 - Improvisation, Part Two (Opera) 50:42

منذ 5 years50:42

50:42

And we’re back! We return to the topic of Improvisation—this time focusing on improv in the realm of Opera. (See episode 11 for Improv, Part One.) You might not consider Opera a venue for improvisation but the practice goes back to the Baroque era and the practice of ornamentation. Philip discusses this, and more, in a conversation including singer and long-time operatic improv partner Vern Sutton. The two first met at the University of Minnesota in the 1960s. They take us on a journey to Minnesota Opera in the 1970s and its fully improvised performances of The Newest Opera in the World, directed by Wesley Balk. Imagine an opera who’s libretto, roles and music style are dictated by the audience spinning a wheel of fortune—Act 1 might be Romantic while Act 2 is German Expressionism. “Improvisation teaches trust, it teaches ensemble,” notes Sutton. The two define the process and rigor involved in organizing eight singers to improv together over dozens of performances. They also discuss failing, the role of the audience, resilience, and Balk’s book about their experiences together, The Complete Singer-Actor: Training for Music Theater. The episode includes several instances of Vern singing while Philip collaborates on piano to illuminate various points.…

Renaissance Man - Philip Brunelle and Music

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Episode 14 - Christmas Prep 2018 56:20

منذ 6 years56:20

56:20

In this episode, Philip walks us through his methodology for preparing a Christmas music season — starting with his first at Plymouth Congregational Church in Minneapolis in 1968. We discuss programming, rehearsing, and then focus on the topic of carols. Philip talks about the history, structure and nuances of effective Christmas carols. We end with a review of the winners in this 20th year of VocalEssence's holiday carol contest.…

Renaissance Man - Philip Brunelle and Music

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13 - VocalEssence Turns 50 1:17:27

منذ 7 years1:17:27

1:17:27

Way back in 1969 a 25-year old Philip Brunelle was hired as organist and choirmaster at Plymouth Congregational Church in Minneapolis, while still serving as percussionist and pianist for the Minnesota Orchestra. Clearly, he wasn't busy enough. Because in that same year, Philip founded the Plymouth Music Series of Minnesota which later became VocalEssence (http://vocalessence.org). In this episode we go back in time to understand the organization's founding stories -- the motivations and challenges Philip faced, as well as his inspirations. We talk about how Philip met Aaron Copland (it involves sitting between Leonard Bernstein and Copland) then later inviting Copland to Minneapolis to conduct his choral work. We talk about the systems and attitudes necessary to sustain decade upon decade of inventive musical programming, financial stability and audience engagement. And we talk about what's in store for VocalEssence's 50th season, as well as the next 50 years. If there's a founder's story, this is it. This episode also features three numbers from VocalEssence's 1990 Virgin Classics recording of Aaron Copland's opera The Tender Land. Act 1 - Two Little Bits Of Metal Act 2 - Stomp Your Foot Upon The Floor Act 1 - The Promise Of Living…

Renaissance Man - Philip Brunelle and Music

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12 - Dominick Argento Interview, March 2018 55:42

منذ 7 years55:42

55:42

In mid-March 2018, Philip sat down with Pulitzer Prize winning music composer, and Minneapolis resident, Dominick Argento. Their conversation ranges across a decades-long relationship, from the 1960s when Philip was student and Dominick his teacher at the University of Minnesota, to later periods when Philip commissioned Dom to write all kinds of choral music.…

Renaissance Man - Philip Brunelle and Music

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11 - Improvisation, Part One 1:07:49

منذ 8 years1:07:49

1:07:49

In this first of three related episodes, Philip begins a conversation on Improvisation. After checking in on recent adventures with the IFCM in Barcelona, Spain and Kaili, China, Philip dives in—discussing improv training, perspectives and experiences in the classical, church and operatic realms. He touches on French organist training, Handel’s oratorios, Baroque ornamentation and Bel Canto, as well as music theory and the importance of understanding Inventions, Sonata Form, Fugue form, etc. Philip talks about a legendary improvisation experience taking over the piano chair for Arthur Kleiner to support a five hour silent film - Abel Gance’s Napoleon - at the Walker Art Center. He digs into the preparation and live improvisations created for Minnesota Opera’s “Newest Opera in the World” as well as frequent and varied types of improvisations on A Prairie Home Companion with Garrison Keillor and his infamous weekly organ improvisations during Sunday services at Plymouth Congregational Church in Minneapolis.…

Renaissance Man - Philip Brunelle and Music

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10 - ACDA 2017 National Convention 17:44

منذ 8 years17:44

17:44

In this tenth episode, Philip talks about preparations and excitement for the American Choral Directors Association national convention, which involves thousands of singers from all over the world, taking place in Minneapolis in early March 2017.

