There's Sometimes A Buggy podcast

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Cinema Roundup

تمت الإضافة منذ قبل nine عام

المحتوى المقدم من Dave. يتم تحميل جميع محتويات البودكاست بما في ذلك الحلقات والرسومات وأوصاف البودكاست وتقديمها مباشرة بواسطة Dave أو شريك منصة البودكاست الخاص بهم. إذا كنت تعتقد أن شخصًا ما يستخدم عملك المحمي بحقوق الطبع والنشر دون إذنك، فيمكنك اتباع العملية الموضحة هنا https://ar.player.fm/legal.

Netflix Sports Club Podcast

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America’s Sweethearts: Dallas Cowboys Cheerleaders Season 2 - Tryouts, Tears, & Texas 32:48

منذ 22 يومًا32:48

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احب

32:48

America’s Sweethearts: Dallas Cowboys Cheerleaders is back for its second season! Kay Adams welcomes the women who assemble the squad, Kelli Finglass and Judy Trammell, to the Netflix Sports Club Podcast. They discuss the emotional rollercoaster of putting together the Dallas Cowboys Cheerleaders. Judy and Kelli open up about what it means to embrace flaws in the pursuit of perfection, how they identify that winning combo of stamina and wow factor, and what it’s like to see Thunderstruck go viral. Plus, the duo shares their hopes for the future of DCC beyond the field. Netflix Sports Club Podcast Correspondent Dani Klupenger also stops by to discuss the NBA Finals, basketball’s biggest moments with Michael Jordan and LeBron, and Kevin Durant’s international dominance. Dani and Kay detail the rise of Coco Gauff’s greatness and the most exciting storylines heading into Wimbledon. We want to hear from you! Leave us a voice message at www.speakpipe.com/NetflixSportsClub Find more from the Netflix Sports Club Podcast @NetflixSports on YouTube, TikTok, Instagram, Facebook, and X. You can catch Kay Adams @heykayadams and Dani Klupenger @daniklup on IG and X. Be sure to follow Kelli Finglass and Judy Trammel @kellifinglass and @dcc_judy on IG. Hosted by Kay Adams, the Netflix Sports Club Podcast is an all-access deep dive into the Netflix Sports universe! Each episode, Adams will speak with athletes, coaches, and a rotating cycle of familiar sports correspondents to talk about a recently released Netflix Sports series. The podcast will feature hot takes, deep analysis, games, and intimate conversations. Be sure to watch, listen, and subscribe to the Netflix Sports Club Podcast on YouTube, Spotify, Tudum, or wherever you get your podcasts. New episodes on Fridays every other week.…

There's Sometimes a Buggy explicit

منزل السلاسل•Feed

Join Dave and Elise every week for a buggy-ride of cinematic exploration. A bilingual Montreal native and a Prairies hayseed gravitate to Toronto for the film culture, meet on OK Cupid, and spur on each other's movie-love, culminating in this podcast. Expect in-depth discussion of their old favourites (mostly studio-era Hollywood) and their latest frontiers (courtesy of the TIFF Cinematheque and various Toronto rep houses and festivals). The podcast will be comprised of several potentially never-ending series: - Fear & Moviegoing in Toronto: Our Perspectives on Choice Local Retrospectives - Hollywood Studios – Year by Year: Deep-cut dishing on Paramount, MGM, Warner Brothers, RKO, Fox, and Universal items from 1930 to 1948. - Acteurist oeuvre-views of worthy on-camera creatives, beginning with Jennifer Jones and Setsuko Hara. - And a big parade of special subjects hand-chosen by whichever of your hosts happens to have a handle on this buggy that week

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#Philosophy #Society #Continuum #Identity #Memory #Paradox #Romance #Thefuture #Thepast #Timeline #Timemachine #Cinema #Entertainment #Dave #Amnesia #TimeTraveler

