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Stephen Fry's 7 Deady Sins - I will take each one of the Seven Sins in turn, lay them out on the surgical table and poke, prod, pry and provoke in an attempt to try to anatomise and understand them; I hope and believe it will be, if nothing else, delicious fun and something of a change from the usual run of podcastery. See acast.com/privacy for privacy and opt-out information.
Racism in German and American Cinema of the Twenties: From The Ancient Law to The Jazz Singer with Charles Musser - Holocaust Living History Workshop
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Manage episode 267909116 series 2745832
بواسطة UCTV، اكتشفه Player FM ومجتمعنا ـ حقوق الطبع والنشر مملوكة للناشر وليس لـPlayer FM، والصوت يبث مباشرة من خوادمه. اضغط زر الاشتراك لمتابعة التحديثات في Player FM، أو ألصق رابط التغذية الراجعة في أي تطبيق بودكاست آخر.
Yale University professor and filmmaker Charles Musser explores the historical and contemporary perspectives of race relations in German and American cinema from the 1920s by examining The Ancient Law (1923) and The Jazz Singer (1927). He evaluates how each film addresses anti-Semitism as well as the burning question of the history of blackface as a theatrical convention. Series: "Library Channel" [Public Affairs] [Humanities] [Show ID: 35016]
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