Renaissance Man - Philip Brunelle and Music

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09 - Protest Music with Melanie DeMore 25:19

منذ 8 years25:19

25:19

Episode 09 of Renaissance Man welcomes vocal activist Melanie DeMore (http://www.melaniedemore.com) who is collaborating and performing with Philip Brunelle through the month of February as part of Vocal Essence WITNESS. In this episode, Melanie and Philip talk about the history of Protest Music in the world and especially in the US, the hallmarks of effective protest songs, and their work together this month leading into the upcoming WITNESS: Underground Railroad performances (http://www.vocalessence.org/event/concert-vocalessence-witness-underground-railroad/). It's a timely and deep discussion of how music, song and singing together can change the individual as well as help change the world.…

Renaissance Man - Philip Brunelle and Music

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08 - Holiday 2016 35:25

منذ 8 years35:25

35:25

Episode 8 is focused on the business of holiday music specifically, the logistics and work that goes on behind the scenes by a music director to make Christmas and holiday performances what they are. It was recorded in Philip’s office on December 8, 2016. During the episode, Philip talks about selecting and programming music at Plymouth Church and VocalEssence for the holidays, including his sources of programming inspiration. He talks about how to keep programing fresh, and how to learn from your mistakes. He talks about the importance of organizing music selections in the most effective order, focusing on the audience’s point of view, first and foremost. He winds up discussing 16 years worth of conducting the Minnesota Dance Theater’s production of The Nutcracker. We hope you enjoy it!…

Renaissance Man - Philip Brunelle and Music

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07 - Opera, Part 2 43:16

منذ 8 years43:16

43:16

In this second of two episodes dedicated to opera, Philip talks about the business of opera and the role a Music Director plays in day-to-day financials, operations, planning and fund raising that drive an opera company. He uses his 17 years of experience with Minnesota Opera and conducting experience around the world as a tapestry for illustrating the collaboration between composers, stage directors, singers and instrumentalists in getting work from theory to closing curtain. Philip recalls his experiences commissioning and working with American composers including Conrad Susa and Dominick Argento. Later on, he dives into a brief history of bel canto arias, and we discuss why the musical Hamilton is unlikely to make an appearance at your local opera house. Philip also compares and contrasts the role of a music director in an opera company with that of a music director in a church setting. We end the discussion with Philip’s perspective on the future of opera around the world.…

Renaissance Man - Philip Brunelle and Music

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06 - Opera, Part 1 46:56

منذ 8 years46:56

46:56

Welcome to Episode 6, the first part of a longer conversation about Opera. This episode dives into Philip Brunelle’s 17 year tenure as Music Director at Center Opera — which later became Minnesota Opera. It’s a fascinating journey akin to today's technology start ups, filled with lots of musical entrepreneurialism. If you’ve got questions for Philip about choral conducting or music in general, please send them to us: renaissancemanpodcast [at] gmail [dot] com.…

Renaissance Man - Philip Brunelle and Music

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05 - Election Music, Bonus Episode 9:31

منذ 8 years9:31

9:31

In this bonus episode, Philip talks about recent travels to Ghana and South Africa and then offers perspective on the role of music in presidential elections and politics - including the origins of The Star Spangled Banner.

Renaissance Man - Philip Brunelle and Music

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04 - Choral Direction, Bonus Episode 8:58

منذ 9 years8:58

8:58

Here’s a bonus episode on the role of a choir director and the business of choral conducting. Philip offers a handful of choir directing tips honed over decades of work.