There's Sometimes a Buggy

There's Sometimes a Buggy explicit

37 subscribers

updated منذ يوم واحد

منزل السلاسل•Feed

416 حلقات

#Philosophy #Society #Continuum #Identity #Memory #Paradox #Romance #Thefuture #Thepast #Timeline #Timemachine #Cinema #Entertainment #Dave #Amnesia #TimeTraveler

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There's Sometimes a Buggy

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Hollywood Studios Year-by-Year – RKO – 1931: CIMARRON (dir. Wesley Ruggles) and TRAVELING HUSBANDS (dir. Paul Sloane) 1:02:39

منذ 1 day1:02:39

1:02:39

The movies we viewed for this RKO 1931 Studios Year by Year episode couldn't be more different: the sprawling Cimarron (starring Richard Dix as America's psychotic inner conflict) prompts us to speculate about Edna Ferber as a source auteur and the intertwining of her vision of America with Hollywood across three decades; while the tight, play-like Traveling Husbands (starring Evelyn Brent as a bitter sex worker with noble impulses), demonstrates the pressures capitalism exerts on men and therefore on women. But together, these movies show that the Pre-Code is good for a lot more than just sex-and-crime titillation. Time Codes: 0h 00m 25s: CIMARRON [dir. Wesley Ruggles] 0h 41m 56s: TRAVELING HUSBANDS [dir. Paul Sloane] +++ Studio Film Capsules provided by The RKO Story by Richard B. Jewell & Vernon Harbin Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours , and the Narrative role of comedic scapegoating. * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Acteurist Oeuvre-view – Gloria Grahame – Part 4: A WOMAN’S SECRET (1948) and ROUGHSHOD (1949) 53:50

منذ 9 أيام53:50

53:50

Our Gloria Grahame Acteurist Oeuvre-view continues with A Woman's Secret (1949), an oddball psychological drama with a screenplay by Citizen Kane writer Herman J. Mankiewicz and directed by Grahame's new husband Nicholas Ray; and Roughshod (1949), a consciously feminist Western written by a bunch of leftists. Proving her versatility-within-typecasting yet again, Grahame moves easily from the unlikely comic centre of a noirish vortex to a sympathetic sex worker in a fallen woman melodrama that uses the Western genre to deconstruct masculinity. (And if that makes it sound dull, it's also incredibly dark at moments, with John Ireland raising the tension as a nasty villain.) And in our Fear and Moviegoing in Toronto segment, we talk about Rear Window , voyeurism, movie-watching, and scapegoats. Time Codes: 0h 00m 25s: A WOMAN’S SECRET (1949) [dir. Nicholas Ray] 0h 27m 30s: ROUGHSHOD (1949) [dir. Mark Robson] 0h 43m 52s: Fear & Moviegoing in Toronto – Alfred Hitchcock’s Rear Window (1954) at The Revue Cinema +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s piece on Gangs of New York – “Making America Strange Again” * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Hollywood Studios Year-by-Year – Fox Film Corporation – 1931: A CONNECTICUT YANKEE and SURRENDER 59:01

منذ 16 يومًا59:01

59:01

A curious pairing for this Fox 1931 Studios Year by Year episode: an unsung WWI drama, but as good as any, William K. Howard's Surrender , starring Warner Baxter, Leila Hyams, and an almost unrecognizable (both his appearance and his performance) Ralph Bellamy; and the Will Rogers version of A Connecticut Yankee in King Arthur's Court , which mainly seems to exist so that Rogers can lasso a lance from a knight in a joust. Spoiler: modernity proves to be more than either King Arthur's Court or Ralph Bellamy want to handle, and we dig into their discontents. Time Codes: 0h 00m 25s: A CONNECTICUT YANKEE IN KING ARTHUR’S COURT [dir. David Butler] 0h 28m 28s: SURRENDER [dir. William K. Howard] +++ Studio Film Capsules provided by The Fox Film Corporation, 1915 – 1935: A History and Filmography by Aubrey Solomon Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours , and the Narrative role of comedic scapegoating. * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Special Subject - Farrow vs. Allen – Part 4: ALICE (1990); SHADOWS AND FOG (1991) & HUSBANDS AND WIVES (1992) 1:08:11

