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Welcome to the Sangam podcast, where amazing things happen. Cover art photo provided by Andrew Ridley on Unsplash: https://unsplash.com/@aridley88
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Sangat Vaani

Guruji's Bangalore Sangat

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شهريا
 
Amidst the global pandemic, when we are confined to our homes and left craving Guruji’s divine Satsangs, Sangat Vaani is an initiative to bring His global parivaar together on a virtual platform. In this audio series, the magic of satsangs is brought to you in the form of curated Podcasts published on the web. Each hourly episode includes soulful shabads, new satsangs, and insightful conversations.
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RSD Sanga

Ravindra Svarupa Dasa

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شهريا
 
Ravindra Svarupa Dasa (William H. Deadwyler, III) is an initiated disciple of His Divine Grace A.C. Bhaktivedanta Swami Srila Prabhupada who is the Founder-Acarya of the International Society for Krishna Consciousness (ISKCON). Ravindra Svarupa Dasa received a B.A. in Philosophy from the University of Pennsylvania in 1966 and a Ph.D. in Religion from Temple University in 1980. In 1971 he became an initiated disciple of Srila Prabhupada. In his decades of service to ISKCON, he has served as t ...
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 14 vaikuṇṭhaṁ durlabhaṁ muktaiḥ sāndrānanda-cid-ātmakam niṣkāmā ye tu tad-bhaktā labhante sadya eva tat TRANSLATION That abode, Vaikuṇṭha, is made of concentrated ecstasy and pure consciousness. Even for liberated souls it is difficult to attain. But the Lord’s devotees who are free from selfish desires rea…
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In this episode, we perceive a scoffing retort, as depicted in Sangam Literary work, Kalithogai 97, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and connects the characteristics of a woman and an elephant. தலைவி அன்னை கடுஞ் சொல் அறியாதாய் போல, நீ என்னைப் புலப்பது ஒறுக்குவென்மன் யான் சிறுகாலை இற் …
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In this episode, we listen to an imaginative response to a dishonest explanation, as portrayed in Sangam Literary work, Kalithogai 96, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and renders a comparative study of women and horses. தலைவி ‘ஏந்து எழில் மார்ப! எதிர் அல்ல, நின் வாய்ச் சொல்; பாய்ந்து…
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In this episode, we perceive fighting over the truth, as depicted in Sangam Literary work, Kalithogai 95, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and renders details about quail fights in ancient times. தலைவி நில், ஆங்கு; நில், ஆங்கு; இவர்தரல் எல்லா! நீ நாறு இருங் கூந்தலார் இல் செல்வாய், இவ்…
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In this episode, we perceive a unique love story, as portrayed in Sangam Literary work, Kalithogai 94, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the coming together journey of two striking personalities. குறளன் என் நோற்றனைகொல்லோ நீருள் நிழல் போல் நுடங்கிய மென் சாயல் ஈங்கு உருச் சு…
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In this episode, we perceive a sarcastic response to a dubious explanation, as depicted in Sangam Literary work, Kalithogai 93, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches an animated conversation. தலைவி வண்டு ஊது சாந்தம் வடுக் கொள நீவிய, தண்டாத் தீம் சாயற் பரத்தை வியல் மார்ப! பண்டு…
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In this episode, we listen to the narration of a dream, as portrayed in Sangam Literary work, Kalithogai 92, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and presents a fused portrait of dream and reality. தலைவன் புன வளர் பூங் கொடி அன்னாய்! கழியக் கனவு எனப்பட்டது ஓர் காரிகை நீர்த்தே: முயங்கிய நல்…
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In this episode, we listen to a conflict-ridden conversation, as depicted in Sangam Literary work, Kalithogai 91, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and traces how the lady’s words turn from scoffing to submission. தலைவி அரி நீர் அவிழ் நீலம், அல்லி, அனிச்சம், புரி நெகிழ் முல்லை, நறவோடு …
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 10 śrīmad-uttarovāca kāmināṁ puṇya-kartṝṇāṁ trai-lokyaṁ gṛhiṇāṁ padam agṛhāṇāṁ ca tasyordhvaṁ sthitaṁ loka-catuṣṭayam TRANSLATION Śrīmatī Uttarā said: By performing auspicious duties, householders with material desires can achieve the three worlds, and persons who have renounced their homes can reach the fo…
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In this episode, we observe the trajectory of a conflict, as depicted in Sangam Literary work, Kalithogai 90, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and etches a tale of denial and acceptance. தலைவி கண்டேன், நின் மாயம் களவு ஆதல்; பொய்ந் நகா, மண்டாத சொல்லித் தொடாஅல்; தொடீஇய நின் பெண்டிர் உளர…
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In this episode, we perceive sparks fly in a domestic quarrel, as portrayed in Sangam Literary work, Kalithogai 89, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and relates a heated exchange between a couple. தலைவி யார் இவன்? எம் கூந்தல் கொள்வான்? இதுவும் ஓர் ஊராண்மைக்கு ஒத்த படிறு உடைத்து; எம் ம…
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In this episode, we observe the inferences of a lady’s perceptive eyes, as depicted in Sangam Literary work, Kalithogai 88, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and etches the quarrelling and conflict in a household. தலைவி ஒரூஉ; கொடி இயல் நல்லார் குரல் நாற்றத்து உற்ற முடி உதிர் பூந் தாது …
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In this episode, we encounter an animated exchange between the lady and the man, as depicted in Sangam Literary work, Kalithogai 87, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches a situation of domestic conflict.بقلم Nandini Karky
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In this episode, we listen to advice offered by a mother to her young son, as portrayed in Sangam Literary work, Kalithogai 86, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and contrasts the positive and negative qualities of a man.بقلم Nandini Karky
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In this episode, we listen to a mother's words to her child, as depicted in Sangam Literary work, Kalithogai 85, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and paints a portrait of the adornments on a child in an affluent household.بقلم Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 10 śrīmad-uttarovāca kāmināṁ puṇya-kartṝṇāṁ trai-lokyaṁ gṛhiṇāṁ padam agṛhāṇāṁ ca tasyordhvaṁ sthitaṁ loka-catuṣṭayam TRANSLATION Śrīmatī Uttarā said: By performing auspicious duties, householders with material desires can achieve the three worlds, and persons who have renounced their homes can reach the fo…