Renaissance Man - Philip Brunelle and Music

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03 - Choral Direction, Part 2 30:41

منذ 9 years30:41

30:41

In episode 03 we continue the conversation on choral conducting and the role of a Choir Director. This part of the conversation focuses on the practicalities of being a choral director (e.g. selecting music, administration, scouting venues, recruiting talent, preparing a score, allocation of voice types, etc.); as well as the business of rehearsing (e.g. how to motivate singers you’ve never conducted before, how to handle challenges with voice ranges and abilities, etc.) and finally,performing. If you’ve got questions for Philip about choral conducting or music in general, please send them to us: renaissancemanpodcast [at] gmail [dot] com.…

Renaissance Man - Philip Brunelle and Music

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02 - Choral Direction, Part 1 30:38

منذ 9 years30:38

30:38

Episode 02 is the first of several episodes focusing specifically on choral direction and the job of being a choir director. We open with a brief review of Philip’s choral directing schedule in the month of June 2016, traveling from South Korea to Sweden; followed by a discussion of how and why Philip became a choir director. Then we dive into the job description, the “101" of Being a Choir Director. Philip talks about why choirs and singing matter today, the essential need for a steady pulse, the differences in conducting singers versus instrumentalists, diction, rehearsal techniques, mixing voice types in a choir, as well as giving answers to questions from composer Dominick Argento and others. Philip also offers a few choral directing tips learned from Robert Shaw and over 50 years of conducting singers around the world. If you’ve got questions for Philip about choral conducting or music in general, please send them to us: renaissancemanpodcast [at] gmail [dot] com. And thanks so much for listening! Music excerpts in the podcast include (in order of appearance): "Quartet Of Swedes - Swedish Born And Swedish Bred" by Benjamin Britten, performed by The Plymouth Music Series (now VocalEssence) from Britten’s opera Paul Bunyan conducted by Philip Brunelle for via Virgin Classics (1987) "Deo Dicamus Gratias" sung by the Plymouth Congregational Church choir off the album Praise And Thanksgiving: Music And Spoken Word, conducted by Philip Brunelle (2006) "Tocotta In F Major" for organ by Charles-Marie Widor, performed by Philip Brunelle off the album Make A Joyful Noise (1998) "Riksdagsmusiken In D Major - Riksdagsmarsch” by Joseph Martin Kraus, performed by the Orchestra of The Royal Swedish Opera conducted by Philip Brunelle (1996) "Zuni Sunrise Song" by Anonymous/Brent Michael Davids, performed by VocalEssence Ensemble Singers and conducted by Philip Brunelle off the album The World Beloved - A Bluegrass Mass (2010) "Since The Birth Of The Earth” by Benjamin Britten, performed by The Plymouth Music Series (now VocalEssence) from Britten's opera Paul Bunyan conducted by Philip Brunelle for via Virgin Classics (1987) "Quartet Of Swedes - Swedish Born And Swedish Bred" by Benjamin Britten, performed by The Plymouth Music Series (now VocalEssence) from Britten’s opera Paul Bunyan conducted by Philip Brunelle for via Virgin Classics (1987) "The Mask (text G. Gwendolyn) - The Mask_ No. 2. Heritage” by William Bolcom/Gwendolyn Bennett, performed by VocalEssence Ensemble Singers and conducted by Philip Brunelle off the album The World Beloved - A Bluegrass Mass (2010)…

Renaissance Man - Philip Brunelle and Music

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01 - Education 1:06:23

منذ 9 years1:06:23

1:06:23

Welcome to the debut episode of "Renaissance Man - Philip Brunelle and Music," an ongoing podcast series with noted conductor, organist, musical leader, educator and entrepreneur Philip Brunelle by his son, Tim. This show connects the dots across all kinds of music - especially choral, church and opera, with the arts, non-profits, entrepreneurialism, education, and travel around the world. In this first episode, we're going to start at the beginning and focus on Philip's musical education. We talk about being a boy soprano performing at age 4, about requesting and receiving - at age 6 - a vocal score of Handel’s Messiah for Christmas. We talk about his piano teachers and organ teachers - and the influence they've had on an extensive career. We also talk about how a musician becomes a musician. And about the state of music education here in America as well as around the world. It's a fitting start to Renaissance Man.…

مرحبًا بك في مشغل أف ام!

يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.