منذ 23 يومًا1:08:11

1:08:11

We say farewell to Farrow and Allen (for now, although we'll probably encounter them individually on the podcast again) with this final episode on their cinematic collaboration, covering Alice (1990), Shadows and Fog (1991), and one of their very best, the ill-fated Husbands and Wives (1992). In the first two, two more Allen characters struggle to live the good life in what couldn't be more different settings, and then we join Allen in meditating on all of the different ways that romantic relationships attempting to function at a high level can go wrong. Then, on Fear and Moviegoing in Toronto, we briefly glance at Siodmak's 1944 Phantom Lady , covered by us before, and Ray's In a Lonely Place (1950), to be covered in detail very soon as part of our Gloria Grahame series. Time Codes: 0h 00m 25s: ALICE (1990) [dir. Woody Allen] 0h 23m 27s: SHADOWS AND FOG (1991) [dir. Woody Allen] 0h 33m 41s: HUSBANDS AND WIVES (1992) [dir. Woody Allen] 0h 59m 00s: Our favourites from the Farrow/Allen canon 1h 01m 54s: Fear & Moviegoing in Toronto – Robert Siodmak’s PHANTOM LADY (1944) at TIFF Lightbox & Nicholas Ray’s IN A LONELY PLACE (1950) at The Revue Cinema (Designing the Movies) +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s piece on Gangs of New York – “Making America Strange Again” * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Acteurist Oeuvre-view – Gloria Grahame – Part 3: SONG OF THE THIN MAN (1947) and MERTON OF THE MOVIES (1947) 42:59

منذ 30 يومًا42:59

42:59

In this Gloria Grahame Acteurist Oeuvre-view episode we get to see more of what MGM was (not) doing with our acteur's career. Underused in Song of the Thin Man (1947), in which she brings the only real noir energy to the final Thin Man film, she gets a similarly brief but memorable role in the Red Skelton vehicle Merton of the Movies (1947), playing the most innocent nymphomaniac in cinematic history. We uncover the legacy of Harry Leon Wilson's 1922 Merton of the Movies novel and surprise ourselves with our appreciation of Red Skelton's acting. Time Codes: 0h 00m 25s: SONG OF THE THIN MAN (1947) [dir. Edward Buzzell] 0h 16m 33s: MERTON OF THE MOVIES (1947) [dir. Robert Alton] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s piece on Gangs of New York – “Making America Strange Again” * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Hollywood Studios Year-by-Year – Warner Brothers - 1931: NIGHT NURSE & BLONDE CRAZY 53:49

منذ 5 weeks53:49

53:49

This round of Warner Bros. 1931 brings us two gems by a couple of Pre-Code masters, Roy Del Ruth's Blonde Crazy and William A. Wellman's Night Nurse , showing off the early star charisma of Jimmy Cagney (oozing vulnerability) and Barbara Stanwyck (spitting fire), ably supported by Joan Blondell in both cases. Bonus: Young Clark Gable shows up for another, even nastier 1931 turn. Dave makes the case for Blonde Crazy as a proto-screwball comedy (Warner Bros. does Trouble in Paradise ?). And in another Fear and Moviegoing discussion of Now, Voyager , we discuss the Bette Davis melodrama's authentic ties to Transcendentalism and what it means to not have sex for the right reasons. Time Codes: 0h 00m 25s: NIGHT NURSE [dir. William A. Wellman] 0h 31m 33s: BLONDE CRAZY (dir. Roy Del Ruth] 0h 46m 59s: Fear and Moviegoing in Toronto –Irving Rapper’s Now, Voyager (1942) at TIFF Lightbox +++ Studio Film Capsules provided by The Warner Brothers Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours , and the Narrative role of comedic scapegoating. * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Acteurist Oeuvre-view – Gloria Grahame – Part 2: IT HAPPENED IN BROOKLYN (1947) and CROSSFIRE (1947) 50:38