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In this episode, we perceive the lady's ire, as portrayed in Sangam Literary work, Kalithogai 84, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the inferences in the lady's mind about the intentions of courtesans.بقلم Nandini Karky
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In this episode, we perceive the angst of the lady, as depicted in Sangam Literary work, Kalithogai 83, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reveals the consequences of the man's actions on the lady.بقلم Nandini Karky
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In this episode, we listen to a striking interaction between the man and the lady, as depicted in Sangam Literary work, Kalithogai 81, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reveals the man's attempts at allaying the lady's ire.بقلم Nandini Karky
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In this episode, we listen to a lady's words of rebuke to her man, as depicted in Sangam Literary work, Kalithogai 79, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and spotlights moments of affection.بقلم Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 2 Chapter 1 Text 1 śrī-janamejaya uvāca satyaṁ sac-chāstra-vargārtha- sāraḥ saṅgṛhya durlabhaḥ gūḍhaḥ sva-mātre pitrā me kṛṣṇa-premṇā prakāśitaḥ TRANSLATION Śrī Janamejaya said: Truly, my father gleaned the essential meaning of all eternal scriptures, and with great love for Kṛṣṇa he revealed to his mother that rare confide…
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In this episode, we listen to the lady's perspective on the man's thoughts, as portrayed in Sangam Literary work, Kalithogai 78, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and reflects the lady's clarity and perception.بقلم Nandini Karky
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In this episode, we perceive the lady's loss owing to the man's actions, as portrayed in Sangam Literary work, Kalithogai 77, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the lady's state of despair.بقلم Nandini Karky
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In this episode, we perceive elements of a different landscape appearing in the farmlands domain, as portrayed in Sangam Literary work, Kalithogai 76, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches a lady's way of revealing her relationship with the man to her friend.…
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In this episode, we perceive the reasons for the lady's restraint, as depicted in Sangam Literary work, Kalithogai 75, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and highlights the man's crafty nature.بقلم Nandini Karky
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In this episode, we listen to an anguished question, as depicted in Sangam Literary work, Kalithogai 72, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and provides insight about the prominent workers in a town setting.بقلم Nandini Karky
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In this episode, we perceive a lady's fury at her man, as depicted in Sangam Literary work, Kalithogai 71, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the lady's disappointment in the words of the man's supporters.بقلم Nandini Karky
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In this episode, we listen to the sharp words of a lady, as depicted in Sangam Literary work, Kalithogai 69, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the man's activities with courtesans.بقلم Nandini Karky
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In this episode, we perceive the anguished questions in the mind of the lady, as portrayed in Sangam Literary work, Kalithogai 68, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the illusory nature of the man's relationship.بقلم Nandini Karky
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Bṛhad-bhāgavatāmṛta Part 1 Chapter 7 Text 151 svayaṁ yad-bhakti-māhātmyam anubhūtam itas tataḥ sānandaṁ vīṇayā gāyan sa yayau bhakti-lampaṭaḥ TRANSLATION Thus Nārada started on his journey to Prayāga, intoxicated with eagerness for pure devotion. Wherever he passed he vibrated his vīṇā and blissfully sang the glories of the kṛṣṇa-bhakti he had seen…
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In this episode, we perceive the ire of a lady towards her man, as portrayed in Sangam Literary work, Kalithogai 66, penned by Maruthan Ilanaakanaar. The verse is situated in the ‘Marutham’ or ‘Farmlands landscape’ and sketches the escapades of the man with courtesans.بقلم Nandini Karky
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In this episode, we listen to a curious incident that unfolded one night, as portrayed in Sangam Literary work, Kalithogai 65, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and attempts to convey the gravity of the situation in an indirect manner.بقلم Nandini Karky
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In this episode, we listen to a playful conversation between a man and lady in love, as depicted in Sangam Literary work, Kalithogai 64, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and etches an attempt to reconcile a disgruntled person.بقلم Nandini Karky
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In this episode, we perceive an exchange of words to unearth the truth, as depicted in Sangam Literary work, Kalithogai 63, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the confidante's attempts at bringing together the man and the lady.بقلم Nandini Karky
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In this episode, we perceive the transformation in a lady's heart, as portrayed in Sangam Literary work, Kalithogai 62, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and sketches the manner in which the man wins over the lady's reservations against him.بقلم Nandini Karky
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In this episode, we listen to an interesting conversation between three people, as depicted in Sangam Literary work, Kalithogai 61, penned by Kabilar. The verse is situated in the ‘Kurinji’ or ‘Mountains landscape’ and reveals the man's situation and the confidante's support.بقلم Nandini Karky
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