منذ 6 weeks50:38

50:38

Our second Gloria Grahame Acteur-Oeuvre-view episode includes a curious under-use of our acteur in the all-around baffling musical comedy It Happened in Brooklyn (nevertheless memorable for the chemistry between Frank Sinatra and Jimmy Durante), and a judicious use of her by RKO in Edward Dmytryk's anti-fascist noir Crossfire (also 1947). We try to work out just what Grahame's ongoing avant-garde skit with Paul Kelly (as "The Man") brings to Dmytryk's portrait of a dysfunctional post-war America. One thing's for sure: she sure hates him! Time Codes: 0h 00m 25s: IT HAPPENED IT BROOKLYN (1947) [dir. Richard Whorf] 0h 21m 30s: CROSSFIRE (1947) [dir. Edward Dmytryk] +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s piece on Gangs of New York – “Making America Strange Again” * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Hollywood Studios Year-by-Year – MGM – 1931: THE EASIEST WAY & THE CHAMP 1:09:45

منذ 7 weeks1:09:45

1:09:45

For this MGM 1931 episode we watched The Easiest Way , a feminist subversion of melodrama tropes by director Jack Conway and screenwriter Edith Ellis, starring Constance Bennett as the fallen woman and a young Clark Gable, verging on stardom, as her judgemental brother-in-law; and possibly the most sentimental movie ever made, King Vidor's The Champ , starring Wallace Beery as a ne'er-do-well ex-boxing champ dad and Jackie Cooper as his passionately devoted son. MGM delivers again in this new round of 1931! Time Codes: 0h 00m 25s: The Easiest Way (1931) [dir. Jack Conway] 0h 43m 55s: The Champ (1931) [dir. King Vidor] +++ Studio Film Capsules provided by The MGM Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours , and the Narrative role of comedic scapegoating. * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Special Subject - Farrow vs. Allen – Part 3: SEPTEMBER (1987); ANOTHER WOMAN (1988) NEW YORK STORIES (1989) & CRIMES AND MISDEMEANORS (1989) 1:32:39

منذ 8 weeks1:32:39

1:32:39

Our Farrow v Allen series continues with four more collaborations: September (1987), Another Woman (1988), Oedipus Wrecks (1989, part of the anthology movie New York Stories ), and Crimes and Misdemeanors (1989). We count the ways in which Allen mashes up his favourite playwrights, filmmakers, and Russian novelists, trace the development of Allen's "survivor" theme through these movies, and discuss the different flavours of invisible that Farrow brings to them. And in Fear and Moviegoing in Toronto, Charles Burnett, in town to present De Sica's Bicycle Thieves and a 4K restoration of his own Killer of Sheep , tells us about the cost of art and the time someone stole his bicycle. Time Codes: 0h 00m 25s: SEPTEMBER (1987) [dir. Woody Allen] 0h 24m 17s: ANOTHER WOMAN (1988) [dir. Woody Allen] 0h 44m 29s: “Oedipus Wrecks” segment of NEW YORK STORIES (1989) [dir. Woody Allen] 0h 57m 33s: CRIMES AND MISDEMEANORS (1989) [dir. Woody Allen] 1h 20m 24s: Fear and Moviegoing in Toronto: Vittorio De Sica’s The Bicycle Thieves (1948) and Charles Burnett’s Killer of Sheep (1978), both introduced by Charles Burnett at TIFF Lightbox ++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s piece on Gangs of New York – “Making America Strange Again” * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Acteurist Oeuvre-view – Gloria Grahame – Part 1: BLONDE FEVER (1944) and IT’S A WONDERFUL LIFE (1946) 1:11:56

منذ 9 weeks1:11:56

1:11:56

Welcome to our inaugural Gloria Grahame episode, which is also our final Acteurist Oeuvre-view! In this episode we consider Gloria's first significant movie role, as the cause of Blonde Fever (1944), in which she and Philip Dorn confuse each other and provide occasion for Mary Astor's multiple levels of irony. We then turn to Gloria's breakthrough role in one of our very favourite movies, It's a Wonderful Life (1946), examining it through the lens of Gloria's iconic character, Violet Bick. We consider Violet's thematic link to George at a crucial moment, Capra's invention of a "wholesome small-town siren" trope that's essential to David Lynch's universe, and the qualities that enable Gloria Grahame to embody this concept. Time Codes: 0h 00m 25s: A Short Introduction to Gloria Grahame 0h 12m 48s: BLONDE FEVER (1944) [dir. Richard Whorf] 0h 34m 09s: IT’S A WONDERFUL LIFE (1946) [dir. Frank Capra] ++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s piece on Gangs of New York – “Making America Strange Again” * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Hollywood Studios Year-by-Year – Paramount – 1931: 24 HOURS and LADIES OF THE BIG HOUSE 1:10:15

منذ 10 weeks1:10:15

1:10:15

Our streak of finding gynocentric crime film gems continues with our second Paramount 1931 episode, featuring two movies directed by Sylvia Sidney specialist Marion Gering. 24 Hours pairs a despairing Clive Brook and Miriam Hopkins, haunted by marriages they can't escape in one way or another. And Ladies of the Big House , starring a radiant Sidney as a hapless shopgirl who (like Hopkins' nightclub singer) becomes the target of a gangster's obsession, depicts life in prison as a curious quasi-utopia of racial equality and solidarity among American's socioeconomically oppressed. We give you our take on Gering as unsung auteur! Time Codes: 0h 00m 25s: Hollywood, 1931 and Paramount 0h 07m 09s: 24 HOURS [dir. Marion Gering] 0h 40m 51s: LADIES OF THE BIG HOUSE [dir. Marion Gering] +++ Studio Film Capsules provided by The Paramount Story by John Douglas Eames Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours , and the Narrative role of comedic scapegoating. * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Acteurist Oeuvre-view - Diana Wynyard – Part 7:AN IDEAL HUSBAND (1947) and THE FEMININE TOUCH (1956) 1:23:20

منذ 11 weeks1:23:20

1:23:20

Our final Diana Wynyard episode has arrived all too soon! We look at her two final key roles, in Alexander Korda's film of Oscar Wilde's An Ideal Husband (1947) and The Feminine Touch (1956), a nurse drama that's better than its silly title. And in Fear and Moviegoing in Toronto, we cover the 2025 Toronto Silent Film Festival, focusing on three films built around miraculous performances, Victor Sjostrom's The Wind (1928), starring Lillian Gish, Victor Fleming's Mantrap (1926), starring Clara Bow, and Josef von Sternberg's The Last Command (1928), starring Emil Jannings (ably supported by Evelyn Brent), before turning our attention to a film that was entirely new to us, the blatantly anti-capitalist The Johnstown Flood (1926), featuring Janet Gaynor in her first major role. Time Codes: 0h 00m 25s: AN IDEAL HUSBAND (1947) [dir. Alexander Korda] 0h 23m 27s: THE FEMININE TOUCH (1956) [dir. Pat Jackson] 0h 41m 54s: Diana Wynyard – The Summing Up 0h 48m 01s: FEAR & MOVIEGOING IN TORONTO: Toronto Silent Film Festival 2025 at The Revue Cinema [ The Wind , Mantrap , The Last Command , The Johnstown Flood , Leap Year , Assistant Wives ] and Easter Parade (1948) at TIFF Lightbox. +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s piece on Gangs of New York – “Making America Strange Again” * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Retro Re-issue [August 23, 2019] - Ethan Mordden’s The Hollywood Studios (1989) - Now With No Introductory Song! 2:44:46

منذ 12 weeks2:44:46

2:44:46

**** [Retro Re-issue Alert!] **** Turns out it wasn't such a great idea to use Le Tigre's "What's Yr Take on Cassavetes?" as our podcast's theme song in 2019 and 2020! Anyway, Spotify (and presumably Le Tigre) don't seem to think so. Accordingly, please find the attached re-issue of one of our foundational episodes, minus the intro music + a couple of words of greeting from Elise. Consider it a fragment shored against our (Julie) Ruin. First issued: August 23, 2019 This week’s episode serves as both a prolegomenon to our imminent Hollywood Studios Year By Year series and as a wistful look back to Dave’s teen years, when he picked up Ethan Mordden’s freewheeling speed date with Old Hollywood History and discovered a new way to split the difference between Adornian culture industry theory and auteurist ontology. Journey back to a time when oligopoly really meant something and most entertainment companies weren’t somehow beholden to Disney. We quote from and quibble with Mordden’s characterizations of the quintessential qualities of Paramount, MGM, Warner Brothers, Fox, RKO, and Universal (Dave gets particularly riled up about yet another slight to the sacred memory of Carl Laemmle Jr.). What’s your favourite Golden Age Studio? We want to know! Time Codes: 0h 0m 00s: The Hollywood Studios 2h 14m 43s Listener Mail with Todd Murry +++ *Read Elise’s Writing at Bright Wall/Dark Room , Cléo , and Bright Lights .* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com…

There's Sometimes a Buggy

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Special Subject - Farrow vs. Allen – Part 2: THE PURPLE ROSE OF CAIRO (1985); HANNAH AND HER SISTERS (1986) & RADIO DAYS (1987) 1:09:27

منذ 12 weeks1:09:27

1:09:27

In this Farrow vs. Allen Special Subject episode we dig into a strong set of films, The Purple Rose of Cairo (1985), Hannah and Her Sisters (1986), and Radio Days (1987), united by their examination of art, popular culture, and fantasy, the possibilities they offer for transcendence, and the conditions of that transcendence. We also, of course, particularly examine Mia Farrow's role in these films, from Allen avatar to intimidating enigma, wistful waif to materfamilias. Time Codes: 0h 00m 25s: THE PURPLE ROSE OF CAIRO (1985) [dir. Woody Allen] 0h 31m 01s: HANNAH & HER SISTERS (1986) [dir. Woody Allen] 0h 54m 18s: RADIO DAYS (1987) [dir. Woody Allen] ++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s piece on Gangs of New York – “Making America Strange Again” * Check out Dave’s Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

There's Sometimes a Buggy

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Hollywood Studios Year-by-Year – Universal – 1930: ALL QUIET ON THE WESTERN FRONT & OUTSIDE THE LAW 1:17:19

منذ 13 weeks1:17:19

1:17:19

We complete our second round of 1930 on Studios Year by Year with Universal. This time around we've got two auteur entries, Lewis Milestone's All Quiet on the Western Front , and a much deeper cut, Tod Browning's eccentric crime drama Outside the Law . We discuss All Quiet as emblematic of the Laemmele Jr. era before turning to Browning's tense, messy melodrama, with a powerhouse performance by the scandal-plagued Mary Nolan. A fine finale to another trip through 1930 with the Hollywood Studios! Time Codes: 0h 00m 25s: Universal Recap 0h 15m 58s: ALL QUIET ON THE WESTERN FRONT [dir. Lewis Milestone] 0h 53m 51s: OUTSIDE THE LAW [dir. Tod Browning] +++ Studio Film Capsules provided by The Universal Story by Clive Hirschhorn Additional studio information from: The Hollywood Story by Joel W. Finler Additional 1930 information from: Forgotten Films to Remember by John Springer +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive ) * Read Elise’s latest film piece on Preston Sturges, Unfaithfully Yours , and the Narrative role of comedic scapegoating. * Check out Dave’s new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist’s 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!…

مرحبًا بك في مشغل أف ام!

يقوم برنامج مشغل أف أم بمسح الويب للحصول على بودكاست عالية الجودة لتستمتع بها الآن. إنه أفضل تطبيق بودكاست ويعمل على أجهزة اندرويد والأيفون والويب. قم بالتسجيل لمزامنة الاشتراكات عبر الأجهزة.